We Speak Music
Energy Whores Transition to a Trio with Haunting New Single ‘Fade to Gray’
New York City’s premier avant-electro project Energy Whores has officially returned with their hauntingly beautiful new single, “Fade to Gray.” The track doesn’t so much announce itself as it materializes, built from pulsing electronic rhythms, dense layers of shifting synths, and a slow-building tension that makes the listener feel as if something vital is slipping just beyond their grasp.
For a project that initially built its fierce independent reputation on outward political confrontation, dark satire, and dancefloor unease, “Fade to Gray” marks a deliberate, highly sophisticated shift inward. The band’s signature sonic teeth are still very much present, they are simply quieter and sharper now.
The release arrives at a monumental evolutionary pivot point for the outfit, officially celebrating their transition from a duo into a trio. Underground electronic artist and DJ Grant NYC has formally joined core members Carrie Schoenfeld and guitarist Attilio Valenti in the fold.
Bringing a seasoned background in nightlife and DJ culture, Grant NYC is contributing heavily as a producer, arranger, sound designer, and live electronic performance collaborator. His deep understanding of polyrhythms, rich analog texture, and dynamic dancefloor energy is already playing a pivotal role in shaping both the band’s recorded output and their visceral, immersive live experience.
Shaped in collaboration with this new trio dynamic, “Fade to Gray” leans unapologetically into structural and sonic friction. The production masterfully presses warm, fluid melodic passages up against cold, mechanized undercurrents that keep the listener beautifully off-balance. As the tension inexorably tightens, a heavily transformed vocal motif emerges—fractured, morphed, and meticulously woven back into the instrumental arrangement, signaling the exact moment the track tips from anxious unease into total surrender.
The track brilliant captures a highly specific, liminal emotional space: the quiet area right before you’ve admitted a loss to yourself, where a fading dream and harsh reality still share a dissolving border.
“It’s about that moment when something you believed in, something that felt real, starts to slip away,” core member Carrie Schoenfeld explains. “Not in a dramatic explosion, but in a slow, almost beautiful collapse. When a dream and reality have no border, like the ocean meeting the sky in the fog.”
Ultimately, “Fade to Gray” acts as a stunning statement of artistic maturity. By trading sweeping societal critique for internal exploration, Energy Whores have delivered an atmosphere that feels simultaneously claustrophobic and infinitely expansive. It is music tailor-made for the gray areas of modern life, proving that the most profound structural changes often happen during the quietest transitions.
We Speak Music
Francisco turns heartbreak chaos into catharsis on “Passing Fix”
Spanish singer-songwriter Francisco, now based in the UK, returns with his latest release “Passing Fix”, a raw, fast-moving standout from his new album Open Letters.
If heartbreak had a soundtrack while it’s still actively happening (and not yet processed), this would be it.
Blending alternative rock, folk, and indie-experimental production, Open Letters explores emotional dependency, longing, and the messy space between connection and collapse. But “Passing Fix” is where things get especially unfiltered; a spiralling mix of humour, bitterness, vulnerability, and brutal self-awareness.
It’s the sound of overthinking in real time.
The song started with a single, very honest chorus line:
“If I’m still single by 28 I’ll drown myself in liquor, be a spinster…”
From there, Francisco built a track that feels like emotional overload in motion: part diary entry, part breakdown, part ironic commentary on his own thoughts.
Wanting it to feel like the emotional aftermath of his earlier track “21/7”, Francisco leans fully into obsession, self-sabotage, and the way we sometimes blame ourselves just to make sense of hurt.
“Passing Fix” doesn’t just describe heartbreak; it lives inside it, spirals through it, and somehow turns it into something strangely cathartic.
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