Crafted by the visionary minds of Edu Imbernon, Luis Clemente, Nico Casal, and Álvaro Monreal, Never Ending is an electrifying journey through sound. Fusing the shimmering textures of synth-pop, the pulse of indie dance, and the emotional gravity of alternative pop, the album stands as a fearless artistic statement. With sweeping cinematic moments and introspective lyrical depth, Never Ending evokes comparisons to icons like Depeche Mode, Pet Shop Boys, RÜFÜS DU SOL, Moderat, Bicep, and Metronomy, yet retains a distinct identity all its own.

Imbermind first turned heads with their stunning official remix of Depeche Mode’s “Wagging Tongue”, taken from the legendary band’s 2023 album Memento Mori. The rework offered a masterclass in sonic reinvention—paying homage to the original while introducing a layered, contemporary soundscape that marked the group as one to watch.

That promise only deepened with the release of “Thousand Miles” in December 2024. The emotionally charged debut single explored resilience and perseverance, earning critical acclaim for its meticulous production and haunting vocal performance. The track became a signpost for the sonic ethos of Never Ending—a world where emotional storytelling meets expansive electronic innovation.

At the heart of Imbermind’s appeal is the fusion of four distinct artistic voices. Edu Imbernon, a global DJ and producer with a decade-spanning career, brings festival-tested energy and production finesse. Nico Casal, a classically trained pianist and celebrated film composer, injects cinematic depth and narrative flow. Luis Clemente adds versatility as a multi-instrumentalist and indie-electronic producer, while Álvaro Monreal, the unmistakable voice of the project, channels emotional resonance and acoustic mastery.

Together, the quartet creates music that defies easy categorization. Never Ending is not just an album—it’s an experience. From the euphoria of club-ready anthems to tender, stripped-down moments of reflection, the record invites listeners into an ever-shifting emotional landscape that feels both fresh and timeless.

As Imbermind takes their place on the global stage, Never Ending stands as a testament to their shared vision: fearless, genre-defying, and deeply human. Whether you’re a fan of forward-thinking electronic music or just discovering the genre, Imbermind is a name you won’t forget.

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A video was released for the first album single (filmed at NBA hall of famer Kevin Garnett’s Content Cartel Studios) “Ultra Ill Magnetic Street” (pays homage to Ultramagnetic MC’s and Kool G Rap) featuring Young Hump (Digital Underground).

Watch official video for “Ultra Ill Magnetic Street”: https://youtu.be/tkCLQrWwtoo?si=8WwCJDFfVD0ojKff

Another video filmed at Content Cartel Studios for the song “Feet On The Gas” featuring Rampage The Last Boy Scout will drop next week.  The video was co-sponsored by Avirex, who released the following commercial featuring footage from the forthcoming video.

Watch new Avirex commercial featuring Thirstin Howl & Rampage: https://youtu.be/blNtpjmyJXE

The Last Shall Be Thirst also features contributions from DV Alias Khryst, Tash (Tha Alkaholiks), Snaggapus, Rampage The Last Boy Scout (FlipMode Squad) Dana Dane, MC Supernatural, Psycho Les, Varona, Rebecca Billips, Beme Mystique, DJ Muggs, Statik Selektah, DJ Heron, Stu Bangas and Giovane Platone & OG Bigg Dabb.

Stream full album via Youtube: https://youtube.com/playlist?list=OLAK5uy_lSBD6Dd0XFrchxq9pCC9H5YoW9WX7tRxI&si=I5zkOQ6Nf4IhVYDn

Speaking on the significance of the album title Thirstin Howl The 3rd relayed “I was having lunch in Los Angeles with my friend Abnormal (who was on The Lyricist Lounge TV show with me and was also the voice of Hip Hop Harry on Children’s TV).  In the middle of the conversation, he dropped that quote from the Bible and I said, wow, that’s a perfect title for one of my albums.”

Of the recording process he also said “I record music all the time so I’m not necessarily envisioning which tracks will go on a specific project, but I do send specific tracks to artists that I think would sound good on there.  However Young Hump was in the studio for all the tracks he appears on (three of them) and Psycho Les and Tash were staying with me in Miami when they were working on The Liknuts project.”  

Also coming this year is the long awaited short musical film Don Chicharron which also features Latin Hip-Hop legends Hurricane G (RIP, who was the first female member of EPMD’s Hit Squad), TMP AKA The Microphone Prince (the first latin emcee to sign to a major label),DJ Exes (also of Grupo HNE) as well as Lo-Life affiliate/emcee Luey The 4th.

