We Speak Music
under:tones Unveils New Single ‘Dreaming (Wide Awake)’
From the very first shimmering note of “Dreaming (Wide Awake),” under:tones usher us into a sonic world where memory and motion intertwine. The international trio’s debut single is nothing short of transportive—a euphoric blend of shimmering synths, cinematic textures, and soul-drenched vocals that sticks to your skin like a summer sunset. This is more than just a song; it’s a carefully crafted mood, a feeling you didn’t know you’d been missing.
Reeves’ vocals breathe life into the track, effortlessly riding the warmth of analog-driven beats and dreamy melodic layers. There’s a careful balance of nostalgia and optimism here, with each element—whether it’s a swelling pad or a kick drum—carrying emotional weight. The result is a song that feels like coming home to a place you’ve never been but always longed for.
The music video, directed with cinematic flair by Cristina Principe, turns that longing into a visual poem. Set against the backdrop of a hyper-surveilled Los Angeles, it tells the story of Zeno, a teen carving out moments of authenticity in a digitized world. It’s both raw and uplifting, offering brief glimpses of freedom in headphone-fueled joyrides and quiet moments of connection.
As the debut release from Through The Void Records, “Dreaming (Wide Awake)” makes a bold statement—not only for under:tones but for the label’s vision. With a full album on the horizon and a philosophy rooted in emotional storytelling, under:tones prove they’re not just making music—they’re creating portals.
We Speak Music
Col Darcy Unveils New Single ‘Pay Up’
Col Darcy’s ‘Pay Up’ arrives with the calm authority of an artist who has already learned that longevity is its own form of victory. The second single from ‘Redemption’, his forthcoming album, is a composed piece of independent hip-hop that places persistence, ambition and personal conviction at its centre. Rather than presenting success as spectacle, Darcy approaches it as something accumulated slowly, through experience, discipline and faith in one’s own direction.
That sense of earned perspective has been central to Darcy’s work from the beginning. As Caper, he drew national attention with ‘How Would You Like To Be Me?’, a politically charged anti-racism song whose influence eventually extended into cinema. Alongside ‘Opportunity’, the track appeared in Netflix’s A Second Chance: Rivals!, bringing Darcy’s writing to an audience well beyond the usual confines of Australian hip-hop. Yet his subsequent career has remained grounded in independence, with the acclaimed ‘Beautiful Hopeless’ further establishing his commitment to thoughtful writing and considered craft.
‘Pay Up’ continues that trajectory while revealing an artist interested in the emotional economics of perseverance. Darcy writes from the perspective of someone who has experienced the slow rewards of staying the course. The lyrics use sharp wordplay and layered metaphor to turn a familiar idea into something more personal. His delivery is particularly effective for its restraint. There is no need to overstate the message when the voice behind it sounds as though it has lived through the argument already.
The song also reflects the wider concerns of ‘Redemption’, a record shaped by travel, fatherhood, gratitude and renewed self-awareness. Much of the album was recorded in Bali, and the island’s atmosphere reportedly helped cultivate its more contemplative dimensions. That background lends ‘Pay Up’ an intriguing duality. It is a song about ambition, but not restless ambition. Its confidence feels less like hunger for external validation and more like an acceptance that the journey itself has meaning.
What emerges is a track that understands hip-hop as both music and testimony. Darcy’s influences, from Tupac Shakur and Eminem to Kendrick Lamar, belong to a lineage in which personal narrative can become social observation and self-examination can become communal language. ‘Pay Up’ honours that tradition while remaining contemporary in its presentation. As a statement of intent for ‘Redemption’, it suggests an artist who has found greater clarity without sacrificing his edge, and who understands that the most durable kind of success is the kind you build yourself.
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