We Speak Music
Aistis Delivers Masterful Album ‘Clay’
‘Clay’, the latest offering from Lithuanian-Canadian artist Aistis, is an 11-song journey that delves deep into the labyrinth of complicated relationships. Emerging as a companion piece to his upcoming release, ‘Caviar For Seagulls,’ this alternative folk album stands on its own with a powerful blend of reality and fiction, exploring the cyclical nature of love and heartache.
Aistis crafts an atmospheric soundscape where his vulnerabilities are laid bare, showcasing a newfound openness. ‘Clay’ was born during the final stages of ‘Caviar For Seagulls,’ serving as a creative outlet for Aistis to continue expressing his present emotions. The album experiments with song structures and pacing, rejecting societal norms and diving into the rawness of his experiences.
The narrative begins with the introspective ‘Plateau Botticelli,’ which sets the tone for the album’s exploration of personal obsessions and romantic entanglements. This theme is further examined in ‘Thought It Over (And I Think You Should Move On),’ a track that finally acknowledges the need to let go. Yet, just as the listener believes a resolution has been reached, ‘So They Say’ pulls them back into the cycle of returning to familiar patterns. The album takes an aromatic turn with ‘Lilac Perfume,’ infusing a sense of sensuality and nostalgia.
The journey through ‘Clay’ is non-linear, reflecting the complex and often repetitive nature of relationships. Aistis captures this essence beautifully in ‘The Mouse In The Kitchen,’ a hushed lullaby that prematurely closes the curtain with a serene exit. However, it’s the title track ‘Clay’ that leaves the most lasting impression. The piano ballad encapsulates the album’s theme of love’s malleability, illustrating how emotions can linger and change form over time, much like clay being molded and remolded.
Aistis himself comments on the thematic development of ‘Clay,’ noting that the album’s theme revealed itself gradually as the songs took shape. This organic development process adds to the album’s authenticity and depth, making it a relatable exploration of romantic complexities.
The tracks on ‘Clay’ are persuasive and poignant, blending truth and fiction to create a vivid narrative. Aistis wrestles with his place in the world, using his music as a means of understanding and expression. In releasing ‘Clay,’ Aistis offers his audience a glimpse into his introspective journey, providing an inverted conversation of self-development and authenticity.
In conclusion, ‘Clay’ is a compelling album that captures the essence of romantic entanglement and personal growth. Aistis’s willingness to expose his vulnerabilities and experiment with his sound results in an album that is both haunting and beautiful. ‘Clay’ not only stands as a testament to Aistis’s artistic evolution but also sets a high expectation for his upcoming release, ‘Caviar For Seagulls.’
We Speak Music
B.A. Badd drops video for “Heart On My Sleeve” ft. Bub Styles

Following the audio release of new single “Heart On My Sleeve” emcee/production duo B.A. Badd and Sypooda have dropped the official video. Co-produced by Reallyhiiim the track and video feature Bub Styles and was filmed by Gee (Chinatown Sound).
Watch official video for “Heart On My Sleeve”:
“Heart On My Sleeve” appears on the B.A.Badd & Sypooda’s collaborative LP Painted In Hunger (currently only available via Bandcamp).
Another track from the album “100” was released in video format recently as well.
Watch official video for “100” here: https://youtu.be/OHALfIpRwMw
Initially connecting online, Virginia beatsmith Sypooda (Ab-Soul, Daylyt, Grafh) reached out after hearing B.A. Badd’s track with Conway The Machine “Everybody Eats.” The conversation progressed to Sypooda flying out to Buffalo, NY to record with BA Badd. In addition to Bub Styles the resulting album also features appearances by Cozz and Prxfet.
In addition to Painted In Hunger, B.A. Badd has been keeping busy on the live circuit appearing on Jae Skeese’s Ground Level 2025 national tour.
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