More info: https://thirstinhowlthe3rd.com/

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7 Minutes ‘Til Heaven is the bold, genre-defying, emotionally fearless project we didn’t know we needed this year. After teasing us with killer singles like “Dark Energy”, “Cha-Ching”, and the anthemic “God In A Woman”, Canadian alt-pop queen GRAE delivers a full-length that actually lives up to the hype—and then some.

This album slaps. But it also thinks. And feels. And screams when it needs to.

The sound is a perfect storm of synth-pop, indie, and alt-glam. Think moody basslines, dreamy vocals, and retro vibes—but with a modern bite. Imagine if Prince, Madonna, and Lorde threw a late-night studio session in 2025—that’s the energy GRAE brings here.

The opener “American Dream” instantly hooks you in with Apollonia’s iconic voice—a major flex and the perfect intro to the record’s themes of identity, fame, and self-reinvention. Then “Dark Energy” hits, and suddenly you’re speeding through the night, windows down, feelings up.

Standouts? Too many to count, but here’s a few:

• “Cha-Ching” is a Vegas fever dream that pulls back the glitter curtain to show you the truth underneath.
  
• “Fantasy” hits hard if you’ve ever felt lost between your public face and private reality.
  
• “Wet Dream” is wild, unfiltered fun—like a midnight swim in a synthwave ocean.
  
• And “Hollywood” closes it all with cinematic grace, leaving you in your feels (but in a good way).

Let’s also talk about Apollonia. Yes, that Apollonia—from Purple Rain. Her spoken-word moments on the album don’t just add aesthetic—they tie the whole story together. Each interlude feels like a wise whisper from a femme icon reminding you to stay powerful and stay true.

GRAE’s vocals? Silky when they need to be, fierce when they want to be. Her lyrics? Personal, poetic, but totally relatable. You’ll be quoting lines for your IG captions for weeks.

What makes 7 Minutes ‘Til Heaven so refreshing is how fearless it is. GRAE doesn’t just push the envelope—she rips it open and mails you a love letter from her soul. It’s vulnerable, it’s empowering, it’s weird in all the best ways.

This isn’t just a glow-up. This is a full-on artistic rebirth.

Whether you’re a die-hard fan or just discovering her, this album will grab you and not let go. Add it to your playlist, blast it in your headphones, and get ready to fall head over heels for one of the boldest voices in pop right now.

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The song’s production is sparse yet effective, allowing each element to breathe and resonate. The blend of dance-pop, house, and UK garage influences creates a sound that is both innovative and familiar. Vaanya’s vocals are hauntingly beautiful, delivering the song’s empowering message with subtlety and grace.

Lyrically, Time To Trade Up is a poignant exploration of self-worth and liberation. Inspired by her sister’s experience in a controlling relationship, Vaanya crafts a narrative that is both personal and universal. The song serves as a rallying cry for those seeking to reclaim their narratives and embrace their power.

In a musical landscape often dominated by overproduction and artifice, Vaanya Diva’s Time To Trade Up stands as a refreshing and authentic voice. It is a track that not only entertains but also challenges and inspires, marking the arrival of an artist who is unafraid to chart her own course.

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Maya’s voice moves like smoke over candlelight—soft, controlled, and full of feeling. There’s a rare intimacy in the way she delivers each line, as though we’re being let in on a quiet truth. “Stumbling” doesn’t offer tidy answers. Instead, it leans into vulnerability, exploring the uncertainty of healing and the slow, nonlinear path of self-forgiveness. It’s not sad, exactly—more like hopeful in its honesty.

The production, led by Curran Sinha (Noname, Common), complements Maya’s aesthetic perfectly. With Karim Hutton’s warm bass tones and Sara Kawai’s shimmering harp, every element is placed with intention. You can hear the jazz and R&B undercurrents, but the track never feels retro or derivative. It feels lived-in—an emotional landscape built from layers of influence and a clear artistic voice.

What makes “Stumbling” so compelling is its refusal to rush. In doing so, it invites us to slow down too. There’s a quiet power in songs like this—songs that give you room to think, feel, and breathe. It’s the kind of track you return to not for catharsis, but for companionship. Maya isn’t just singing to us—she’s singing with us, through the fog of life’s in-betweens.

As a preview of her upcoming EP Pieces (July 2025), “Stumbling” promises a body of work that’s both expansive and deeply personal. Maya Unagi has always had a knack for weaving heart and harmony, but this new chapter feels especially assured. If this single is any indication, Pieces won’t just be music to hear—it’ll be music to hold.

