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GRAE Breaks Boundaries and Builds Empires In ‘7 Minutes ‘Til Heaven’

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GRAE just dropped the album of her career—and we’re still catching our breath.

7 Minutes ‘Til Heaven is the bold, genre-defying, emotionally fearless project we didn’t know we needed this year. After teasing us with killer singles like “Dark Energy”, “Cha-Ching”, and the anthemic “God In A Woman”, Canadian alt-pop queen GRAE delivers a full-length that actually lives up to the hype—and then some.

This album slaps. But it also thinks. And feels. And screams when it needs to.

The sound is a perfect storm of synth-pop, indie, and alt-glam. Think moody basslines, dreamy vocals, and retro vibes—but with a modern bite. Imagine if Prince, Madonna, and Lorde threw a late-night studio session in 2025—that’s the energy GRAE brings here.

The opener “American Dream” instantly hooks you in with Apollonia’s iconic voice—a major flex and the perfect intro to the record’s themes of identity, fame, and self-reinvention. Then “Dark Energy” hits, and suddenly you’re speeding through the night, windows down, feelings up.

Standouts? Too many to count, but here’s a few:

  • “Cha-Ching” is a Vegas fever dream that pulls back the glitter curtain to show you the truth underneath.
  • “Fantasy” hits hard if you’ve ever felt lost between your public face and private reality.
  • “Wet Dream” is wild, unfiltered fun—like a midnight swim in a synthwave ocean.
  • And “Hollywood” closes it all with cinematic grace, leaving you in your feels (but in a good way).

Let’s also talk about Apollonia. Yes, that Apollonia—from Purple Rain. Her spoken-word moments on the album don’t just add aesthetic—they tie the whole story together. Each interlude feels like a wise whisper from a femme icon reminding you to stay powerful and stay true.

GRAE’s vocals? Silky when they need to be, fierce when they want to be. Her lyrics? Personal, poetic, but totally relatable. You’ll be quoting lines for your IG captions for weeks.

What makes 7 Minutes ‘Til Heaven so refreshing is how fearless it is. GRAE doesn’t just push the envelope—she rips it open and mails you a love letter from her soul. It’s vulnerable, it’s empowering, it’s weird in all the best ways.

This isn’t just a glow-up. This is a full-on artistic rebirth.

Whether you’re a die-hard fan or just discovering her, this album will grab you and not let go. Add it to your playlist, blast it in your headphones, and get ready to fall head over heels for one of the boldest voices in pop right now.

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Col Darcy Unveils New Single ‘Pay Up’

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Col Darcy’s ‘Pay Up’ arrives with the calm authority of an artist who has already learned that longevity is its own form of victory. The second single from ‘Redemption’, his forthcoming album, is a composed piece of independent hip-hop that places persistence, ambition and personal conviction at its centre. Rather than presenting success as spectacle, Darcy approaches it as something accumulated slowly, through experience, discipline and faith in one’s own direction.

That sense of earned perspective has been central to Darcy’s work from the beginning. As Caper, he drew national attention with ‘How Would You Like To Be Me?’, a politically charged anti-racism song whose influence eventually extended into cinema. Alongside ‘Opportunity’, the track appeared in Netflix’s A Second Chance: Rivals!, bringing Darcy’s writing to an audience well beyond the usual confines of Australian hip-hop. Yet his subsequent career has remained grounded in independence, with the acclaimed ‘Beautiful Hopeless’ further establishing his commitment to thoughtful writing and considered craft.

‘Pay Up’ continues that trajectory while revealing an artist interested in the emotional economics of perseverance. Darcy writes from the perspective of someone who has experienced the slow rewards of staying the course. The lyrics use sharp wordplay and layered metaphor to turn a familiar idea into something more personal. His delivery is particularly effective for its restraint. There is no need to overstate the message when the voice behind it sounds as though it has lived through the argument already.

The song also reflects the wider concerns of ‘Redemption’, a record shaped by travel, fatherhood, gratitude and renewed self-awareness. Much of the album was recorded in Bali, and the island’s atmosphere reportedly helped cultivate its more contemplative dimensions. That background lends ‘Pay Up’ an intriguing duality. It is a song about ambition, but not restless ambition. Its confidence feels less like hunger for external validation and more like an acceptance that the journey itself has meaning.

What emerges is a track that understands hip-hop as both music and testimony. Darcy’s influences, from Tupac Shakur and Eminem to Kendrick Lamar, belong to a lineage in which personal narrative can become social observation and self-examination can become communal language. ‘Pay Up’ honours that tradition while remaining contemporary in its presentation. As a statement of intent for ‘Redemption’, it suggests an artist who has found greater clarity without sacrificing his edge, and who understands that the most durable kind of success is the kind you build yourself.

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