We Speak Rock
FUCKED UP Close the Zodiac Cycle With Year Of The Rooster, Out Now on Tankcrimes
FUCKED UP bring twenty years of storytelling to a close with Year Of The Rooster, the final chapter of their Zodiac Cycle and the Grass Can Move Stones trilogy, out today as a 2xLP via Tankcrimes — with a cast that runs from Keith Morris and Thurston Moore to John Brannon.
Stream FUCKED UP’s Year Of The Rooster HERE. Marking the end of FUCKED UP’s coveted “Zodiac Cycle,” which began with Year Of The Dog in Autumn 2006, Year Of The Rooster is out TODAY, Friday, November 13th via Tankcrimes.
FUCKED UP crests their biggest hill to date to deliver Year Of The Rooster, the third and final chapter in the immense Grass Can Move Stones trilogy. This work has unfolded into a narrative masterstroke of neoclassical storytelling which carries so elegantly the musical finale of twenty bold years of songwriting cultivated by FUCKED UP.
To conclude the journey of Grass Can Move Stones is no easy feat. The deep yearning of Monkey to discover his true self has constantly been met by cosmic terror and existential turmoil. Monkey and Good Goat now begin this final chapter in a primordial realm at the beginning of creation, courted by an ornate army of ageless Roosters who can visualize the universe in all stages of history through a looking glass known as “The River Of Time.” They, and you, are about to be rocketed through a never-ending battlefield of dimension bending warfare and discovery. At long last the story approaches the truths that it hints at throughout, delivering more than just a new universe to let the imagination bloom inside, Rooster offers a simple and touching message of humility and dedication in the face of what seems like an otherwise insurmountable existence. Such maxims could only ever be accompanied by a meticulously crafted sound world of compositional fireworks touching on everything in FUCKED UP’s storied musical quiver.
Helmed vocally as always by Tuka Mohammed and Damian Abraham, FUCKED UP’s Year Of The Rooster boasts a deep cast of performers. In an unprecedented generational crossover, …Rooster features a duet between Circle Jerks/Black Flag’s Keith Morris and twee pop’s First Lady, Debsey Wykes of the Dolly Mixture in rich passages of mellow balladry as 1000 Year Old Monkey and 1000 Year Old Goat.
Warthog’s Chris Hansell and Sonic Youth’s Thurston Moore dual as spies of the underworld, Mr. Eye and Mr. Time, at the beck and call of their evil master, Jade Monkey, who is so viciously performed by John Brannon (Negative Approach).
Poison Ruin’s Mac Kennedy and Home Front’s Graeme Mackinnon are Perceval and Young Prince Grin, summoned from the universe of FUCKED UP’s Year Of The Horse to do battle once again.
Charlie Manning Walker (Chubby And The Gang, The Chisel) delivers a harrowing performance as General Rooster, a grizzled officer in an ethereal army charting a course through time in multiple passages more than worthy of the fretboards of Hetfield and Hammett.
Isla Craig, Annie-Claude Deschênes, and Carson McHone appear again as Hare, Tiger, and Ox, and our chorus of narrators now boasts Canadian Opera Singer Amy Gottung, cinema’s Julian Richings, the celestial voice of Hidden World Heidi Hazelton, and Candy frontman Zak Quiram.
The referential nature of the songwriting on Grass Can Move Stones becomes clearest on Year Of The Rooster, with new adaptations of FUCKED UP’s catalog written into its bedrock. As sure as there is a script which tells a story, the compositional elements could equally have its own book. Thematics take on new duties in new contexts and both subtle and obvious references to FUCKED UP’s Hidden World and The Chemistry Of Common Life are heard amongst all of the musical neologisms. Guitar harmonies of Thin Lizzy, the vocal stacks of ELO and Queen, both grinding against the dark intensity of Ulver, the sharpened teeth of South Of Heaven-era Slayer, baggy groove laden acoustic passages, hammering sludge, tuneful danceable indie, and the shimmering beauty of the multiplicitous guitar worlds of FUCKED UP.