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Jack has quietly been building a reputation from Portsmouth’s pub circuit to festival stages across Europe, and with “On The Road,” he proves he’s not just an act to watch—he’s one to remember. This is no generic indie-pop anthem. It’s a soul-baring, sonically rich reflection on what it means to run, to cope, and ultimately, to heal.

The origin of “On The Road” is enough to stop you in your tracks. Written at 13 during a particularly difficult time at home, Jack turned trauma into melody in a moment of pure instinct. That origin story still lingers in the final recording—vulnerable, stripped back, but built up into something cinematic and transportive.

His voice—delicate yet determined—floats above a bed of dreamy guitars, tight basslines, and subtle percussive textures. You wouldn’t expect the rhythm section to be made with forks and spoons, but that’s part of the song’s magic. It’s tactile, handmade music in a digital world. Jack’s knack for melody shines, and his production choices give the track an intimate, live-in feel despite its polish.

What’s especially striking is how the song blends darkness and light. There’s an undercurrent of emotional unrest—a longing for something better, something freer—but it’s wrapped in a groove that makes you want to drive into the night with the windows down. It’s catharsis disguised as a pop song.

“On The Road” also kicks off a visual and musical universe Jack is building, with videos, lyrics, and themes tying together into something bigger. For an artist still in the early stages of his mainstream breakout, the level of ambition is impressive. He’s not just releasing singles—he’s crafting stories you can live inside.

Live, Jack is already a force. Using just a loop pedal and a few instruments, he turns solo performances into full-band experiences. This DIY ethos permeates his recorded work too, grounding even his most ambitious ideas in authenticity.

Ultimately, “On The Road” is the kind of song that sticks with you—not because it’s trying to be loud or flashy, but because it’s honest. It’s the sound of a young artist finding clarity through chaos, and inviting us along for the journey.

If this is Jack Child’s new era, it’s starting with a quiet roar. And we’re absolutely here for it.

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Built like a basketball game and unfolding over a day in New York and Atlanta, Vol. 3 finds power in ritual. The twelve tracks are split into quarters, each with its own pulse, its own light. There’s the jazz of the morning, the mid-tempo grooves of reflection, the chaos of city dusk, and the spiritual stillness of night. Like the streets they walk, stephenxjones and Derek Cedar understand rhythm as survival—and survival as art.

“Dearly Beloved” is the heartbreaker—a sun-drenched ode to matriarchs, memory, and mortality. Its jazz chords shimmer like a half-remembered dream, while the verses are soaked in gratitude and loss. “Aquarium NYC,” the album’s closer, is equally elegiac, touching on gentrification and community displacement with the weariness of someone who’s watched too many neighborhoods disappear behind chain restaurants and rising rent. And yet, nothing here feels hopeless. If anything, hope is the undercurrent pulling these stories forward.

Even the record’s most energetic tracks—“Br@ve New W0rld,” “Azzi Fudd,” and “Backpack Respirator”—carry a moral gravity. Their bars hit like sidewalk sermons, offering lyrical CPR to a genre too often intoxicated by its own excess. “We’re letting go of vices like a UFC champ,” spits Cedar, a line that lands with punch and clarity. Sobriety isn’t posed here as puritanical—it’s defiance, it’s clarity, it’s power. And power, in this universe, is the ability to think clearly and love harder.

Sonically, the record is a jazz club meeting a street cipher. You hear Fender Jazz Basslines coil around harp samples, strings rise like sunbeams, and MPC drum hits that feel lifted straight from a dusty loft in Brooklyn. Sun Cut Flat’s production feels cinematic but never ornamental—every sound carries intention, every drop feels earned.

Hip Hop Sovereignty, Vol. 3 is a rare kind of album. It doesn’t just reclaim hip-hop—it reimagines it as a sacred space. A place for chess players, jazz heads, truth-tellers, and community builders. In the midst of so much noise, Family Tapes offers quiet power and deep groove. And for those who choose to listen closely, it just might be life-changing.

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From the howling guitars to the pulsing bassline, “Remedy” immediately commands attention. Frontman George Years’ impassioned vocals set the tone, delivering lyrics about chaos and the pursuit of healing with both fire and vulnerability. It’s a raw anthem for anyone trying to make sense of a fractured world, using music as both therapy and a rallying cry. The track feels like a shout into the void, a release of pent-up frustration in the face of personal turmoil. For listeners who’ve followed the band’s trajectory, it’s clear that “Remedy” represents a bold evolution without losing any of the grit that made The Straights stand out in the first place.

