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Kingdom Kome + The Equation Beats drop new video

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The emcee/producer duo of Kingdom Kome and The Equation Beats have released a new video this morning. “Canto Al Immigrante” features a spoken word appearance by Sunez Allah and holds special personal significance to the emcee.  Speaking on the track he revealed “the title translates to ‘song to the immigrant’ and touches on my parents journey from Argentina, where they were jailed under an oppressive dictatorship.”  Spitting part of his verse in Spanish and accompanied by the Colombian Producer, the message is poignant to both the artists in the current climate.

Watch official video for “Canto Al Immigrante”: https://youtu.be/VRrzBQ_h2dg

“Canto Al Immigrante” appears on the newly release collaborative LP, Arepa Y Manteca (available via all streaming platforms).  Another video was recently released that combined two other tracks from the project “Mantecon” and “Arepa Mantecon” (and was shot on location in Medellin).

Watch the official video for “Mantecon/Arepa Mantecon” here: https://youtu.be/pxzGxiLiADU?si=UNY72EEwkhsYvyCz

drop new visuals for to fill his sweet tooth in a new double video and single(s) drop for “Mantecon” and “Arepa Mantecon.”  The video (was filmed by Franco Imagemaker and Edited by David Sakolsky of Gusto Gold Productions)was shot on location in Medellin, which is also the home turf of producer The Equation Beats.  
 
The genesis of this album grew out of a track that The Equation Beatsproduced for the duo project of Kingdom Kome & Che Uno known as Los Chicos Criollos featuring Crimeapple.
 
Watch official video for “Burundanga” ft. Crimeapple: https://youtu.be/AnB6RnMJ4Zk?si=FJ4Bk67rqR3CAzK6
 
Based on the strength of that song, Kingdom Kome and The Equation Beats kept it moving and lo and behold Arepa Y Manteca is on the way!  In addition to the recent full-length drop D10S Sucio of Los Chicos Criollos, Kingdom Kome also recently released Dirty Linens, a fully collaborative project with Brockton, MA’s G Fam Black.
More Info: 
https://www.instagram.com/kingdomkome/ 
www.KingdomKomeMusic.com

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Col Darcy Unveils New Single ‘Pay Up’

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Col Darcy’s ‘Pay Up’ arrives with the calm authority of an artist who has already learned that longevity is its own form of victory. The second single from ‘Redemption’, his forthcoming album, is a composed piece of independent hip-hop that places persistence, ambition and personal conviction at its centre. Rather than presenting success as spectacle, Darcy approaches it as something accumulated slowly, through experience, discipline and faith in one’s own direction.

That sense of earned perspective has been central to Darcy’s work from the beginning. As Caper, he drew national attention with ‘How Would You Like To Be Me?’, a politically charged anti-racism song whose influence eventually extended into cinema. Alongside ‘Opportunity’, the track appeared in Netflix’s A Second Chance: Rivals!, bringing Darcy’s writing to an audience well beyond the usual confines of Australian hip-hop. Yet his subsequent career has remained grounded in independence, with the acclaimed ‘Beautiful Hopeless’ further establishing his commitment to thoughtful writing and considered craft.

‘Pay Up’ continues that trajectory while revealing an artist interested in the emotional economics of perseverance. Darcy writes from the perspective of someone who has experienced the slow rewards of staying the course. The lyrics use sharp wordplay and layered metaphor to turn a familiar idea into something more personal. His delivery is particularly effective for its restraint. There is no need to overstate the message when the voice behind it sounds as though it has lived through the argument already.

The song also reflects the wider concerns of ‘Redemption’, a record shaped by travel, fatherhood, gratitude and renewed self-awareness. Much of the album was recorded in Bali, and the island’s atmosphere reportedly helped cultivate its more contemplative dimensions. That background lends ‘Pay Up’ an intriguing duality. It is a song about ambition, but not restless ambition. Its confidence feels less like hunger for external validation and more like an acceptance that the journey itself has meaning.

What emerges is a track that understands hip-hop as both music and testimony. Darcy’s influences, from Tupac Shakur and Eminem to Kendrick Lamar, belong to a lineage in which personal narrative can become social observation and self-examination can become communal language. ‘Pay Up’ honours that tradition while remaining contemporary in its presentation. As a statement of intent for ‘Redemption’, it suggests an artist who has found greater clarity without sacrificing his edge, and who understands that the most durable kind of success is the kind you build yourself.

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