We Speak Music

Christian Balvig releases gorgeous new album ‘Find And You Will Seek’ in collaboration with Ensemble Hermes.

Published

1 hour ago

June 2, 2026

Don Reed

Acclaimed composer and arranger Christian Balvig is known for his work with an array of artists and bands like Jade, Efterklang, Lowly, When Saints Go Machine and Mew, as well as his work with some of the most acclaimed orchestras like Royal Northern Sinfonia (BBC Proms), The Royal Danish Orchestra, Copenhagen Phil, London Contemporary Orchestra, The Danish Radio Broadcast Orchestra and The Norwegian Wind Ensemble.

The cinematic sound on his new album might echo Balvig’s work in the world of film and TV music. Scoring the 2025 Oscar shortlisted short movie ‘Eternal Father’ and the Danish hit series ‘Cry Wolf’ (Ulven Kommer), which has been shown on television in more than 30 countries around the globe, including Channel 4 in the UK. He was also nominated for a Harpa award for ‘Best score’ last year at the Berlinale for ‘The Son and the Moon (Min Arv Bor I Dig)’.

Balvig’s new album, ‘Find And You Will Seek’, backed by Danish string group Ensemble Hermes, grew organically out of this background of experiences and is music that appeals to listeners seeking original, immersive music with space for reflection and contemplation.

‘Find And You Will Seek’ is a collection of chamber works that explore the combination of piano and strings in new ways. Recent single ‘The BirdSuite II – Praesentia’ is part of a 3-part Suite running throughout the record, written and performed on a custom made “Keybird” piano, which is an una-corda (one string pr note) piano that gives a more subtle and intimate sound. On top of it is a lush and emotional string ensemble arrangement with Ensemble Hermes in multiple layers fluctuating in and out of the keybird piano.

Balvig’s second single from the record is ‘What Happened To The World’, an ultra transparent neo-classical inspired piece, with slow melodic structures, a simple chord progression and emotional performance starting with a floating viola solo. It is written from the feeling that the world sometimes goes backwards, and you feel left on the platform wanting to take the train in a different direction.

From film music inspired pieces to experimental chamber music over piano concerto inspired movements, to more neo-classical productions with almost orchestral sounding dubs of strings, ‘Find And You Will Seek’ flows with emotions and lush sound worlds, always with a tangible organic texture.

Find Christian Balvig and Ensemble Hermes on tour in Denmark:

27.5 Ansgars Kirke (Odense)

28.5 Folkegaarden Festival (Aalborg)

29.5 Gnisten (Ry)

30.5 Musikhuset (Aarhus)

1.6 Basement (Copenhagen)

We Speak Music

Mané’s ‘The Goddess in the Room’ Turns Self-Discovery Into Sonic World-Building

Published

7 hours ago

June 2, 2026

Philomena Marie

There is a remarkable sense of intention running through The Goddess in the Room, the latest project from Swiss artist Mané. Blending alternative electronic pop with ritualistic percussion and spiritual symbolism, the album presents itself as both a personal statement and a carefully constructed narrative. Across its nine tracks, Mané explores identity, healing, queerness, and empowerment with impressive clarity of vision.

The opening track, “The GODDESS in the Room,” functions as both invitation and thesis statement. It introduces listeners to a world where intuition and self-trust become guiding principles, while establishing the atmospheric production style that shapes much of the record. The song’s spacious arrangement creates room for reflection, a quality that becomes one of the album’s defining characteristics.

That introspection deepens on “perles de sang” and “sappho.” The former grapples with inherited pain and bodily experience, while the latter offers a moving celebration of queer identity. Throughout these songs, Mané avoids reducing complex themes to slogans, instead allowing emotional nuance to emerge through carefully crafted songwriting and evocative imagery.

Musically, the album reaches some of its most intriguing moments on “)O(” and “moonstones.” Both tracks highlight Mané’s growing confidence as a sonic architect, blending electronic textures with organic rhythmic elements inspired by shamanic practice. The resulting sound feels immersive and transportive without losing its emotional immediacy.

Meanwhile, “j’serai tjr là” and “chocolate con sangre” provide some of the record’s most vulnerable moments. Here, Mané strips back some of the conceptual grandeur to focus on connection, memory, and emotional endurance. These songs reveal an artist equally capable of intimate storytelling and ambitious world-building.

The penultimate track, “Witches,” injects a surge of collective energy into the album’s narrative. Drawing on themes of resistance and feminine power, it stands as one of the project’s most direct statements while retaining its atmospheric sophistication. It is both politically resonant and emotionally charged.

By the time “ALIGNED” closes the record, the journey feels complete. Not because all questions have been answered, but because the search itself has become meaningful. The Goddess in the Room succeeds through its commitment to authenticity and vision, establishing Mané as an artist unafraid to follow her own path, wherever it may lead.

TOUR DATES