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Wes Banderson celebrate the music of Wes Anderson films with four special UK shows this September!

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A unique show for film buffs and music lovers alike is set to tour the UK & Europe this September.

‘Wes Banderson: The Music of Wes Anderson’, a celebration of the original score music and deep cut needle-drops from the films of Wes Anderson, is scheduled to come to Manchester, Bristol, London and Birmingham for four special shows this year.

Performing in Team Zissou livery, the five-piece ensemble effortlessly switch between instruments as they move between the soundtracks of ‘Rushmore’, ‘The Grand Budapest Hotel’, ‘The Royal Tenenbaums’, ‘The Life Aquatic With Steve Zissou’, ‘Moonrise Kingdom’, ‘The Darjeeling Limited’, ‘Fantastic Mr. Fox’ and beyond.

The group performs pieces from composers Mark Mothersbaugh, Alexander Desplatt, Sven Libaek, Shankar-Jakishan, Maurice Ravel and more, accompanied by live projected visuals.

Creator/Director Adam Znaidi, who you may also know as the bass player of The Go! Team and co-founder of The Physics House Band, says: “The aim for this show was to make it feel like a ‘gig’, something that anyone could enjoy, even if they weren’t that familiar with Wes Anderson’s films. It gets really loud, it gets really quiet and takes you on a journey through a whole load of genres.”

For a taster, watch Wes Banderson perform ‘Shark Attack Theme’ from Wes Anderson’s ‘The Life Aquatic With Steve Zissou’ here:

You won’t hear this music being performed anywhere else, so don’t miss out and get to one the following dates:

9 Sept – Manchester – Yes Pink Room

10 Sept – Bristol – Jam Jar

11 Sept – London – Hootananny

12 Sept – Birmingham – Hare And Hounds

17 Sept – Turin, Italy – Hiroshima Mon Amour

18 Sept – Milan, Italy – Arci Bellezza

19 Sept – Bologna, Italy – TEST Prototipo Urbano

20 Sept – Rome, Italy – Monk

21 Sept – Livorno, Italy – Teatro Goldoni

23rd Sept – Paris, France – Bus Palladium

For tickets visit: https://wesbanderson.com/

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Phoebe June Traces Love, Distance and Heartbreak on New EP ‘Kiss Me Over The Garden Gate’

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For Phoebe June, some stories are easier to tell through music.

Her new EP, ‘Kiss Me Over The Garden Gate’, is an intimate collection that traces the emotional journey of a relationship from the exhilaration of falling in love to distance, uncertainty, heartbreak and, ultimately, learning to let go.

Inspired by artists including Gracie Abrams, Taylor Swift and Phoebe Bridgers, Phoebe June combines diary-like lyricism with melancholic ballads, subtle uptempo moments and an understated, emotionally honest production style.

At the centre of the project is ‘Thursday’, a bittersweet track about loving someone from a distance and holding onto the hope that the connection might survive.

Written after Phoebe left a country that held deep personal meaning, and left someone she cared about behind, the song looks back at the relationship from its beginning. Even its title is personal: the two first met on a Thursday.

The song captures the complicated feeling of walking away from something meaningful without believing that it necessarily has to be over. It’s about distance, memory and the possibility of finding your way back to someone, while recognising that hope only works when it goes both ways.

Across six tracks, the EP develops that story in sequence.

‘Everything You Are’ opens the project with the warmth of new love, while ‘Dead Sea’ explores the security of finding someone who helps you stay afloat through difficult times. As the story progresses, ‘Thursday’ introduces separation before ‘Getaway Car’ moves into the aftermath; unanswered questions, lingering attachment and the realisation that someone can profoundly affect your life while still being unhealthy for you.

‘One Day’ leaves the door open to the possibility of a future reunion, balancing hope with the understanding that some relationships may only exist in memory.

The EP closes with ‘Ophelia’, its emotional breaking point. Inspired in part by Friedrich Heyser’s painting of the same name, the track confronts the pain of feeling manipulated and unappreciated after giving everything to someone else.

The result is a project that deliberately moves from light to dark. Phoebe June considered not only the narrative but the emotional progression when sequencing the EP, allowing the brightness of its opening to gradually give way to the heartbreak of its closing moments.

Even the title reflects that feeling.

‘Kiss Me Over The Garden Gate’ takes its name from a flower, with the image of a gate separating two people becoming a metaphor for a love that remains beautiful but just out of reach. To reach over it requires effort, just as maintaining a connection across distance, uncertainty and changing circumstances does.

Ultimately, Phoebe June isn’t interested in simply documenting her own heartbreak.

She wants listeners to recognise themselves in it.

‘Kiss Me Over The Garden Gate’ is a collection about love, nostalgia, hope and regret and about what remains when something beautiful ends up on the other side of the gate.

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