We Speak Music
LLOREN could be ‘The One’ with epic new pop single!
After years of making cinematic music for film & TV, British pop singer LLOREN is limbering up to release her dream pop debut album “It’s Always Sunny in LA” later this year, with her third single of 2024, “The One”, out now.
Previous singles “Like This” and “California Daydream” saw LLOREN featured and interviewed by Diva Magazine and Celebmix, with the video for “Like This” winning a Telly Award in the US and also being nominated for a prestigious Leo Award in Canada. “The One” looks set to take things even further and prove that LLOREN is a name to be reckoned with, with its beautiful retro synths and catchy hooks evoking a familiar, timeless feeling that perfectly complements the forthcoming album’s romantic narrative. The Line Of Best Fit have already praised “The One” as “an effortlessly catchy contemporary pop anthem that’s timeless.”
Produced by Anna Schulze (Ingrid Michaelson, Lissie, Aloe Blacc), who LLOREN bonded with over their shared love of Winona Oak and LEON, “The One” stands out as a romantic and dramatic plea for a special kind of love—the sort of thing you only find on movie screens. The track is about wanting to be “that girl” and knowing you’d be the perfect fit for someone if they would just look at you. It references the old-school Hollywood vibe that is woven throughout the album, creating a sense of nostalgia.
The former Voice finalist is going from strength to strength with her music recently featuring in Grey’s Anatomy, The L Word, 1923, Wish, The Company You Keep, Made In Chelsea, over 20 uses in Love Island UK as well as plenty on Love Island USA and more. LLOREN’s rich, versatile vocal, emotional melodies and cinematic, powerful contemporary inspired compositions have been embraced heavily by the sync/TV/trailer music world since her 2019 debut single ‘Into The Fire’, which also saw her invited to join American artist Fleurie on her first European tour. During the tour, she also caught the eyes of promoters who invited her back to open for household names Johannes Oerding and Michael Patrick Kelly and an audience of 10000 people.
In the UK, LLOREN is no stranger to the annual PRIDE celebrations having played both Manchester and London where she headlined the women’s stage and has entertained crowds over 10000. She has also toured with Canadian artist Mauvey with whom she collaborated with on the track ‘Pillow’, performing it at BBC Radio 1’s Big Weekend as well as the Isle Of Wight Festival 2023.

We Speak Music
Col Darcy Unveils New Single ‘Pay Up’
Col Darcy’s ‘Pay Up’ arrives with the calm authority of an artist who has already learned that longevity is its own form of victory. The second single from ‘Redemption’, his forthcoming album, is a composed piece of independent hip-hop that places persistence, ambition and personal conviction at its centre. Rather than presenting success as spectacle, Darcy approaches it as something accumulated slowly, through experience, discipline and faith in one’s own direction.
That sense of earned perspective has been central to Darcy’s work from the beginning. As Caper, he drew national attention with ‘How Would You Like To Be Me?’, a politically charged anti-racism song whose influence eventually extended into cinema. Alongside ‘Opportunity’, the track appeared in Netflix’s A Second Chance: Rivals!, bringing Darcy’s writing to an audience well beyond the usual confines of Australian hip-hop. Yet his subsequent career has remained grounded in independence, with the acclaimed ‘Beautiful Hopeless’ further establishing his commitment to thoughtful writing and considered craft.
‘Pay Up’ continues that trajectory while revealing an artist interested in the emotional economics of perseverance. Darcy writes from the perspective of someone who has experienced the slow rewards of staying the course. The lyrics use sharp wordplay and layered metaphor to turn a familiar idea into something more personal. His delivery is particularly effective for its restraint. There is no need to overstate the message when the voice behind it sounds as though it has lived through the argument already.
The song also reflects the wider concerns of ‘Redemption’, a record shaped by travel, fatherhood, gratitude and renewed self-awareness. Much of the album was recorded in Bali, and the island’s atmosphere reportedly helped cultivate its more contemplative dimensions. That background lends ‘Pay Up’ an intriguing duality. It is a song about ambition, but not restless ambition. Its confidence feels less like hunger for external validation and more like an acceptance that the journey itself has meaning.
What emerges is a track that understands hip-hop as both music and testimony. Darcy’s influences, from Tupac Shakur and Eminem to Kendrick Lamar, belong to a lineage in which personal narrative can become social observation and self-examination can become communal language. ‘Pay Up’ honours that tradition while remaining contemporary in its presentation. As a statement of intent for ‘Redemption’, it suggests an artist who has found greater clarity without sacrificing his edge, and who understands that the most durable kind of success is the kind you build yourself.
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