What makes The Straights stand apart is their ability to fuse traditional rock elements with a modern edge. “Remedy” draws heavily on the guitar-driven intensity of garage rock, but it’s also a statement of the band’s forward-thinking approach. The track is as much a reflection of The Straights’ journey as it is a call to arms for anyone who feels lost and broken. The catharsis that comes through the pounding drums and shrieking guitar solos is unmistakable.

Their previous releases, like “Piece of Mind,” have already earned them recognition across the UK, US, and Canada, but “Remedy” ups the ante. The song is undeniably fresh, while still tapping into the timeless energy of the best rock bands of past generations. It’s a perfect blend of nostalgia and innovation. The Straights know exactly how to tap into the primal need for loud, cathartic music, and this track is no exception.

With “Remedy,” The Straights prove they’re not just another band trying to recapture the past — they’re shaping the future of rock music. Expect to hear this one blaring from speakers across the world as The Straights continue to solidify their place as one of the most exciting acts in modern rock.

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“Garden” arrives like a spring breeze: subtle, cinematic, and disarmingly intimate. At just a few seconds in, it’s clear that Dailla is not interested in superficial hooks or overproduced gloss. Instead, she invites the listener into a space of vulnerability—one where love is not just sung about, but grown, nurtured, and explored like a living thing.

That philosophy rings true across her growing body of work. With a sound that blends the confessional honesty of Olivia Rodrigo, the gentle grandeur of Lana Del Rey, and the lyrical depth of Ethel Cain, Dailla stands firmly in the lineage of young artists redefining what pop can be. But she’s not here to imitate—she’s here to excavate something deeply personal.

On “Garden,” she distills the dizzying dance of romantic vulnerability into four breathtaking minutes. “Like a butterfly, I fly so high, it hurts,” she sings, her voice tremulous but certain. The line lands like a sigh and a revelation all at once. The production, filled with natural ambience—chirping birds, gentle reverb, swelling strings—mirrors the emotional terrain: soft, yet brimming with life.

What makes Dailla’s work so striking is her ability to hold contradiction. Her music is delicate but never weak, poetic but never abstract. There’s a clarity to her storytelling that cuts through the noise of the algorithm-driven music world. She’s not here for virality—she’s here for impact.

Raised on a blend of folk, indie, and cinematic scores, Dailla credits her emotional instincts to a lifelong obsession with words and soundtracks. With “Garden,” Dailla continues to build a sonic identity that feels both grounded and dreamlike. She’s not rushing to release an album or chase trends—she’s planting seeds, one track at a time. And if this release is any sign of what’s to come, Dailla’s future isn’t just promising—it’s in full bloom.

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What inspired you to start training in combat sports?
Combat sports gave me structure at a young age. I started Taekwondo at 7 and competed at a national level. That discipline lit a fire in me—a love for competition and self-mastery. Over the years, I kept chasing challenges: wrestling in high school, Judo in college under Olympian Dr. Rhadi Ferguson, and eventually boxing, which truly clicked. Boxing became more than just a sport—it became a platform. Now, as a firefighter and type 1 diabetic, I step into the ring to inspire, raise awareness, and fight for causes bigger than myself.

Which discipline did you start with, and how has your style evolved?
Taekwondo taught me balance and precision. Wrestling gave me grit and relentless pressure. Judo brought control and leverage. But boxing unified everything—it became my expression of all that training and life experience. My style now blends calculated aggression with calm adaptability. I don’t just fight—I read, adjust, and strike. My mindset’s shaped by every battle inside the gym and every fire I’ve walked through outside of it.

How would you describe your fighting style in one sentence?
They call me Wildstyle—once I start, there’s no stopping the storm; firefighter by day, fighter by nature, burning through limits for causes bigger than myself.

Who are your biggest influences or role models in combat sports?
I draw from fighters who carry purpose with their power. Micky Ward for his grit, Tyson for raw intensity, Lomachenko for surgical skill, and Ali for impact beyond the ring. I respect Stipe Miocic—another firefighter who became a UFC heavyweight champ while still serving his community. As a type 1 diabetic, athletes like Gary Hall Jr. and Scott Verplank showed me that chronic illness doesn’t define you—how you respond does.

What’s been the toughest fight of your career so far, and why?
Managing type 1 diabetes is a fight that never ends—but in the ring, it was County Clash: Westchester’s Bravest vs. Finest. I created that event to raise funds for the Tunnel to Towers Foundation. Days before the fight, my opponent pulled out. I took on a far more dangerous replacement—no hesitation. When you build something bigger than yourself, you don’t walk away. I didn’t win that night, but I proved I could lead, inspire, and keep swinging through it all.

