We Speak Music
Mieko Shimizu to play Soho Electronic following the release of her powerful new EP ‘Breathe Out’.
This Saturday, 27th September, Soho will never sound the same again as Soho Electronic takes over All Is Joy, The Farsight Gallery, Below Stone Nest and Sneiderskeller with sets from Mieko Shimizu, Hawksmoor, Dhangsha, Bobby Barry, Elephant House and synth pioneer and electronic innovator Daniel Miller (Mute Records), who headlines with a rare UK solo modular set.
Mieko Shimizu is performing off the back of the release of her powerful new EP, ‘Breathe Out’. A boldly nonconformist Japanese singer, songwriter, composer, and producer, Shimizu uses the EP to build on the success of her acclaimed album ‘My Tentacles’, which drew praise from Electronic Sound magazine and airplay on BBC Radio 6.
The new EP features two immersive tracks that showcase her signature blend of emotional depth and sonic experimentation. Dropping alongside a visually arresting music video by diz_qo, this project invites listeners on an immersive journey of texture, movement, and atmosphere, reaffirming Mieko Shimizu’s place as a pioneering force in avant-garde music.
‘Breathe Out’ echoes the light and sound that rise from the horizon, where humanity meets the boundless realms of gods and spirits, the veil between the earthly and the divine. Emerging as a sonic meditation in motion, ‘Breathe Out’ is a two-track EP that drifts between serenity and momentum. The ‘Breathe Out’ EP brings together two distinct yet complementary tracks that showcase Mieko Shimizu’s ability to create emotionally resonant, finely detailed music.
The title track, ‘Breathe Out’, unfolds with airy atmospheres, delicate sample percussion, and fast-moving flute melodies that weave like rushing wind through open space, creating a sense of release and expansion. Its counterpart, ‘Breathe In’, draws the listener inward, mirroring the first track’s fluid energy but with a more introspective pull, evoking the quiet rhythm of breath cycling back into the body. Together, the EP captures a dynamic tension between stillness and movement, offering an ambient journey that feels alive, transient, and deeply human, highlighting Mieko Shimizu’s unique artistic prowess.
Speaking on the release, Mieko Shimizu shares, “In Breathe Out, I wanted to echo the light and sound that rise from the horizon, where humanity meets the boundless realms of gods and spirits, the veil between the earthly and the divine.”
Mieko Shimizu’s ‘Breathe Out’ EP is out now via Street Records.
Swiss artist Fanny Alexandra returns with “Black Pearl Summer”, a new single that finds her exploring a more open side of her alternative sound. Released via Now Listen, the track combines coastal imagery with a story about growing through grief, pressure and the experiences that can shape a person over time.
Alexandra notes that the song is relatively summery by her own standards. She has said that her music is usually darker and that she has never been particularly drawn to the typical idea of summer, preferring cold air, jackets and rugged coastlines. That gives the release a clear sense of personality from the outset.
The song centres on Alexandra’s reflections on being 19 and spending years focused on survival rather than fully living. Those experiences are presented through the image of a black pearl, which becomes a way of considering how something worthwhile can emerge from a challenging period.
What makes the track particularly effective is the balance between its subject matter and its musical approach. The production gives the song room to breathe, while Alexandra keeps the focus firmly on the story she is telling. It means the track can be enjoyed as a seasonal release while still offering more to discover in the lyrics.
There is also a clear sense of change in the way Alexandra approaches her younger self. The song is not about returning to that period or trying to erase it. Instead, it considers what can be learned from experiences that once felt overwhelming.
“Black Pearl Summer” therefore offers newcomers a useful introduction to Alexandra’s work. It shows an artist comfortable writing about serious subjects, while also demonstrating a lighter musical side that may not be as familiar to listeners who know her darker material.
It is an interesting glimpse of what Alexandra can do when she lets a little more light into the picture.
-
We Speak Music1 week agoADRIANNA Gets Two Very Different Lives From ‘Power Back’
-
We Speak Music1 week agoB BWOY BILLO AND MÖ THA TRUTH BRING EMOTION, BARS AND BROTHERHOOD TO GHANA’S RAP FUTURE
-
We Speak Business5 days agoFunl Raises $2.5 Million at a $10 Million Post-Money Valuation to Transform How Creators Bring Events to Life
-
We Speak Hip-Hop6 days agoGhost Da Lyrical returns with Taylor Made Ghost