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Aistis Delivers Masterful Album ‘Clay’
‘Clay’, the latest offering from Lithuanian-Canadian artist Aistis, is an 11-song journey that delves deep into the labyrinth of complicated relationships. Emerging as a companion piece to his upcoming release, ‘Caviar For Seagulls,’ this alternative folk album stands on its own with a powerful blend of reality and fiction, exploring the cyclical nature of love and heartache.
Aistis crafts an atmospheric soundscape where his vulnerabilities are laid bare, showcasing a newfound openness. ‘Clay’ was born during the final stages of ‘Caviar For Seagulls,’ serving as a creative outlet for Aistis to continue expressing his present emotions. The album experiments with song structures and pacing, rejecting societal norms and diving into the rawness of his experiences.
The narrative begins with the introspective ‘Plateau Botticelli,’ which sets the tone for the album’s exploration of personal obsessions and romantic entanglements. This theme is further examined in ‘Thought It Over (And I Think You Should Move On),’ a track that finally acknowledges the need to let go. Yet, just as the listener believes a resolution has been reached, ‘So They Say’ pulls them back into the cycle of returning to familiar patterns. The album takes an aromatic turn with ‘Lilac Perfume,’ infusing a sense of sensuality and nostalgia.
The journey through ‘Clay’ is non-linear, reflecting the complex and often repetitive nature of relationships. Aistis captures this essence beautifully in ‘The Mouse In The Kitchen,’ a hushed lullaby that prematurely closes the curtain with a serene exit. However, it’s the title track ‘Clay’ that leaves the most lasting impression. The piano ballad encapsulates the album’s theme of love’s malleability, illustrating how emotions can linger and change form over time, much like clay being molded and remolded.
Aistis himself comments on the thematic development of ‘Clay,’ noting that the album’s theme revealed itself gradually as the songs took shape. This organic development process adds to the album’s authenticity and depth, making it a relatable exploration of romantic complexities.
The tracks on ‘Clay’ are persuasive and poignant, blending truth and fiction to create a vivid narrative. Aistis wrestles with his place in the world, using his music as a means of understanding and expression. In releasing ‘Clay,’ Aistis offers his audience a glimpse into his introspective journey, providing an inverted conversation of self-development and authenticity.
In conclusion, ‘Clay’ is a compelling album that captures the essence of romantic entanglement and personal growth. Aistis’s willingness to expose his vulnerabilities and experiment with his sound results in an album that is both haunting and beautiful. ‘Clay’ not only stands as a testament to Aistis’s artistic evolution but also sets a high expectation for his upcoming release, ‘Caviar For Seagulls.’
We Speak Music
Waz-u drops ambient gem ‘Vermillion’ ft. Lilyg

London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.
Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’
‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.
Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.

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