Listen to “I Wanna Be Free” (Ft. Gennessee): https://bsr.ffm.to/iwannabefree

This is the 3^rd leak from the forthcoming Survival Web Vaults LP to drop in vinyl and digital formats later this year. Additional album guests include Fashawn, Phat Kat, Elzhi, Guilty Simpson, LMNO and more.

Listen to “No Less Than The Trees And The Stars” (Ft. Fashawn): https://bsr.ffm.to/nltttats

Listen to “The Blues” (Ft. Phat Kat & Elzhi): https://bsr.ffm.to/theblues

While more of a behind-the-scenes player DJ Design’s (aka Keith Griego) work has had a sizable imprint on the history of modern hip-hop. As a DJ/Beatmaker and visual artist he has contributed production and art since the late 90’s for notables including The Beastie Boys, Madlib, A.G., Foreign Legion, Rasco, Peanut Butter Wolf and Phat Kat. 

As a visual artist, his high point of work with the label was his design of the 12” vinyl cover for Lootpack member Madlib’s side project Quasimoto. The cover for “Microphone Mathematics” featured Design/Griego’s visual representation of Lord Quas as a sort of alien aardvark, which was adopted by the artist and has since become one of the most iconic and enduring

characters in the game today.

More Info: https://www.belowsystem.com/

https://www.instagram.com/djdesign

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“Both evocative and frightening, triggering brand new emotions that have never been explored before with harp music.”- Wonderland Magazine

“Most compelling is the steampunk techno she creates by treating her wooden harp with hairpins, wax and sticky tape, like a prepared piano, to create percussive effects”- The Guardian

With her second studio album, ‘BOHÈME’, Kety Fusco transforms the harp into an entirely new voice, redefining what this instrument can represent in the contemporary music landscape. This is not just music: it’s a vision. It’s an invitation to explore a sound world that has never existed before.

Every sound in ‘BOHÈME’, which follows acclaim for Kety’s music from BBC 6 Music, The Guardian, Wonderland and more in the UK, originates from the harp, yet nothing is as it seems. Sound manipulations, underwater recordings, and unconventional techniques create a unique musical language, far from traditional boundaries. Among the boldest experiments, Kety literally submerged herself in a pool to record the sounds of the harp underwater, turning the instrument into a medium for narrating the unexpected. This daring approach shines in the opening track, ‘Hi, this is Harp’, a manifesto of sonic avant-garde.

Discovering the harp at just 6 years old, Kety Fusco’s magnetic talent has now taken her to iconic stages such as the Royal Albert Hall, the Montreux Jazz Festival, the Swiss Federal Parliament, and the prestigious Euro Jazz Festival in Mexico. With over 200 concerts worldwide, Kety has redefined the role of the harp, bringing it to the most unexpected contexts: from the Notte della Taranta to the United Nations, and even on a tour of South America for the Swiss Embassies.

An unstoppable composer and creator, Kety has written soundtracks for a film and a documentary set to be released in 2025, as well as composed the theme music for the Rai Radio3 program Voci in Barcaccia. Her original works are a manifesto of artistic freedom, captivating audiences with their fusion of tradition and avant-garde. Her musical journey is authentic and uncompromising, reflecting a deeply personal artistic vision.

In 2024, she served as the Swiss juror for the Eurovision Song Contest, adding another milestone to her path of international excellence. The year 2025 promises to be a year of great achievements: in June, ‘BOHÈME’ will be released, featuring a collaboration with the legendary Iggy Pop, solidifying Kety Fusco as a revolutionary figure in the global music scene.

‘BLOW’ is the first breath of freedom from ‘BOHÈME’. It’s the gust that tousles your hair, shakes the rules, and reminds us who we are when we let go of our masks. This track was born from the desire to shed the weight of expectations, to dive into a wind that carries everything away, leaving only the essential.

With ‘BLOW’, the harp becomes so much more than a traditional instrument: it’s a bridge between the past and the future, between its classical roots and an entirely new dimension. It’s as if the harp, with its millennial history, found the courage to break its own chains and be reborn with a new voice.

“I sought to transform it into something wild and untamed, capable of expressing emotions that transcend tradition, projecting it toward a bolder, unknown future”, says Kety.

This track is not just a song; it’s a feeling: the wind slipping through your fingers, the heartbeat rising in your chest, the burst of light that marks the beginning of something new. ‘BLOW’ is an invitation to challenge boundaries, to leave the past behind without denying it, and to turn it into a force that drives us toward freedom.

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From the very first note, the song sweeps listeners into a cinematic atmosphere filled with big, brassy horns, a rolling piano, electrifying guitar riffs, and the warmth of a Hammond organ. It’s the kind of track that immediately feels timeless—something you could stumble upon on an old jukebox or hear filling the streets of a bustling Southern town. The groove is infectious, pulling you in with its undeniable swing and soul.

