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Lexxicon Unveils Debut Single “Can’t Believe It”

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Toronto-based rapper Lexxicon releases the debut single “Can’t Believe It” from his highly anticipated forthcoming album Drill Sergeant coming out April 27th. Drawing from his influences of Russ Millions, Pop Smoke, Sean Paul and Nicki Minaj, his sound is a slick and catchy fusion of drill and dancehall inspired by his Jamaican ancestry, and the uptempo energy and fiery aesthetics in the new “Can’t Believe It” video reflects that.

The product of a nomadic family, Lexxicon has lived in London (UK), New York City (USA) and Toronto (Canada) and has been able to leverage his global connections and blend these musical influences coming from some of the most renowned music cities in the world to create an edgy yet quintessentially mainstream sound. Boasting lyrics that are based on unique everyday life experiences, sexual desire and loss, Lexxicon is the definition of passion and persistence and is planning to elevate from buzzworthy rap up-and-comer into one of drill’s most dominant figures this year.

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Americana Newcomer JP Oldfield Makes A Case For Listening To An EP Properly

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Music is increasingly consumed one track at a time. A song gets saved, shuffled, clipped, recommended and replaced. JP Oldfield’s Saltwater Gospel belongs to a different tradition.

Out now through Now Listen, it is built around a six-part story, so chopping it into isolated pieces changes what the release is doing. The Ferryman at the centre of the EP is not simply a character appearing in a few songs. His decisions carry from one track into the next, and the consequences accumulate.

That gives the tracklist a useful sense of progression.

“It’s Just Begun” establishes the situation. “The Preacher’s Noose” takes the Ferryman further into revenge and religious conflict. “Wash Me Away” pushes the story towards the water, while “Further from Heaven” widens the picture with the angel and the approaching flood. The final two tracks deal with what follows.

Oldfield is asking the listener to follow a sequence rather than cherry-pick the obvious single.

The subject matter helps. This is a story filled with burial, storms, scripture, punishment and death, so individual songs naturally raise questions that are answered later. Even the title points towards a larger idea, with the sea representing a force that operates according to its own cycles.

There is also no attempt to hide the fact that this is an independent project. Oldfield wrote the songs, created the linocut artwork and developed the mythology himself.

That combination makes Saltwater Gospel feel designed for an audience willing to give the whole release its proper running time.

In a culture that increasingly rewards the quickest possible listen, there is something appealing about an EP that says: start at track one and stay with it.

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