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ASH Delivers Masterful Debut Tune ‘Infatuated’

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ASH makes a remarkable debut with her single “Infatuated,” displaying her smart composition, production, and dramatic performing abilities. This song perfectly expresses the terrible human experience of falling in love with someone who isn’t truly the right fit for you. A strong bass groove serves as the single’s main structural element, while ominous harmonies and slick synthesisers come and go. Delicate rhythms propel the composition forward, while ASH’s entrancing melodic lines float over distorted guitar tones.

Speaking on the thematic narrative of ‘Infatuated’, ASH says, “Everyone remembers when they were young and eager to experience love for the first time, and I think everyone also remembers how consuming that innocent desire could be. ‘Infatuated’ comes from that unrelenting desire, but more specifically from the heart-wrenching experience of when your first partner is your first love, but you’re not theirs. For those who can relate to this, it’s a painfully different kind of first love — a kind in which you start experiencing your first love and first heartbreak pretty much simultaneously. ‘Infatuated’ captures how paralyzing that is.”

ASH’s smooth, intoxicating vocals meander through the song, creating a texture that perfectly complements her lyrical exploration of obsession, vulnerability, and despondence. This dynamic interplay between sound and meaning highlights ASH’s distinct creative intuition and her exceptional ability to illustrate emotion with sensitivity and vividness.

With ‘Infatuated’s debut, ASH shares a beautifully illuminating first track, setting the stage for her promising artistic journey. Speaking on the creative process of ‘Infatuated’, ASH shares, “‘Infatuated’ was the first real track I ever made while I was teaching myself how to produce, so I was really learning what my creative process was for the first time. I now know that every song’s process can be quite different for me, but the most constant thing has been that I need to sonically establish a mood first. For this song, it all began with that repeating bass line. It’s so simple but it immediately evoked such a powerful sinking, heavy feeling. From there it was just about leaning into that emotion in my writing and production until it formed its own world.”

ASH’s debut single is a testament to her ability to transform personal experiences into universal themes, resonating with listeners through both sound and story. ‘Infatuated’ not only marks the beginning of her musical career but also promises an exciting future for this talented artist.

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Waz-u drops ambient gem ‘Vermillion’ ft. Lilyg

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London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.

Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’

‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.

Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.

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