We Speak Electronic
Alivia Clark Drops New Electropop Song “Breathless”
Soon-to-be superstar Alivia Clark makes her triumphant return following a one-year hiatus. The multifaceted talent showcases her sonic evolution through her new single, “Breathless.” “Breathless” is a culmination of genres, most notably EDM/House and Pop. The Dance-Pop, Electropop song has an R&B/Soul flair, demonstrating Alivia Clark’s versatility and immense artistry.
“Breathless” is a booming, fun feminine anthem. Alivia Clark’s sultry, seductive vocals pair well with the song’s thumping, up-tempo instrumentation. The flirtatious, sensual jam is a late-night bop that is passionate and carefree. “‘Breathless’ captures the intoxicating feeling of losing control in a moment of desire.” Alivia Clark continues, “The song lives in that space between vulnerability and power – where emotions hit harder than logic.”
Follow Alivia Clark on Instagram (@alivia314) and TikTok (@aliviaaaclark).
Brooklyn duo Dancing In Tongues return with their new single “Petri Dish” and it lands like a quiet exhale in a loud world.
Built from soft-focus electronics, delicate rhythms, and vocals that feel almost whispered into the room, “Petri Dish” is less a traditional single and more a suspended moment. It drifts, pulses, and holds its breath in all the right places.
The track is the first glimpse of their upcoming 4-track EP of the same name, due 3rd July, and was written and produced in Berlin with Lucas Herweg (LLUCID) and Jacob Bergson (TAUT), working together as Designer.
At its core, “Petri Dish” comes from something deeply personal: the duo’s experience with IVF. Rather than framing it in heavy-handed terms, the song captures the emotional weather of it all; the waiting, the hope that arrives faster than you expect and the strange stillness that sits alongside it.
That duality runs through everything here. The production feels weightless but never empty with shimmering synths that blur at the edges, textures gently fold into one another, and the rhythm never quite settles into certainty. It moves the way thoughts do when you’re waiting for news you can’t control.
Vocally, Sarah Martin-Nuss stays close to the mic, almost conversational at times, which makes the emotional impact feel even more direct. There’s no performance of grandeur here, just presence, honesty, and space to feel things as they are.
Dancing In Tongues have always worked in that in-between zone where electronic music becomes something more tactile and personal, and “Petri Dish” is no exception.
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