Stream FUCKED UP’s Year Of The Rooster HERE.
The vinyl edition of FUCKED UP’s Year Of The Rooster is available on 2xLP in the following limited variants:
“Algae” marbled (Tankcrimes Exclusive – Ltd. 200)
Splattered (Ltd. 300)
Gold (FUCKED UP band exclusive – Ltd. 500)
Retail Exclusive Vinyl TBA (Ltd. 1000)
Find physical orders HERE and digital orders at the FUCKED UP Bandcamp page HERE where the full offering can be steamed.
Year Of The Rooster Track Listing:
1. Clear Is The Mirror
2. Havoc In Heaven
3. Grass Can Move Stones
4. Calming Winds And Waves
“Year Of The Rooster takes things up a notch in terms of storytelling and the range of musical genres it features. If anything, this approach leaves this listener a little over awed at the extravagance of it all. Having said that, Year Of The Rooster is a truly incredible, complex and extraordinary body of work.” – Echoes And Dust
“A two-hour runtime, a wealth of genre shifts, and a colorful cast of vocalists: for the conclusion of their zodiac-themed cycle, FUCKED UP once again pull out all the stops…FUCKED UP have always been hard to pin down, but Year Of The Rooster is in a completely different league. The Queen and Thin Lizzy vibes from their main albums are present on the Canadians’ latest Zodiac record. However, these are only a small part of what the band weaves around their main singers Damian Abraham and Tuka Mohammed. There’s also psych-pop, Moog prog, thrash, orchestral indie, ambient, free jazz, electronica, sludge, and more.” – Visions
“…a tale as vast as a topographic ocean, this continuous output is taking epic to another level, FUCKED UP are out progging everyone…” – The Organ
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EMPATH, Built From Volbeat, Rising And Anti-Ritual Members, Drop Their Self-Titled Debut Album
Copenhagen has a new heavy rock band with serious pedigree. EMPATH, formed by members of Volbeat, Rising and Anti-Ritual, have released their self-titled debut album today, November 13th, on Indisciplinarian — a dark and dreamy take on heavy rock built on atmosphere, melody and crushing dynamics.
EMPATH is the sound of a new, dark and dreamy heavy rock band from Copenhagen, Denmark — one that revolves around atmosphere, presence and empathy. The constellation may be new, but the four members carry solid experience from bands such as Volbeat, Rising and Anti-Ritual.
In a digital and efficiency-driven age, where humanity is increasingly giving way to mechanical coldness, EMPATH — as the name suggests — is about presence, empathy and humanity. This ethos runs like a common thread through the band’s self-titled debut album, released today, November 13th, 2026, on LP, CD, cassette and digital formats via Indisciplinarian.
Across nine songs, EMPATH blends elements of progressive metal, doom, sludge and post-rock into a sound that is as dreamy and melodic as it is heavy and riff-driven. The music was recorded live with producer Lasse Ballade (Halshug, Slægt, Eyes) at Ballade Studios in Copenhagen, with vocals tracked at Grapehouse Studios by Morten Grønnegaard. Ballade also handled mix and mastering, while the artwork was created by illustrator Jon Gotlev (Nohr).
The album was first introduced by the single “Waves,” followed by “Vessel,” both pointing toward the band’s balance of melodic clarity and dense, riff-driven weight. EMPATH plays its debut show on December 11th at Hotel Cecil in Copenhagen.
EMPATH Track Listing
1. In Absence
2. Waves
3. Vessel
4. In Formation
5. In Bloom
6. In Thought
7. In Dissent
8. In Memory
9. In Return
Before forming EMPATH, guitarist/vocalist Morten Grønnegaard played with Volbeat on the albums Outlaw Gentlemen & Shady Ladies and Seal the Deal & Let’s Boogie. Bassist Christian Qvortrup played in the epic doom metal band Rising, while drummer Jakob Krogholt toured and recorded with Anti-Ritual.
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