At its core, “One Day To Kansas City” is a reflection on the passage of time, the pull of home, and the longing that comes with both leaving and returning. Frazier’s evocative lyrics paint a picture of a man tethered to his roots yet unafraid of where the road might lead.

For those who love the storytelling essence of Americana and folk but crave a little extra soul and vibrancy, this track is a must-listen. It’s refreshing to hear an artist embrace traditional elements while infusing them with new energy.

So, turn up the volume, let the music take you away, and enjoy the journey—just like Frazier intended.

Facebook – TikTok

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This track oozes that signature new wave melancholy, with echoes of Depeche Mode’s cold, haunting atmospheres and New Order’s percussive drive. But just when you think it’s all doom and gloom, the hypnotic beat pulls you in, making heartbreak feel oddly addictive.

The chorus is pure magic—an industrial-tinged, synth-laden moment that instantly grabs you. It even brings to mind the darkly enchanting world of Thomas Azier, which makes it all the more intoxicating. You can almost picture yourself wandering through a neon-lit, cinematic dreamscape, where nostalgia and modernity collide in perfect harmony.

Doppelhandel has a way of making introspection feel like a night out. “So Many Times” is proof that pain can be danceable, and that sometimes, the best way to process love’s endless contradictions is to lose yourself in the music.

Instagram – YouTube

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Aistis ‘Caviar For Seagulls’

Aistis’ “Caviar For Seagulls” is an album of dark, cinematic folk that’s equal parts devastating and transcendent. With its sweeping arrangements and deeply personal lyrics, this record is a slow-burning fire that will consume your emotions and leave you scarred – in the best possible way. From the haunting “86/Dove” to the poignant “A part of me believes the best is yet to come”, every track is a masterfully crafted work of art that will haunt your dreams and lift your spirits.

Swiss Pleasure ‘2009’

With ‘2009’, Swiss Pleasure delivers an evocative, genre-blurring experience that lingers long after the final note. The band’s signature fusion of indie rock, post-punk, and dream pop shines through, with layered instrumentation that perfectly mirrors the track’s emotional depth. The music video—crafted from the band’s own homes and personal objects—adds another dimension, using inventive visual techniques to explore isolation, self-perception, and the struggle between fantasy and reality. Rotating the role of the protagonist reinforces the song’s intimacy, making ‘2009’ a deeply immersive, introspective journey, as hypnotic as it is emotionally raw.

Craigology ‘Rain Drops’

Craigology’s, Secrets from a Gemstone, is a breathtaking tapestry of sound, weaving together ambient piano, neoclassical depth, and smooth electronic jazz with orchestral grandeur. Drawing inspiration from luminaries like Max Richter and Ludovico Einaudi, Craigology crafts a sonic experience that feels both intimate and cinematic. A standout track, ‘Rain Drops’, is a delicate dance of keys—playful yet deeply emotive, capturing fleeting moments of joy and introspection in a way that lingers long after the last note fades. With this EP, Craigology proves once again that instrumental music can speak volumes, painting vivid emotions without a single word.

Rumia ‘Shift in the Air’

Rumia’s latest single ‘Shift in the Air’ is a mesmerizing dive into the surreal, carried by shimmering electric guitar riffs and a sense of creeping unease. The track’s ethereal production perfectly complements its unique narrative—one that unravels like a dream slipping into a nightmare. Co-written with Charlotte Kohn and Daria Kickler, ‘Shift in the Air’ crafts an eerie yet beautiful tale of a protagonist trapped in a shifting reality, where the smallest details hint at something profoundly wrong. Rumia’s delicate, haunting vocals heighten the track’s emotional weight, leading the listener through a soundscape that is as hypnotic as it is unsettling. As the story builds, the music swells, leaving us with an open-ended question that lingers long after the final note fades.

Bowden ‘Be Your Own God’

Raw yet refined, Bowden’s ‘Be Your Own God’ captures the disconnection and uncertainty of modern life, transforming those emotions into anthemic alt-rock. The band’s experimental edge is evident in its unpredictable shifts in melody and rhythm, yet the song retains an undeniable accessibility that broadens its appeal. As the lead single from their upcoming album, Glacier, this track sets the tone for what promises to be a defining record, cementing Bowden’s reputation as a band unafraid to confront the complexities of the human experience.

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The production on “FATHER X3” is rich and layered, drawing listeners into an immersive experience where warm keys, resonant basslines, and organic percussion intertwine. 80purppp’s vocal delivery is fluid, seamlessly shifting between rap-infused verses and an emotive, gripping chorus. His ability to convey raw emotion through melody sets him apart in today’s musical landscape.

