We Speak Music
Mark Duggan Shares New Single ‘Dance Myself to You’
Irish singer-songwriter Mark Duggan is known for his clever lyricism and combining of acoustic and electronic elements which can reach out and take people somewhere else for the length of the song. He returns with his latest alternative rock tune ‘Dance Myself to You’.
The idea behind the song titled ‘Dance Myself to You’ was to write a melody that would gradually expand from a single solo instrument to a thick sound at the finish. Along with Mark Duggan’s vocals, the single is a longing, yearning one with an interesting production that includes a drum machine, bass, guitar, drum kit, synths, and other elements.
The ballad is evocative of over-the-top ‘80s ballads as it swells from a whisper to an explosion of sound. Beginning with just an electric guitar and voice, the song gradually builds in bass, percussion, ambient pads, and other guitars. An electric guitar solo that was improvised in one take and a choir of voices drive the song’s last minute. Each verse of the song begins with one of three straightforward pictures of loneliness from the lyrics. The characters’ thoughts are drawn to this missing person by these visions, and no matter how hard they try, they are unable to bring them back, no matter what steps they take.
The lyrics had to be written first in order to determine how long the build-up should take, and they were written rather fast once Mark Duggan had the three pictures that opened each of the verses. The reason the outro lyrics were added later is that he chose to complete the build-up with a lengthy fade-out, leaving a significant amount of empty space in the song.
The song’s base of sound fills in the gaps between any rhythmic elements with a variety of synth and guitar parts that use a lot of delays and reverbs. The guitar solo was recorded on the first take with the intention of sounding a little raw and guttural, while the drums were selected to be fairly conventionally ‘80s. He chose to attempt some choral harmonies near the end of the song and added some harmonies to the chorus while performing the vocals.
Mark Duggan chose to write the outro lyrics over them and make sure every instrument plays considerably busier than they did earlier in the song because he liked how they pushed the drama of the ending over the top. After his old bass broke during the demos, he had to acquire a new one, thus the bass was the last part of the song he added. The song’s mix was designed to highlight the contrast between the number of instruments playing at the beginning and end of the song, as well as the intensity of those performances, which provide the song’s dramatic conclusion.
On the song, Mark Duggan says, “An almighty release of a ballad, to me it is an acceptance of a situation and it emotions by letting them explode outward.”
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Doja Cat Brings the Tour Ma Vie World Tour to Scotiabank Arena on November 25
Doja Cat brings her Tour Ma Vie World Tour to Toronto on Wednesday, November 25, with a 7:30 p.m. show at Scotiabank Arena. It is one of the last stops on the biggest headlining run of her career, and it lands in the middle of a heavy week for the building.
The tour supports Vie, her fifth studio album, released in September 2025. The record is an 1980s inspired turn back toward pop, led by the singles “Jealous Type” and “Gorgeous,” and the live show has been built as a full scale arena production. Latto joins the bill as special guest for the entire North American leg, which runs 31 dates from the October 1 opener in Detroit to the December 1 finale at Madison Square Garden in New York.
Toronto gets the show near the end of the run, with Boston on November 23 before it and Montreal on November 27 after it. By the time she reaches Scotiabank Arena, the production will have played more than twenty North American arenas, on top of earlier legs across Oceania, Asia, Latin America and Europe. Earlier in November the tour also plays Miami, Tampa, Orlando and Atlanta.
Fans have been getting a look inside the tour straight from Doja Cat herself. She has been filming the run on Ray-Ban Meta glasses, posting point of view footage from backstage, soundchecks and life on the road, so the Toronto crowd will see a show that has been documented almost night by night. Tickets for November 25 are on sale through Ticketmaster. With the Garden shows in New York closing the tour one week later, the Toronto date is one of the final chances to see this production before the run wraps.
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