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ASH: Redefining Alternative R&B with Bold New EP ‘Holding Water’

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Emerging from the intricate crosscurrents of Alternative R&B, Indie, and Neo-Soul, ASH is rapidly establishing herself as one of the most captivating new voices in contemporary music. With a signature sound that transcends genre boundaries, this rising artist blends bilingual lyricism, innovative production, and an evocative vocal style that sets her apart. Her debut EP, Holding Water, solidifies her place in the alternative music scene, revealing a richly layered exploration of emotional release, introspection, and artistic growth.

ASH’s musical journey has been anything but conventional. Raised in Beijing’s vibrant international community, she began her classical piano training at the age of four, laying the foundation for her intricate understanding of music theory and composition. As a teenager, she expanded her instrumental prowess by teaching herself guitar, bass, and drums, setting the stage for the genre-bending production style that defines her music today.

Her academic pursuits brought her to the prestigious University of Pennsylvania, where she balanced her education with a deep passion for the performing arts. Afterward, a scholarship to The New School in New York City opened the door to a more immersive music career. It was here that ASH fully embraced music production, and the seeds of Holding Water were sown. This project would go on to catch the attention of Grammy Award-winning mixing engineer Jeff Ellis, who has worked with the likes of Frank Ocean and Doja Cat, signalling that ASH’s music was ready to make waves on a much larger scale.

At the heart of ASH’s artistry is her ability to weave together diverse musical influences. From the soulful grooves of R&B to the introspective moodiness of Indie Rock, her sound is a reflection of her multicultural upbringing and broad musical education. On, Holding Water, these influences come together in a seamless, genre-defying project that showcases her versatility and willingness to push creative boundaries.

The EP opens with “Infatuated,” a haunting ballad that plunges listeners into the emotional depths of unrequited love. The heavy, atmospheric production mirrors the song’s lyrical themes of desire and heartbreak, setting the tone for the emotional journey that follows. ASH’s vocal performance is raw and captivating, embodying the devastation of longing with a delicately restrained intensity.

On “Pearl,” ASH shifts focus toward self-reflection and empowerment, crafting an introspective anthem about prioritising one’s own needs. The track’s electronic-infused production enhances the sense of transcendence as she navigates themes of self-assurance and personal freedom. It’s a sonic departure that highlights her ability to experiment while maintaining emotional depth.

“Reverse Psychology,” the EP’s standout single, is an emotional storm of release. Built around looped vocal harmonies and intricate guitar work, the track details the final moments of a turbulent relationship. ASH’s lyrics and delivery capture the push-pull dynamic of emotional turmoil, offering listeners both catharsis and resolution.

“Blue Interlude” and “These Clouds” continue the EP’s narrative with poignant reflections on the complexity of human emotions. “Blue Interlude” is a delicate, melancholy lullaby that speaks to the liminal space between passion and dread. The brief but emotionally charged track leaves a lasting impression, while “These Clouds” serves as a moment of respite. With its lush instrumentation and a saxophone solo that invites listeners into a cosy cocoon of comfort, the track is a reminder of ASH’s talent for crafting immersive sonic environments.

Finally, the EP’s title track, “Holding Water,” is a powerful statement of creative self-assurance. Completely acapella, the song is a showcase of ASH’s vocal range and versatility. It’s a raw and vulnerable track that encapsulates the EP’s themes of self-discovery, release, and the fluidity of identity. ASH pours her hopes and fears into the song, trusting her intuition and letting go of the need to define herself by external standards.

With, Holding Water, ASH has created a deeply personal project that speaks to the universality of emotional experiences while pushing the boundaries of contemporary music. Her fearless approach to blending genres, combined with her bilingual lyricism and unique vocal style, positions her as a trailblazer in the alternative R&B scene.

ASH’s music is not just a fusion of sounds—it’s a reflection of her own multifaceted identity and the journey she’s embarked on to define herself as an artist. In a world where genre lines are increasingly blurred, ASH stands out for her ability to create music that is both emotionally resonant and sonically innovative. As she continues to grow as a musician and producer, there’s no doubt that ASH is poised to leave a lasting mark on the global music landscape.

With, Holding Water, she has not only introduced herself as a bold new voice in music but also delivered a project that resonates with listeners on a deeply personal level. The future for ASH is boundless, and this EP is just the beginning of a career that promises to be as dynamic and boundary-pushing as the artist herself.

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Aaron Koenig Releases Ska Anthem for Geeks

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Aaron makes music about meaningful topics that rocks and grooves – and sometimes it even skanks on a rock steady beat!

His new song ‘Geeks’ has been released on all major music platforms on November 15th. It is an anthem for the heroes of the digital age: computer nerds, also known as geeks. It is driven by an off-beat ska guitar, a sticky bass line and a groovy brass section. The icing on the cake is a jazzy saxophone solo.

“I have always loved Ska, I even saw the Specials, the Selecter and Madness live in their heydays”, says Aaron. “I chose the topic although I am not a geek myself, but I have a lot of sympathy for them. Geeks are often frowned upon because they can be socially awkward, but they are the ones who are building a better world. So I think they deserve an anthem.”

The music video is mostly made up of typography, minimalistic ASCII graphics and heavily pixelated images – it surely looks geeky! Watch it here:

“I just want to entertain people and make them a bit happier.”– Aaron King.

Aaron writes catchy songs that are made for people who like meaningful, uplifting topics and guitar-driven, hand-made sounds. His musical journey started young but it wasn’t until he discovered Bitcoin and became so invested in it that he used music to express his new found joy.

“It’s mostly rock music, with excursions into funk, soul and other styles I grew up with. In general, it’s guitar-driven and hand-made, often with a punkish energy and beatlesque harmonies. What all my songs have in common are meaningful lyrics about being in the here and now, about transforming disturbing emotions into wisdom, about being in the flow, things like that.” says Aaron in an interview.

“I have always been making music and writing songs, starting with a punk rock band when I was 15. However, I never saw it as a career. I played in several bands in my teenage years and my early twenties, but after my media studies in Berlin and Rio de Janeiro I focused on other things. I first worked in TV production and then founded one of the first Internet agencies in Germany. I discovered Bitcoin in 2011 and became fascinated by it. I wrote five books about it, made lots of promotional videos and educational series for Bitcoin and blockchain companies, and organised events. I even wrote some songs about Bitcoin, which became quite popular in the community, like my Reggaeton about the Bitcoin Beach in El Salvador. People always liked that my songs are catchy and provocative. It was by the end of 2023 that I decided to go full in on music. It’s what I enjoy the most, so now I want to fully follow my passion.”

Since May 2024, his songs have been streamed more than 250,000 times on Spotify and his music videos have been viewed more than 350,000 times on YouTube.

Read more about Aaron King: http://aaron-koenig.net/press/


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