We Speak Indie Artist

D’chrome Foster Impresses With Phenomenal Single “Right Now”

Published

9 months ago

December 2, 2025

Music4U

D’chrome Foster’s new single “Right Now” arrives with the kind of energy that sets the tone for an entire night out. The Brooklyn artist teams up with BBass for a track that mixes tension, charm, and a little emotional disarray, all wrapped in a beat that feels built for packed rooms and neon lights.

The song kicks off with Foster walking into a club feeling sharp and carefree, only to spot his ex in the crowd. Instead of letting the moment ruin his vibe, he leans directly into it. He delivers lines like “let’s leave this place right now” with a mix of confidence and wild impulse. The production matches his mood with a punchy rhythm that keeps the track bouncing from start to finish.

BBass steps in as the perfect counterweight. His voice carries a cool intensity that complements Foster’s expressive delivery. When he sings “If we do not do this, we may not see tomorrow”, it adds urgency while still keeping the flow smooth. The pairing brings a conversational feel to the song, almost like two friends pushing each other toward a reckless decision they will both probably enjoy.

The animated video by Aeophex amplifies the mood with bold color and playful movement, a natural match for the song’s sense of motion.

“Right Now” is charismatic, bold, and refreshingly honest. It shows D’chrome Foster and BBass working in sync to create a track that hits on the dance floor but still carries real-life weight. It feels like a window into an artist who continues to grow more interesting with every release.

We Speak Indie Artist

Plain Mister Smith Pieces Together a World of Sound on Bric-À-Brac Attack

Published

2 weeks ago

August 18, 2026

Joni Jones

Plain Mister Smith returns with Bric-À-Brac Attack, a beautifully offbeat collection of indie-folk, pop and atmospheric songwriting. Released via Amelia Records, the album finds the Vancouver and London-based multi-hyphenate turning fragments of memory, relationships and everyday absurdity into something quietly cinematic.

At its centre is “Grindavik”, a shimmering, reflective track inspired by the Icelandic town shaped by recent volcanic activity. Bright acoustic guitars and steady drums carry a constantly shifting chord progression, mirroring the song’s central metaphor of a relationship under pressure and the hope that its fissures can eventually heal. Featuring Jordan Klassen and Kitt, the track captures the emotional tension that runs throughout the album.

Elsewhere, Bric-À-Brac Attack moves effortlessly between playful guitar-driven moments, lush arrangements and more introspective passages. “Miss Sunshine” brings infectious energy, while collaborations with Findlay Brown, Leeroy Stagger, Krystle Dos Santos and Tyson Mostenbocher add colour to an already eclectic record.

Former guitarist of Canadian darkwave band Moev and a cellist with the Vancouver Philharmonic Orchestra, Plain Mister Smith brings an unusually broad musical perspective to his songwriting. Yet Bric-a-Brac attack never feels overly calculated. Instead, it has the charm of something discovered rather than constructed.

Warm, strange, melodic and emotionally searching, Bric-À-Brac Attack is a record that rewards getting lost in its details. Plain Mister Smith may remain deliberately mysterious, but the music itself speaks with remarkable clarity.