We Speak Electronic
Scarper Opens the Vault With ‘Off-Cuts (2014–2021)’
UK electronic artist Scarper returns with Off-Cuts (2014–2021), an eight-track archive release that transforms unreleased sketches, demos and studio experiments into a richly satisfying journey through emotive techno, playful acid, deep house and forward-thinking electronica.
For an artist whose catalogue has consistently lived between the dancefloor and the headphones, Off-Cuts (2014–2021) is more than a collection of leftovers. It is a carefully assembled document of a particularly inspired creative era — one that produced Scarper’s acclaimed debut album Warmer Squares and the certified club burner, “E-Funk.”
Drawing from a personal archive spanning seven years, Scarper — aka Steve Young — has selected, refined and polished eight previously unheard tracks that sit naturally alongside some of his most celebrated work. The result is a retrospective that feels anything but dated: a warm, colourful and characterful selection of productions driven by classic electronic sensibilities and a distinctly modern edge.
The record opens in dramatic fashion with “Skynet,” where epic, emotive chords immediately set an expansive tone. Elsewhere, “Steppe” injects a more playful energy through bubbling acid lines and irresistible squelches, while “Halocline” reveals Scarper’s gift for melodic composition, pairing gorgeous string arrangements with intricate electronic detail.
Speaking about the project, Scarper explains:
> “I realised I had quite a few demos, jams & ideas on my laptop from that period, some of which were decent enough to polish up & get out into the world. It’s a snapshot of where I was musically at the time, so I thought I’d package them together as a retrospective rather than a proper release — giving people something to enjoy while I crack on with the next project.”
That honesty runs throughout Off-Cuts (2014–2021). Rather than presenting a rigidly conceptual album, Scarper invites listeners into the studio — into the moments between releases, the ideas that evolved outside the spotlight, and the tracks that have finally found their time.
Scarper is no stranger to critical recognition. His debut album Warmer Squares was met with widespread acclaim, earning support from electronic music heavyweights including Orbital, Laurent Garnier and Carl Craig. His music has also received radio support across Rinse FM, Sub FM and BBC 6 Music, while outlets such as Mixmag, DJ Mag and XLR8R have championed his work.
Following the continued resurgence of his 2020 single “E-Funk” — now reaching new listeners through a recent physical release — Off-Cuts (2014–2021) arrives as a fitting reminder of Scarper’s enduring creative range.
Releasing almost exclusively through his own Plexus Records imprint, Scarper remains a genuinely independent voice in UK electronic music. Unrestricted by genre, he moves effortlessly between lush melodic soundscapes, raw underground club tools, acid-tinged grooves and atmospheric electronica. His productions balance nostalgia and innovation, honouring the roots of dance music while always looking ahead.
With Off-Cuts (2014–2021), Scarper does not simply revisit the past — he gives it new life.
Listen to Off-Cuts (2014–2021) on Spotify:
Connect with Scarper
Bandcamp: https://scarpermusic.bandcamp.com
Instagram: https://www.instagram.com/scarpermusic
SoundCloud: https://soundcloud.com/scarper
Facebook: https://www.facebook.com/Scarpermusic
We Speak Electronic
WHO.IS.VITOR Announces New Single ‘Where I Wanna Be Now’
Rising East Coast house and UKG producer WHO.IS.VITOR drops his captivating new single "Where I Wanna Be Now"
Oliveira’s rise within the North American electronic music scene follows a versatile, multi-genre career. Beginning as a drummer at age 14 in Fortaleza, Brazil, Oliveira gained early acclaim in the regional indie-rock and tropicalia circuits. Prior to relocating to the United States to study at the prestigious Berklee College of Music, he recorded the EP Pressa e Espaço with his band Miopia Não Tem Cura. Distributed by Tratore, the release garnered widespread acclaim across northeastern Brazil and earned high-profile endorsements from major artists, including Fresno's Lucas Silveira.
While in Boston, Oliveira joined the alt-rock group Little Fuss (later rebranded as Don’t Tell Iris). The group experienced rapid growth, performing regularly across Boston and New York City while Oliveira completed his degree. Weeks after graduating, the band performed at New England’s largest music festival, Boston Calling, sharing a bill with major international acts including Foo Fighters, Paramore, Alanis Morissette, and Queens of the Stone Age. The band went on to sell out headline dates in Boston, tour the East Coast, perform at Canada’s NXNE festival, and play iconic venues such as Mercury Lounge, Baby’s All Right, and Brighton Music Hall.
Drawing on early influences from Berlin’s electronic music scene and his experience DJing throughout college, Oliveira launched his WHO.IS.VITOR project as a dedicated electronic outlet. Now a rising figure on the East Coast electronic circuit, his transition into house and UKG highlights his dynamic evolution as an international artist and songwriter.
"Where I Wanna Be Now" is available across all major streaming platforms.
About WHO.IS.VITOR: WHO.IS.VITOR (Vitor Oliveira) is a Boston-based producer, DJ, and songwriter specializing in house and UK garage music. Known for incorporating pop sensibilities and rich musicality into his electronic productions, Oliveira continues to establish himself across the East Coast music landscape.
Stream "Where I Wanna Be Now" on Spotify.
-
We Speak Dining & Drinks2 days agoOff The Rails Opens in Boston, Bringing Nashville-Inspired Dining, Live Music and High-Energy Entertainment Downtown
-
We Speak Music1 week agoFox De La Rose Refuses To Be Defined On ‘Nothing Is Written In Stone’
-
We Speak Music1 week agoDesire Machines Pair Literary Inspiration With Psychedelic Art-Rock On New Single
-
We Speak Music1 week agoDidn’t get tickets to Oasis? Buying for the dad who still talks about that gig in 1996