How do you mentally prepare before stepping into the ring?
Like I’m heading into a fire—calm, focused, and present. Firefighting taught me how to control chaos. Diabetes taught me how to live with discipline. Before the bell, I visualize, regulate my breath, and remind myself why I’m here. This isn’t just about me—it’s about every kid who thinks their diagnosis or circumstance defines them. Once the bell rings, Wildstyle takes over—and there’s no looking back.

What’s your training schedule like during fight camp vs. the off-season?
In camp, it’s war mode. Two-a-days: mornings for conditioning and VO2 max work, evenings for technical boxing and sparring. Strength work fits around my firehouse shifts. Nutrition is surgical. Off-season, I stay sharp—light boxing, calisthenics, roadwork—and shift focus to business and recovery. I treat off-season like maintenance, but when the bell’s near, every move has purpose.

How important is diet and recovery in your routine?
As a type 1 diabetic, diet isn’t a detail—it’s a lifeline. I skip the legendary firehouse feasts when needed—because that Sunday sauce can throw off the whole week. Recovery is sacred too. Between training, firefighting, and business, I guard my sleep, mobility, and stress management like I do my gloves. Recovery and nutrition keep me dangerous.

Have you ever had to overcome a major injury or setback?
I broke my hand during a structure fire—again. It’s a recurring injury that sidelined me. But downtime doesn’t mean backslide. I used it to sharpen overlooked skills, study the game, and push my VO2 max. Setbacks don’t stop me—they redirect the work. When I come back, I come back smarter and stronger.

What’s your go-to move or combination?
Some things are better felt than explained. Come to one of our charity bouts—you’ll see it in real time. Just don’t blink.

Do you study your opponents or rely on instincts?
I study enough to catch habits—but once the bell rings, instincts take over. You can’t script chaos. That’s where I thrive. I don’t just react—I take control.

How do you handle nerves or pressure before a big match?
Pressure doesn’t rattle me—it sharpens me. The ring is where all the discipline pays off. Nerves remind you it matters—but once that bell rings, I’m dialed in. No fear. Just Wildstyle.

What’s one misconception about combat sports or fighters?
That we’re just brutes. In truth, combat sports are chess under pressure. The fighters I know are the most respectful, focused, and self-aware people you’ll meet. We just speak through punches.

Which do you value more: technique, power, or heart?
Heart, always. Power fades. Technique can fail. But heart? Heart keeps you going when everything else breaks down. You can’t teach it—and I bring it every time.

Do you have a dream opponent or match in mind?
I don’t chase names—I chase challenge. My dream match is under the lights, on a big stage, against someone I’m “supposed” to lose to. That’s where I shine. I’m building toward a national title—and I’m doing it to raise awareness for diabetes and elevate community through charity events.

How do you balance combat sports with personal life?
It takes structure and sacrifice. My schedule’s tight between firefighting, training, and running businesses—but I stay present wherever I am. When I’m with family or friends, I’m all in. When I’m in the gym, I’m locked in. I manage my time like I manage my fight strategy—deliberate and focused.

How do you stay focused during long, grueling rounds?
I stay in the moment. Pain is temporary—quitting isn’t. I breathe, listen to my corner, and execute. Years of chaos have trained me to stay calm when things go dark. That’s when I push harder. That’s Wildstyle.

How do you handle criticism?
I respect feedback from people who’ve earned that voice—my coaches John, Krystal, Marilyn, Norm, and Luis at Yonkers Knockouts. They bleed with me. Outside criticism? Depends who it’s from. Most critics don’t step in the ring. I follow the words of Teddy Roosevelt: it’s not the critic who counts. It’s the one in the arena.

How do you want to be remembered in the world of combat sports?
As a fighter who stood for something bigger. A firefighter who stepped into the ring with purpose. A type 1 diabetic who refused limits. A community leader who built platforms, not just a record. I want people to say: He brought pressure, he brought heart, he brought Wildstyle—and he inspired others to do the same.

What advice would you give young fighters just starting out?
Fall in love with the suffering—it’s where the growth is. Stay disciplined. Stay humble. Block out the noise and grind. It’s not an easy path—but if you stick with it, you’ll earn a life worth fighting for.

Whether you’re a coach, athlete, parent, or sports fan, I’d love to hear from you. Have a story idea? Want to collaborate on coverage? Looking to feature your team or athlete? Use the form below to get in touch.

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