We Speak Indie Artist
Cashh Los Drops Music Video For New Hit Single “Leave Me Alone”
Cashh Los is a rising rapper from Lake County, Illinois, who is here to make a difference in music. Bursting on the scene last year with his official debut release, “Up Again”, Cashh cites Denzel Curry, Kodak Black, A$AP Rocky, Ye, and G Herbo as some of his biggest influences. Ready to continue his rise, Cashh has just returned with his brand-new single, “Leave Me Alone”.
“Leave Me Alone” stands out immediately on first listen. The track showcases Cashh’s dynamic and versatile cadence as he switches effortlessly from the ferocious nature of the verses to the smooth, melodic delivery of the chorus. The track is elevated further by an equally impressive music video directed by MOV.
Speaking further on the new release, Cashh Los says, “One of my close friends, who is a producer (@luisnextdxxr), sent me the track, and it was sitting there for a while until I went through some of the beats he sent me, and I found it. I came up with a melody, wrote to it and finished it in like two hours and went to the studio the next day to record it. It’s about celebrating your growth and the greatness that comes with it and acknowledging the things you went through on the journey.” “Leave Me Alone” is available to buy/stream now on all platforms: https://lnk.to/CashhLosLeaveMeAlone.
Keep up to date with the latest from Cashh Los via Instagram.
We Speak Indie Artist
Plain Mister Smith Pieces Together a World of Sound on Bric-À-Brac Attack
Plain Mister Smith returns with Bric-À-Brac Attack, a beautifully offbeat collection of indie-folk, pop and atmospheric songwriting. Released via Amelia Records, the album finds the Vancouver and London-based multi-hyphenate turning fragments of memory, relationships and everyday absurdity into something quietly cinematic.
At its centre is “Grindavik”, a shimmering, reflective track inspired by the Icelandic town shaped by recent volcanic activity. Bright acoustic guitars and steady drums carry a constantly shifting chord progression, mirroring the song’s central metaphor of a relationship under pressure and the hope that its fissures can eventually heal. Featuring Jordan Klassen and Kitt, the track captures the emotional tension that runs throughout the album.
Elsewhere, Bric-À-Brac Attack moves effortlessly between playful guitar-driven moments, lush arrangements and more introspective passages. “Miss Sunshine” brings infectious energy, while collaborations with Findlay Brown, Leeroy Stagger, Krystle Dos Santos and Tyson Mostenbocher add colour to an already eclectic record.
Former guitarist of Canadian darkwave band Moev and a cellist with the Vancouver Philharmonic Orchestra, Plain Mister Smith brings an unusually broad musical perspective to his songwriting. Yet Bric-a-Brac attack never feels overly calculated. Instead, it has the charm of something discovered rather than constructed.
Warm, strange, melodic and emotionally searching, Bric-À-Brac Attack is a record that rewards getting lost in its details. Plain Mister Smith may remain deliberately mysterious, but the music itself speaks with remarkable clarity.
Photo credit: Sandra Lockwood
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