We Speak Music
2heart2crash Unleashes Debut Record ‘22’
Italian-born post-punk, synth-pop and new-wave artist 2heart2crash has introduced his debut album, 22. Spanning eight tracks, the record moves between darkness and danceability, fueled by raw, unfiltered emotion. Throughout the project, 2heart2crash (born Alessio Grancini) reflects on identity, communication, technology and emotional vulnerability. By merging music with visual art, he presents a cohesive and immersive creative world.
Driven by synth textures, the album contrasts heavy themes with vibrant production. The opener, Acid, kicks things off with a funky punch, unpacking feelings of disconnection from once-familiar environments and relationships. On Bad Guy, an irresistibly catchy hook echoes long after the track fades. Help captures a kind of defiant resilience, as the narrator wrestles with emotional pain yet refuses to seek assistance. One of the album’s strongest moments arrives with N1LikesU, bold and unapologetically honest, documenting a refusal to give in to manipulation or toxic pressure. Closing track Psycho ends the project on an infectious note, pairing uplifting melodies with repeated verses that make it instant earworm material. Though the runtime stretches just past 20 minutes, the album feels substantial, enriched by polished production and lyrics that encourage self-reflection.
Born and raised in Italy, 2heart2crash found his passion for music early, attending many gigs in his hometown. Witnessing international bands ignite chaotic mosh pits and channel explosive energy left a lasting imprint, shaping the artistic vision that would later define his own sound.
He began his musical journey as the lead vocalist of Edge in Imola, Emilia-Romagna. The band’s debut single, Edge, reached more than 6.5K views on BlankTV, one of the largest DIY platforms spotlighting punk, hardcore, metal, indie and underground acts. Grancini later helped produce and release several music and video art works, including Graves by Parkshores featuring SuckerPunk. These releases attracted recognition from platforms such as Earmilk, 15MinutesNews, FMS and Alfitude.
Now living in San Francisco, Grancini wrote and produced 22 entirely in his bedroom during a yearlong stay at a hacker house near North Beach. The visual side of the album was co-produced with Cole Daly, who worked on the videos, and Zeo Zhang, who contributed to visual direction and artistic development. Final production was completed alongside Johnny Hits. Surrounded by technology founders and immersed in startup culture, that environment inspired both the album’s subject matter and its sonic identity.
“It’s made up of the conversations I’ve had with myself along the way,” says 2heart2crash. “Admitting my mistakes and the failures of communication that followed me helped me release some of the ghosts that kept reminding me how bad things once were.”
The project wrestles with the tension between digital existence and real-world relationships. “No one knows you better than your devices. Texting, in particular, fascinates and disturbs me, not just its utility, but the anxieties, rhythms, and expectations it carries. Many people misunderstand the tech scene. I saw firsthand the effort, the risk, and the emotional toll that comes with building something from nothing. Artists and entrepreneurs are not so different. Both must believe in a vision long before anyone else does.”
Ultimately, the album stands as a defining step for 2heart2crash. By weaving together underground influences and contemporary cultural commentary, the record captures the layered emotional reality of living in a permanently connected world.
“This project feels urgent, honest, and sonically distinctive,” says music publicist Danielle Holian, Decent Music PR. “It captures the anxiety, beauty, and contradictions of a generation shaped by both underground music and digital life. It’s not just a record, it’s a statement about where alternative music and visual culture are heading next.”
We Speak Music
Michele Ducci teases new album with uplifting indie single ‘Woman Like You’
Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.
‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.
The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.
The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:
Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.”
About the track, Michele says, “I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.
We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.”
The album and full-length film will be released on the 5th of June on Monotreme Records.
Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.

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