Lyrically, “FATHER X3” is a masterclass in personal storytelling. The song unpacks generational struggles, the search for validation, and the yearning for wisdom. 80purppp’s words feel almost confessional, striking a balance between personal introspection and universal relatability. He doesn’t just tell his story—he invites listeners to find their own within it.

What makes “FATHER X3” especially compelling is its duality: it’s both deeply introspective and incredibly catchy. While the lyrics offer profound insight into 80purppp’s world, the production and melodies ensure that the song remains accessible and memorable. It’s a testament to his ability to create music that is both meaningful and sonically engaging.

If “FATHER X3” is any indication of what’s to come, 80purppp is an artist on the rise, redefining the boundaries of contemporary hip-hop and R&B. This track is more than just a song—it’s a moment, and one worth experiencing. Hit play and let it take you on its emotional ride.

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The project comes off the back of their viral collaborative hit single “Free My Mind” and subsequent singles, “Move and Lifestyle.” The project is born out of their expression of their dreams, aspirations, and lifestyle.

Crafted with the intention to not only cement their place as a growing force within Africa’s fast-growing music scene but also to share parts of their life through the music. As such, the project fuses themes of friendship, perseverance, self-expression, ambition, and freedom, as well as young love, which are reflective in the lives of many young people manoeuvring this world.

The project features long-time collaborators AlorG, Kojo Blakk, and NSG with production credits to 2Shuus, Ugly&Tough, GHS Beatz, and Skillisbeatz.

“The Good, The Bhad, The Terrible” offers listeners a front-row seat into all the aspects of the lives of the duo who are chasing their music career.

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The 2025 royalty season is underway, benefiting Ghanaian artists. Over 200,000 African creators have earned through Mdundo since its launch, with Ghana’s vibrant scene seeing exponential growth.

This milestone reinforces Mdundo’s pledge to empower Africa’s creative minds. Martin Nielsen, Mdundo CEO, stated: “Our mission has always been to offer African artists a sustainable platform to thrive. By delivering consistent and substantial earnings, we are contributing to the growth of individual artists while supporting the long-term development of the African music industry as a whole.”

Mdundo’s catalog is enriched by ties with global labels like Warner Music and regional leaders like MicBurnerz Music. The platform spotlights Ghanaian genres like Highlife and hiplife, bridging local sounds with international audiences.

Phiona Nafuna, Head of Licensing, emphasized: “Our focus is fairness. By streamlining payouts, we’re helping Ghanaian artists build careers and grow the industry.”

By 2026, Mdundo plans to distribute $1.5–2 million in royalties, prioritizing Ghana’s rising stars. Through telco integrations, hyperlocal marketing, and seamless access, Mdundo is fueling Ghana’s music industry.

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Burt Kearns is an award-winning producer, director, writer, journalist and author who is renowned for his work in nonfiction television and film, in TV shows like “Breaking the Ice”, “Legsville Oral History”, “Guinness World Records Unleashed”, “Joe Rogan Questions Everything”, “The Secret History of Rock ‘n’ Roll” with Gene Simmons, “All The Presidents’ Movies”, and many more. He produced the excellent 2001 documentary, “Death of A Beatle”, about the death of John Lennon, and he co-wrote and produced the 2006 movie, “Cloud 9”, starring Burt Reynolds. He’s an Emmy Award winning newswriter, and he served as managing editor and producer of the highly popular TV shows, “A Current Affair” and “Hard Copy”. 

But beyond all of that, Burt Kearns is also a highly acclaimed author. He wrote, “Tabloid Baby”, which traces the evolution of the tabloid television genre. He then co-wrote “The Show Won’t Go On: The Most Shocking, Bizarre, and Historic Deaths of Performers Onstage”, followed by “Lawrence Tierney: Hollywood’s Real-Life Tough Guy”. 

Last year, he appeared on Harvey Brownstone Interviews to discuss his brilliant bestselling book entitled, “Marlon Brando: Hollywood Rebel”. 

And now, he’s back to talk about his brand new book entitled, “Shemp: The Biography of the Three Stooges’ Shemp Howard: The Face of Film Comedy.” The Three Stooges are widely considered to be the greatest, most successful and most influential slapstick comedy group in modern history, and if you’re a fan of The Three Stooges – and who isn’t? – this extremely well-researched book is an absolute must-read, because the author enlightens us on the incredibly impressive – but until now, largely unexplored – life and body of work of the most misunderstood and the most underrated member of The Three Stooges, Shemp Howard, who was actually a highly accomplished, influential and respected comic actor in his own right. 

