We Speak Indie Artist
Lexxicon Unveils Debut Single “Can’t Believe It”
Toronto-based rapper Lexxicon releases the debut single “Can’t Believe It” from his highly anticipated forthcoming album Drill Sergeant coming out April 27th. Drawing from his influences of Russ Millions, Pop Smoke, Sean Paul and Nicki Minaj, his sound is a slick and catchy fusion of drill and dancehall inspired by his Jamaican ancestry, and the uptempo energy and fiery aesthetics in the new “Can’t Believe It” video reflects that.
The product of a nomadic family, Lexxicon has lived in London (UK), New York City (USA) and Toronto (Canada) and has been able to leverage his global connections and blend these musical influences coming from some of the most renowned music cities in the world to create an edgy yet quintessentially mainstream sound. Boasting lyrics that are based on unique everyday life experiences, sexual desire and loss, Lexxicon is the definition of passion and persistence and is planning to elevate from buzzworthy rap up-and-comer into one of drill’s most dominant figures this year.
We Speak Indie Artist
Plain Mister Smith Pieces Together a World of Sound on Bric-À-Brac Attack
Plain Mister Smith returns with Bric-À-Brac Attack, a beautifully offbeat collection of indie-folk, pop and atmospheric songwriting. Released via Amelia Records, the album finds the Vancouver and London-based multi-hyphenate turning fragments of memory, relationships and everyday absurdity into something quietly cinematic.
At its centre is “Grindavik”, a shimmering, reflective track inspired by the Icelandic town shaped by recent volcanic activity. Bright acoustic guitars and steady drums carry a constantly shifting chord progression, mirroring the song’s central metaphor of a relationship under pressure and the hope that its fissures can eventually heal. Featuring Jordan Klassen and Kitt, the track captures the emotional tension that runs throughout the album.
Elsewhere, Bric-À-Brac Attack moves effortlessly between playful guitar-driven moments, lush arrangements and more introspective passages. “Miss Sunshine” brings infectious energy, while collaborations with Findlay Brown, Leeroy Stagger, Krystle Dos Santos and Tyson Mostenbocher add colour to an already eclectic record.
Former guitarist of Canadian darkwave band Moev and a cellist with the Vancouver Philharmonic Orchestra, Plain Mister Smith brings an unusually broad musical perspective to his songwriting. Yet Bric-a-Brac attack never feels overly calculated. Instead, it has the charm of something discovered rather than constructed.
Warm, strange, melodic and emotionally searching, Bric-À-Brac Attack is a record that rewards getting lost in its details. Plain Mister Smith may remain deliberately mysterious, but the music itself speaks with remarkable clarity.
Photo credit: Sandra Lockwood
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