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Silent Funk + 1 (Rhino Funk, Silent Someone + DJ-JS1) drop new video, announce LP

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Hip-Hop Purists rejoice!  Boom-Bap duo, Silent Funk (composed of emcee Rhinoceros Funk and beat-maker Silent Someone) have returned with a serious upgrade!  Now re-christened Silent Funk Plus 1 the group have welcomed scratch-master/graff legend DJ JS-1 as a full member.

The first LP in this expanded configuration as a trio, Silent Funk 3: Silence B4 Da Funk will drop on 7/8 in both limited edition CD and digital formats.  With this announcement comes the drop of two videos supporting tracks on the forthcoming album. “Broadcasting Live” and “Can’t Ignore Us” are potent slaps of deft sampling, turntable science and authentic NY lyricism.

Watch official video for “Broadcasting Live”: https://youtu.be/ntgHZ4mlIqk?si=kveg5s3tmysodHmx

Watch official video for “Can’t Ignore Us”: https://youtu.be/lYjD8ReWiFY?si=3-x_koxHmpCSAg0i

Lyrically Rhino touches upon the topics of class struggle, racism, exploitation and cultural appropriation by corporate greed but never by sacrificing his sense of humor or dope use of metaphors and inspirations (crediting Peter Griffin of Family Guy for the use of the term “Grind My Gears” several times through the album).  Speaking on the addition of DJ JS-1, Silent Someone relayed “all three of us are New York natives so we have known each other or known of each other since the late 90’s / early 2000’s.  Having another creative mind like his to bounce ideas off of really makes us feel complete as a group.”

In addition, Silent Funk 3 boasts guest features from Tone Spliff (adding cuts to one track) as well as emcees REKS and Mike Titan. With the chemistry on point, Silent Someone revealed that the trio will soon have enough material recorded for Silent Funk 4.

Silent Someone has laced tracks for such legends as Tame One (The Artifacts) , Sadat X , John Robinson (Scienz Of Life), Craig G and Breeze Brewin (The Juggaknots)to name a few.  He also produced the majority of Rhinoceros Funk’s 2016 album, An Aesthetic Act Of Aggression.

Rhinoceros Funk has fifteen albums to his name.  In addition to emceeing, he also produces and has been a radio host for over twenty-five years (co-helming the Guerrilla Grooves Radio with Fred Ones).  He has conducted 3,000 plus interviews with hip-hop artists including many legends as well as up-and-coming artists in the scene.

DJ JS-1 (JERMS) has toured the globe, supporting RahzelKRS-ONE and MC Supernatural.  He has released several solo albums, break records, 12” singles and mixtapes over the past 25 years.  In addition to his work on the decks, he is a member of the legendary Rock Steady Crew and thrown up over 1,000 graff pieces.

More Info: 

https://www.instagram.com/rhinocerosfunk

https://www.instagram.com/silentsomeone_bx

https://www.instagram.com/djjs1

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Col Darcy Unveils New Single ‘Pay Up’

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Col Darcy’s ‘Pay Up’ arrives with the calm authority of an artist who has already learned that longevity is its own form of victory. The second single from ‘Redemption’, his forthcoming album, is a composed piece of independent hip-hop that places persistence, ambition and personal conviction at its centre. Rather than presenting success as spectacle, Darcy approaches it as something accumulated slowly, through experience, discipline and faith in one’s own direction.

That sense of earned perspective has been central to Darcy’s work from the beginning. As Caper, he drew national attention with ‘How Would You Like To Be Me?’, a politically charged anti-racism song whose influence eventually extended into cinema. Alongside ‘Opportunity’, the track appeared in Netflix’s A Second Chance: Rivals!, bringing Darcy’s writing to an audience well beyond the usual confines of Australian hip-hop. Yet his subsequent career has remained grounded in independence, with the acclaimed ‘Beautiful Hopeless’ further establishing his commitment to thoughtful writing and considered craft.

‘Pay Up’ continues that trajectory while revealing an artist interested in the emotional economics of perseverance. Darcy writes from the perspective of someone who has experienced the slow rewards of staying the course. The lyrics use sharp wordplay and layered metaphor to turn a familiar idea into something more personal. His delivery is particularly effective for its restraint. There is no need to overstate the message when the voice behind it sounds as though it has lived through the argument already.

The song also reflects the wider concerns of ‘Redemption’, a record shaped by travel, fatherhood, gratitude and renewed self-awareness. Much of the album was recorded in Bali, and the island’s atmosphere reportedly helped cultivate its more contemplative dimensions. That background lends ‘Pay Up’ an intriguing duality. It is a song about ambition, but not restless ambition. Its confidence feels less like hunger for external validation and more like an acceptance that the journey itself has meaning.

What emerges is a track that understands hip-hop as both music and testimony. Darcy’s influences, from Tupac Shakur and Eminem to Kendrick Lamar, belong to a lineage in which personal narrative can become social observation and self-examination can become communal language. ‘Pay Up’ honours that tradition while remaining contemporary in its presentation. As a statement of intent for ‘Redemption’, it suggests an artist who has found greater clarity without sacrificing his edge, and who understands that the most durable kind of success is the kind you build yourself.

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