We Speak Music
Mark Duggan Shares New Single ‘Dance Myself to You’
Irish singer-songwriter Mark Duggan is known for his clever lyricism and combining of acoustic and electronic elements which can reach out and take people somewhere else for the length of the song. He returns with his latest alternative rock tune ‘Dance Myself to You’.
The idea behind the song titled ‘Dance Myself to You’ was to write a melody that would gradually expand from a single solo instrument to a thick sound at the finish. Along with Mark Duggan’s vocals, the single is a longing, yearning one with an interesting production that includes a drum machine, bass, guitar, drum kit, synths, and other elements.
The ballad is evocative of over-the-top ‘80s ballads as it swells from a whisper to an explosion of sound. Beginning with just an electric guitar and voice, the song gradually builds in bass, percussion, ambient pads, and other guitars. An electric guitar solo that was improvised in one take and a choir of voices drive the song’s last minute. Each verse of the song begins with one of three straightforward pictures of loneliness from the lyrics. The characters’ thoughts are drawn to this missing person by these visions, and no matter how hard they try, they are unable to bring them back, no matter what steps they take.
The lyrics had to be written first in order to determine how long the build-up should take, and they were written rather fast once Mark Duggan had the three pictures that opened each of the verses. The reason the outro lyrics were added later is that he chose to complete the build-up with a lengthy fade-out, leaving a significant amount of empty space in the song.
The song’s base of sound fills in the gaps between any rhythmic elements with a variety of synth and guitar parts that use a lot of delays and reverbs. The guitar solo was recorded on the first take with the intention of sounding a little raw and guttural, while the drums were selected to be fairly conventionally ‘80s. He chose to attempt some choral harmonies near the end of the song and added some harmonies to the chorus while performing the vocals.
Mark Duggan chose to write the outro lyrics over them and make sure every instrument plays considerably busier than they did earlier in the song because he liked how they pushed the drama of the ending over the top. After his old bass broke during the demos, he had to acquire a new one, thus the bass was the last part of the song he added. The song’s mix was designed to highlight the contrast between the number of instruments playing at the beginning and end of the song, as well as the intensity of those performances, which provide the song’s dramatic conclusion.
On the song, Mark Duggan says, “An almighty release of a ballad, to me it is an acceptance of a situation and it emotions by letting them explode outward.”
We Speak Music
Vinyl Floor’s Balancing Act Proves That Honest Rock Still Matters
“Balancing Act” by Vinyl Floor is a real treat. It is the sixth record from brothers Daniel and Thomas Charlie Pedersen sounds like it was made for right now and how they blend the ’60s and ’70s with modern elements never feels forced.
The production is clear and thoughtful. Every string, every horn, every vintage keyboard has space to exist. “Puppet Laureate” opens strong with real energy, while “The Swan of Eileen Lake” catches you off guard with folk warmth. “Adelaide” might be the best track, built on a lovely piano line with vocals that cut through cleanly. No hiding behind effects here.
The title track closes things out with the reflection the album’s been working toward. The core idea of finding hope in a fractured world could tip into despair easily, but Vinyl Floor stays honest about it. They’re not offering false comfort, but they’re not drowning either.
Progressive rock this restrained is rare. The arrangements serve the songs instead of overshadowing them. If anything, some moments could use more breathing room, but that’s small in a record made by people who clearly care about what they’re saying.
This is for anyone who wants rock that actually wrestles with real ideas. It counts for something.
You can listen here.
