We Speak Music
Tamara S Keeps It Real On New Single “Take Me Away”
For anyone discovering Tamara S through “Take Me Away”, the first thing that stands out is how comfortable she sounds in her own lane.
The Leeds (UK) artist doesn’t rely on complicated concepts or dramatic storytelling here. Instead, she takes a feeling that’s easy to recognise and builds the song around it. Anyone who’s spent too long surrounded by traffic, deadlines and crowded spaces will understand where she’s coming from.
The track unfolds like a conversation rather than a performance. Tamara lays out exactly what’s on her mind, moving from frustration with her surroundings to thoughts of open landscapes, fresh air and somewhere far removed from the rush of daily life. The writing feels personal without becoming overly revealing, giving the song an approachable quality throughout.
Musically, “Take Me Away” stays locked into a smooth groove that allows the vocal to remain front and centre. Tamara’s delivery does much of the heavy lifting, particularly during the chorus, where the song finds its most memorable moments.
What lingers afterwards is the sense that the track comes from a genuine place. Nothing feels exaggerated for effect. It’s simply a well-crafted song built around a clear idea, delivered by an artist who sounds increasingly confident with every release.
As a snapshot of what Tamara S brings to the table, “Take Me Away” makes a convincing introduction and leaves plenty of reason to keep an eye on what’s next.
We Speak Music
Megan Burke Turns Personal Experience into Pop Catharsis on ‘Not All Men, Apparently’
Megan Burke’s debut EP Not All Men, Apparently arrives with a title designed to provoke conversation, but beneath its pointed framing lies a deeply personal collection of songs rooted in lived experience. The project sees the Irish artist tackling themes of heartbreak, deception and emotional recovery with an unfiltered honesty that has become increasingly rare within contemporary pop.
Produced by Hungarian hitmaker Áron Somody, the EP documents Burke’s journey through a series of difficult relationships, transforming private frustrations into universally relatable songwriting. Rather than presenting neat resolutions, the songs lean into complexity, examining the lingering impact of toxic dynamics while charting a gradual path towards self-awareness. It is this willingness to confront uncomfortable truths that gives the record its emotional weight.
Among the collection’s standout moments is Make Me, the focus track that introduces a welcome sense of levity. Written as a break from the darker material surrounding it, the song captures a more playful side of Burke’s personality, embracing independence and spontaneity without abandoning the candid perspective that defines the wider project. Its inclusion adds balance to a release that might otherwise feel relentlessly introspective.
Burke’s rise has been built largely on her ability to connect directly with audiences, amassing a substantial online following while earning notable milestones including a No.1 iTunes chart position and performances at some of Ireland’s biggest venues. With Not All Men, Apparently, she delivers her most cohesive artistic statement yet, confirming her status as a compelling new voice in Irish pop and a songwriter unafraid to tell difficult stories.
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