We Speak Music
BAD WITH PHONES releases high-energy anthem to liberation ‘Human’
Bad With Phones aka Manny T Deroy is a South London artist/musician and self-proclaimed luddite, swearing that a healthy relationship with the self beats any amount of doom scrolling session you can get through your phone. Like a time traveller from the future, he has come to has come to remind all those who this message resonates with to slow the fuck down, show love to yourself and to get away from your phones.
Manny stopped carrying a phone for six months, as a sort of social experiment to see if he could live in the 21st century without one. “I wanted to see why we all feel so obligated to own one,” he explains, smirking as he recalls the annoyance of all the friends who struggled to reach him.
The Deptford-born bassist and producer is a one-off, a future don of weirdo pop, R&B, rap and post-punk, who transmits songs that are epic and iconic, low key hypnagogic and soaked in bliss and damage, like Tyler The Creator, Grace Jones or Basquiat if they’d grown up in 1990s Deptford listening to Sade and David Bowie.
Manny’s father was a preacher, while his older brothers played in the church band. This upbringing was the backdrop to his music, but Deroy’s sound is decidedly genre-agnostic. Raised to Togolese parents who exclusively listened to gospel artists, Manny started to explore his brothers’ record collections and became affixed with the likes of Wu-Tang, Notorious B.I.G. and TLC.
2024 Bad With Phones album ‘CRASH’ combined the high-wire duality of immediate recognisability and authentic individuality. The album is packed with intimate anthems and comedown soothers for the day after a mangled night out.
Now, emerging again in 2026 and not content to stay within any kind of categorization, Bad With Phones is evolving gloriously with ‘The man who eats metal meat’ EP, a five-track voyage that moves rebelliously through a smorgasbord of styles; from spacious spoken word contemplations, to soulful alt-pop, laced together by cosmic atmospheres.
“The man who eats metal meat ep is an alter ego, an embodiment of a version of myself that’s a reminder of my resilience, determination to triumph and bounce back no matter what”, explains Manny. “The new character rides spaceships and has a crew of other travellers who travel through worlds and observe realities they blend in with the times and sometimes they don’t. In this version of reality there’s not so much blending in”, he further explains.
The next single to be lifted from the EP, ‘Human’ is, on the surface a high energy, rude and naughty club song to dance to, but it’s also a very personally important song for Bad With Phones.
“I wrote Human for my son who passed away days after he was born. The whole thing felt like an out of body experience”, Deroy explains. “Human is about birth and death respecting the way life plays out. I could rationalize that maybe the kid got all they needed from the planet maybe they thought they didn’t need to experience any more. We all go through things in life no one’s exempt from a heart break. I’m glad I was able to express my experience, and I genuinely hope it is a help to anyone who’s experienced something similar. I believe if you have life, you should celebrate it and ultimately the song is a celebration of life. It’s my anthem to liberation of all kinds”, he further explains.

We Speak Electronic
KOOLAID Returns to His Drum & Bass Roots with Uplifting New Single ‘clinic’
After more than a decade away from the decks, KOOLAID is back in his natural habitat: drum & bass.
His new single, ‘clinic’, is a high-energy liquid D&B rush packed with soaring melodies, glossy synths and serious forward momentum. It’s uplifting, euphoric and built to move both bodies and minds.
As KOOLAID puts it: “This is soul-cleansing music”.
And honestly, that feels like a pretty good prescription.
Long before his genre-defying work as Damien Hendrix, KOOLAID was part of South Florida’s underground electronic scene, performing at venues including Club Space, Nocturnal and Club Cinema while connecting with the drum & bass community through Konkrete Jungle, The Grime Monsters and Zona Entertainment.
Now he’s bringing that energy back but with years of new experience behind it.
Created entirely in Logic Pro with custom-designed sounds and digital synthesis, ‘clinic’ blends liquid D&B’s melodic warmth with a polished modern edge, channeling influences such as Netsky, High Contrast and Logistics while putting KOOLAID’s own stamp on the sound.
This isn’t nostalgia. It’s a reset.
With performances lined up throughout the summer, ‘clinic’ kicks off a fresh chapter for KOOLAID.
‘clinic’ is out now. Press play, turn it up, and consider your soul officially cleansed.
-
We Speak Music1 week ago
NP York releases powerful new indie single ‘As bold as a heart’!
-
We Speak Hip-Hop1 week agoBigHxlq337 Stays True to His Roots on “Round Here”
-
We Speak Music1 week agoNOAH’s “MOVE YA BODY” Sits At The Meeting Point Of Several Worlds
-
We Speak Music1 week ago
Wes Banderson celebrate the music of Wes Anderson films with four special UK shows this September!
