We Speak Music
2heart2crash Unleashes Debut Record ‘22’
Italian-born post-punk, synth-pop and new-wave artist 2heart2crash has introduced his debut album, 22. Spanning eight tracks, the record moves between darkness and danceability, fueled by raw, unfiltered emotion. Throughout the project, 2heart2crash (born Alessio Grancini) reflects on identity, communication, technology and emotional vulnerability. By merging music with visual art, he presents a cohesive and immersive creative world.
Driven by synth textures, the album contrasts heavy themes with vibrant production. The opener, Acid, kicks things off with a funky punch, unpacking feelings of disconnection from once-familiar environments and relationships. On Bad Guy, an irresistibly catchy hook echoes long after the track fades. Help captures a kind of defiant resilience, as the narrator wrestles with emotional pain yet refuses to seek assistance. One of the album’s strongest moments arrives with N1LikesU, bold and unapologetically honest, documenting a refusal to give in to manipulation or toxic pressure. Closing track Psycho ends the project on an infectious note, pairing uplifting melodies with repeated verses that make it instant earworm material. Though the runtime stretches just past 20 minutes, the album feels substantial, enriched by polished production and lyrics that encourage self-reflection.
Born and raised in Italy, 2heart2crash found his passion for music early, attending many gigs in his hometown. Witnessing international bands ignite chaotic mosh pits and channel explosive energy left a lasting imprint, shaping the artistic vision that would later define his own sound.
He began his musical journey as the lead vocalist of Edge in Imola, Emilia-Romagna. The band’s debut single, Edge, reached more than 6.5K views on BlankTV, one of the largest DIY platforms spotlighting punk, hardcore, metal, indie and underground acts. Grancini later helped produce and release several music and video art works, including Graves by Parkshores featuring SuckerPunk. These releases attracted recognition from platforms such as Earmilk, 15MinutesNews, FMS and Alfitude.
Now living in San Francisco, Grancini wrote and produced 22 entirely in his bedroom during a yearlong stay at a hacker house near North Beach. The visual side of the album was co-produced with Cole Daly, who worked on the videos, and Zeo Zhang, who contributed to visual direction and artistic development. Final production was completed alongside Johnny Hits. Surrounded by technology founders and immersed in startup culture, that environment inspired both the album’s subject matter and its sonic identity.
“It’s made up of the conversations I’ve had with myself along the way,” says 2heart2crash. “Admitting my mistakes and the failures of communication that followed me helped me release some of the ghosts that kept reminding me how bad things once were.”
The project wrestles with the tension between digital existence and real-world relationships. “No one knows you better than your devices. Texting, in particular, fascinates and disturbs me, not just its utility, but the anxieties, rhythms, and expectations it carries. Many people misunderstand the tech scene. I saw firsthand the effort, the risk, and the emotional toll that comes with building something from nothing. Artists and entrepreneurs are not so different. Both must believe in a vision long before anyone else does.”
Ultimately, the album stands as a defining step for 2heart2crash. By weaving together underground influences and contemporary cultural commentary, the record captures the layered emotional reality of living in a permanently connected world.
“This project feels urgent, honest, and sonically distinctive,” says music publicist Danielle Holian, Decent Music PR. “It captures the anxiety, beauty, and contradictions of a generation shaped by both underground music and digital life. It’s not just a record, it’s a statement about where alternative music and visual culture are heading next.”
We Speak Music
Wes Banderson celebrate the music of Wes Anderson films with four special UK shows this September!

A unique show for film buffs and music lovers alike is set to tour the UK & Europe this September.
‘Wes Banderson: The Music of Wes Anderson’, a celebration of the original score music and deep cut needle-drops from the films of Wes Anderson, is scheduled to come to Manchester, Bristol, London and Birmingham for four special shows this year.
Performing in Team Zissou livery, the five-piece ensemble effortlessly switch between instruments as they move between the soundtracks of ‘Rushmore’, ‘The Grand Budapest Hotel’, ‘The Royal Tenenbaums’, ‘The Life Aquatic With Steve Zissou’, ‘Moonrise Kingdom’, ‘The Darjeeling Limited’, ‘Fantastic Mr. Fox’ and beyond.
The group performs pieces from composers Mark Mothersbaugh, Alexander Desplatt, Sven Libaek, Shankar-Jakishan, Maurice Ravel and more, accompanied by live projected visuals.
Creator/Director Adam Znaidi, who you may also know as the bass player of The Go! Team and co-founder of The Physics House Band, says: “The aim for this show was to make it feel like a ‘gig’, something that anyone could enjoy, even if they weren’t that familiar with Wes Anderson’s films. It gets really loud, it gets really quiet and takes you on a journey through a whole load of genres.”
For a taster, watch Wes Banderson perform ‘Shark Attack Theme’ from Wes Anderson’s ‘The Life Aquatic With Steve Zissou’ here:
You won’t hear this music being performed anywhere else, so don’t miss out and get to one the following dates:
9 Sept – Manchester – Yes Pink Room
10 Sept – Bristol – Jam Jar
11 Sept – London – Hootananny
12 Sept – Birmingham – Hare And Hounds
17 Sept – Turin, Italy – Hiroshima Mon Amour
18 Sept – Milan, Italy – Arci Bellezza
19 Sept – Bologna, Italy – TEST Prototipo Urbano
20 Sept – Rome, Italy – Monk
21 Sept – Livorno, Italy – Teatro Goldoni
23rd Sept – Paris, France – Bus Palladium
For tickets visit: https://wesbanderson.com/
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