Along with his brother Moe and vaudeville comedian Larry Fine, Shemp was an original member of the Three Stooges, but in 1932 he quit the group to pursue a solo acting career. He appeared in over a hundred movies alongside the biggest Hollywood stars, including W.C. Fields, John Wayne, James Stewart, Marlene Dietrich, William Powell, Lon Chaney Jr., Myrna Loy, and the team of Abbott & Costello. But in 1946, when Curly became too ill to continue working, Shemp gave up a successful film career to help his brothers out by returning to The Three Stooges.

What’s really fascinating and compelling about this book, is that, because of his meticulous research, Burt Kearns challenges and debunks the “official” version of Three Stooges history, largely promoted by Moe, that’s been repeated for decades. The book shatters many myths and uncovers the surprising and often troubling facts behind the scenes surrounding Shemp’s departure from and return to The Three Stooges, and the circumstances surrounding his untimely death. But more than anything, the book confirms Shemp Howard’s well-deserved place in cinematic history. 

Harvey Brownstone is a retired judge of the Ontario Court of Justice and was the first openly gay judge in Canada. He is also the bestselling author of “Tug of War: A Judge’s Verdict on Separation, Custody Battles and the Bitter Realities of Family Court” and hosted “Family Matters with Justice Harvey Brownstone,” a television talk show on matters involving the family justice system.

​After a distinguished legal career, Harvey was appointed a judge at the age of 38 in 1995.  He has presided in family and criminal courts.   He has been a trailblazer in several ways.  He was the first openly gay judge in Canada.  He was the first sitting judge in the world to write a national best seller and to host a TV talk show.  

​Harvey has been a role model and icon in the LGBTQ community.  When same-sex marriage was legalized in Canada in 2003, he was the only judge to make himself publicly available to officiate at weddings for lesbian and gay couples travelling to Toronto from all over the world to get married.  In 2007, he officiated at the wedding of Edith Windsor and Thea Spyer, the American couple whose marriage triggered the 2013 United States Supreme Court decision overturning the definition of “spouse” in the federal Defense of Marriage Act.  

In February 2021, Harvey launched his online talk show “Harvey Brownstone Interviews” on his own YouTube channel. He saw this as an interesting hobby.   Within several months, the show attracted hundreds of thousands – and then eventually, millions – of viewers.  Because of the overwhelming success of the show, Harvey decided to retire from the judiciary on December 31, 2021 after having presided as a full-time judge for 26 1/2 years.  Free from the constraints imposed upon judges regarding the expression of opinions and the endorsement of private enterprise, Harvey now happily devotes his full-time attention to hosting “Harvey Brownstone Interviews” as a regular member of the public – albeit one with a rather illustrious and unique career history.  

Watch Burt Kearns on Harvey Brownstone Interviews on Youtube here: 

The official website for Harvey Brownstone Interviews may be found at https://www.harveybrownstoneinterviews.com

Get “The Talk Show Blend” – Coffee For The Modern Day Trailblazer! By Harvey Brownstone from Breakfast At Dominique’s available at https://www.HollywoodBlends.com

For more information about Harvey Brownstone, here’s his Wikipedia page: 

https://en.wikipedia.org/wiki/Harvey_Brownstone

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In an era where music is often formulaic, RIMIDI’s return is a breath of fresh air. With the Bruce Banner teaser, the Miami-born powerhouse makes a statement—she’s back, and she’s evolved.

The short but striking visual is more than just a teaser; it’s a vibe-heavy, soul-infused experience that lingers long after watching. Bathed in pop-art aesthetics and hypnotic soulful energy, RIMIDI’s presence is magnetic. The imagery pulses in sync with her smooth yet commanding vocals, evoking both nostalgia and anticipation. It’s as if the teaser is pulling us into the world of JUNO: THE LATE BLOOMER, her upcoming album—one that promises to be her most personal and transformative work yet.

For longtime fans, this re-emergence is a triumphant return. For newcomers, it’s a compelling invitation into RIMIDI’s sonic universe—a fusion of experimental alternative soul, ancestral rhythms, and raw emotion. The teaser doesn’t just preview a song; it signals a new era of artistry.
RIMIDI has always been more than just a singer. From collaborations with Aloe Blacc and Slim Thug to working with Disney and honing her craft under the legendary Betty Wright, her journey has been nothing short of remarkable. But this? This is a rebirth.

The Bruce Banner teaser leaves you craving more—and if this is just the beginning, we’re in for something extraordinary. Watch it now on YouTube and witness the re-emergence of RIMIDI for yourself.

With JUNO: THE LATE BLOOMER on the horizon, RIMIDI is set to redefine what it means to be an artist in today’s landscape. Stay tuned for new music, exclusive content, and the global rollout of her most anticipated project yet.

Join the movement. Watch, share, and let us know—are you ready for The Re-Emergence of RIMIDI?

Follow RIMIDI:


 Website: FINDYOURRIMIDI.com


 Instagram: @IamRimidi


Twitter: @IamRimidi

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