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Andy Branton Releases New Single “Travelin’ Days” — An Anthem for the Rambling Soul

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Country-blues troubadour Andy Branton is back with a brand-new single, “Travelin’ Days,” out now on all streaming platforms. The track is a high-octane ode to the road—a foot-stomping celebration of freedom and grit, born from one of the most still moments in recent history.

Travelin’ Days is the first tune I wrote during the Covid lockdown,” says Branton. “My first real tour had just been canceled. I guess you always want to do what you can’t.”

True to form, Branton took that frustration and turned it into fire. The result is a fast-paced, unapologetic track that captures the spirit of the modern rambling man. Through the voice of a well-worn character—part Branton, part every road-weary musician he’s crossed paths with—the song reckons with the highs and lows of life on the move. Even with all the miles, uncertainty, and solitude, the narrator still finds his peace: “Lord, lord ain’t this life good… living like I should.”

Branton describes “Travelin’ Days” as “an up-tempo, ass kicker about rambling around,” best listened to with the windows down and the highway wide open.

Originally from Alabama, Andy Branton cut his teeth playing guitar in country and rock & roll bands across the West Alabama bar circuit. He made his official debut with the EP 47 Minutes Away, a collection of songs rooted in the southern storytelling tradition. Now based in Louisville, Kentucky, Branton continues to travel, write, and perform across the country, drawing from years of chasing highways and heartache.

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Drela and Stonebwoy Deliver a Masterclass in Grit on ‘DEM DEAD’

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The Afrobeats scene is evolving rapidly, and “DEM DEAD” by Drela and Stonebwoy might just be its next pivotal moment. The song doesn’t tiptoe into your speakers — it kicks the door open and announces itself with teeth-baring confidence. Drela, still on the ascent, raps like someone who knows his moment has arrived. Every bar is sharp, laced with realness, and aimed like arrows toward his sceptics.

Stonebwoy, a legend in his own right, doesn’t just lend a verse — he elevates the entire track. His voice, full of lived wisdom and unmistakable power, balances Drela’s youthful ferocity with a seasoned calm. Their chemistry is undeniable. You can almost hear the unspoken respect between them, making “DEM DEAD” not just a collaboration, but a cultural handshake between generations and regions.

Sonically, Mix Master Garzy cooks up a storm. The beat is aggressive but polished, with layers of percussive flair and melodic tension that reflect the emotional weight of the track. This isn’t background music — it’s front and center, demanding full attention. The production moves like a soundtrack to a revolution, and Drela and Stonebwoy are its leading voices.

The visual treatment seals the deal. Shot across iconic locations in Lagos and Accra, the music video fuses art and symbolism with street realism. There’s a narrative here — one of struggle, resistance, and ultimate triumph. Both artists appear in their element, delivering not just performance but presence. The shots of unity and resilience speak louder than any lyric.

In a time where feel-good anthems often overshadow songs with true intent, “DEM DEAD” reminds us of the power of message music. It’s a battle hymn for the ambitious, the underdog’s war chant. Drela is clearly not just chasing clout — he’s building legacy. And with Stonebwoy backing him, the world better be ready.

Drela: Facebook, Instagram, X, Spotify, Website | Stonebwoy: Facebook, Instagram, X, Spotify, Wikipedia

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