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BET NETWORKS REGISTERS FOR ANOTHER SEMESTER OF HIT SERIES “THE QUAD”

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“THE QUAD” SEASON 2 premieres tuesday, JANUARY 23, 2018 AT 10 P.M. ET/PT

 

Antwan “Big Boi” Patton Sr., Sheryl Lee Ralph, Debbi Morgan and RonReaco Lee JOIN THE CAST IN RECURRING ROLES

 

(Black PR Wire) New York, NY –  – BET Networks announces Season 2 of hit series “The Quad” starring Tony Award winners Anika Noni Rose and Ruben Santiago-Hudson. Premiering Tuesday, January 23, 2018 at 10 P.M. ET/PT on BET, the new season also sees the return of stars Peyton Alex Smith, Jazz Raycole, Zoe Renee, Jake Allyn, Michelle DeFraites and Sean Blakemore.

It’s Spring semester and Georgia A&M’s survival as an independent, historically Black university hangs in a precarious balance as the driven Dr. Eva Fletcher (Rose) struggles to raise capital for the nearly bankrupt institution. If she fails, the school may be forced to join Georgia’s large, public and predominantly White university system in order to keep its doors open.

Students protest, allegiances are challenged and friendships are jeopardized as students, faculty and the administration struggle to define their place in the fight while our freshman class also deals with the stress of pledging, hazing, academic probation, post-traumatic stress, hate crime attacks and prescription drug abuse.

An all-star lineup including Antwan “Big Boi” Patton Sr., Sheryl Lee Ralph, Debbi Morganand RonReaco Lee join Jasmine Guy in recurring roles. Felicia D. Henderson returns as Showrunner and Executive Producer along with Executive Producer Rob HardyKevin Arkadie and Mitzi Miller serves as Co-Executive Producers.

For more information about “THE QUAD,” please visit BET.com; and join the conversation on social media using the hashtag #TheQuadBET.

About BET Networks

BET Networks, a subsidiary of Viacom Inc. (NASDAQ: VIA, VIA.B), is the nation’s leading provider of quality entertainment, music, news and public affairs television programming for the African-American audience. The primary BET channel is in nearly 85 million households and can be seen in the United States, Canada, the Caribbean, the United Kingdom, sub-Saharan Africa and France. BET is the dominant African-American consumer brand with a diverse group of business extensions including BET.com, a leading Internet destination for Black entertainment, music, culture, and news; BET HER (formerly CENTRIC), a 24-hour entertainment network targeting the African-American woman; BET Music Networks – BET Jams, BET Soul and BET Gospel; BET Home Entertainment; BET Live, BET’s growing festival business; BET Mobile, which provides ringtones, games and video content for wireless devices; and BET International, which operates BET Networks around the globe.

 

We Speak Indie Artist

Plain Mister Smith Pieces Together a World of Sound on Bric-À-Brac Attack

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Plain Mister Smith returns with Bric-À-Brac Attack, a beautifully offbeat collection of indie-folk, pop and atmospheric songwriting. Released via Amelia Records, the album finds the Vancouver and London-based multi-hyphenate turning fragments of memory, relationships and everyday absurdity into something quietly cinematic.

At its centre is “Grindavik”, a shimmering, reflective track inspired by the Icelandic town shaped by recent volcanic activity. Bright acoustic guitars and steady drums carry a constantly shifting chord progression, mirroring the song’s central metaphor of a relationship under pressure and the hope that its fissures can eventually heal. Featuring Jordan Klassen and Kitt, the track captures the emotional tension that runs throughout the album.

Elsewhere, Bric-À-Brac Attack moves effortlessly between playful guitar-driven moments, lush arrangements and more introspective passages. “Miss Sunshine” brings infectious energy, while collaborations with Findlay Brown, Leeroy Stagger, Krystle Dos Santos and Tyson Mostenbocher add colour to an already eclectic record.

Former guitarist of Canadian darkwave band Moev and a cellist with the Vancouver Philharmonic Orchestra, Plain Mister Smith brings an unusually broad musical perspective to his songwriting. Yet Bric-a-Brac attack never feels overly calculated. Instead, it has the charm of something discovered rather than constructed.

Warm, strange, melodic and emotionally searching, Bric-À-Brac Attack is a record that rewards getting lost in its details. Plain Mister Smith may remain deliberately mysterious, but the music itself speaks with remarkable clarity.

   Photo credit: Sandra Lockwood


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