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ASH: Redefining Alternative R&B with Bold New EP ‘Holding Water’

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Emerging from the intricate crosscurrents of Alternative R&B, Indie, and Neo-Soul, ASH is rapidly establishing herself as one of the most captivating new voices in contemporary music. With a signature sound that transcends genre boundaries, this rising artist blends bilingual lyricism, innovative production, and an evocative vocal style that sets her apart. Her debut EP, Holding Water, solidifies her place in the alternative music scene, revealing a richly layered exploration of emotional release, introspection, and artistic growth.

ASH’s musical journey has been anything but conventional. Raised in Beijing’s vibrant international community, she began her classical piano training at the age of four, laying the foundation for her intricate understanding of music theory and composition. As a teenager, she expanded her instrumental prowess by teaching herself guitar, bass, and drums, setting the stage for the genre-bending production style that defines her music today.

Her academic pursuits brought her to the prestigious University of Pennsylvania, where she balanced her education with a deep passion for the performing arts. Afterward, a scholarship to The New School in New York City opened the door to a more immersive music career. It was here that ASH fully embraced music production, and the seeds of Holding Water were sown. This project would go on to catch the attention of Grammy Award-winning mixing engineer Jeff Ellis, who has worked with the likes of Frank Ocean and Doja Cat, signalling that ASH’s music was ready to make waves on a much larger scale.

At the heart of ASH’s artistry is her ability to weave together diverse musical influences. From the soulful grooves of R&B to the introspective moodiness of Indie Rock, her sound is a reflection of her multicultural upbringing and broad musical education. On, Holding Water, these influences come together in a seamless, genre-defying project that showcases her versatility and willingness to push creative boundaries.

The EP opens with “Infatuated,” a haunting ballad that plunges listeners into the emotional depths of unrequited love. The heavy, atmospheric production mirrors the song’s lyrical themes of desire and heartbreak, setting the tone for the emotional journey that follows. ASH’s vocal performance is raw and captivating, embodying the devastation of longing with a delicately restrained intensity.

On “Pearl,” ASH shifts focus toward self-reflection and empowerment, crafting an introspective anthem about prioritising one’s own needs. The track’s electronic-infused production enhances the sense of transcendence as she navigates themes of self-assurance and personal freedom. It’s a sonic departure that highlights her ability to experiment while maintaining emotional depth.

“Reverse Psychology,” the EP’s standout single, is an emotional storm of release. Built around looped vocal harmonies and intricate guitar work, the track details the final moments of a turbulent relationship. ASH’s lyrics and delivery capture the push-pull dynamic of emotional turmoil, offering listeners both catharsis and resolution.

“Blue Interlude” and “These Clouds” continue the EP’s narrative with poignant reflections on the complexity of human emotions. “Blue Interlude” is a delicate, melancholy lullaby that speaks to the liminal space between passion and dread. The brief but emotionally charged track leaves a lasting impression, while “These Clouds” serves as a moment of respite. With its lush instrumentation and a saxophone solo that invites listeners into a cosy cocoon of comfort, the track is a reminder of ASH’s talent for crafting immersive sonic environments.

Finally, the EP’s title track, “Holding Water,” is a powerful statement of creative self-assurance. Completely acapella, the song is a showcase of ASH’s vocal range and versatility. It’s a raw and vulnerable track that encapsulates the EP’s themes of self-discovery, release, and the fluidity of identity. ASH pours her hopes and fears into the song, trusting her intuition and letting go of the need to define herself by external standards.

With, Holding Water, ASH has created a deeply personal project that speaks to the universality of emotional experiences while pushing the boundaries of contemporary music. Her fearless approach to blending genres, combined with her bilingual lyricism and unique vocal style, positions her as a trailblazer in the alternative R&B scene.

ASH’s music is not just a fusion of sounds—it’s a reflection of her own multifaceted identity and the journey she’s embarked on to define herself as an artist. In a world where genre lines are increasingly blurred, ASH stands out for her ability to create music that is both emotionally resonant and sonically innovative. As she continues to grow as a musician and producer, there’s no doubt that ASH is poised to leave a lasting mark on the global music landscape.

With, Holding Water, she has not only introduced herself as a bold new voice in music but also delivered a project that resonates with listeners on a deeply personal level. The future for ASH is boundless, and this EP is just the beginning of a career that promises to be as dynamic and boundary-pushing as the artist herself.

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Waz-u drops ambient gem ‘Vermillion’ ft. Lilyg

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London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.

Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’

‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.

Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.

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