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Biz Barclay ‘Carried Away’ – A Beautifully Introspective Indie-Pop Anthem

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Brooklyn-based indie-pop singer-songwriter Biz Barclay has once again captivated listeners with their latest single, “Carried Away.” The track is a stunning blend of shimmering melodies, poignant storytelling, and lush, cinematic production. From the first note, “Carried Away” envelops the listener in a world of emotional vulnerability, where the weight of memory and longing feels both deeply personal and universally relatable.

Barclay’s delicate vocals are the heart of the track, navigating through the song’s atmospheric soundscapes with a sense of quiet intensity. Each line feels carefully crafted, as if pulling the listener deeper into a reflective space where the past and present collide. The lyrics explore themes of nostalgia, self-discovery, and the bittersweet beauty of fleeting moments. It’s a song that lingers long after it’s over, allowing its emotional resonance to seep into your thoughts and memories.

The production of “Carried Away” is a masterpiece in itself, layering delicate synths and soft percussion to create a dreamy, cinematic atmosphere. The instrumental builds gradually, supporting the emotional weight of the song while maintaining an intimate, almost ethereal quality. This balance of vulnerability and expansiveness is what sets Barclay apart in the indie-pop scene, and it’s perfectly captured in this track.

At its core, “Carried Away” is about the liminal space between memories and reality, where emotions feel suspended in time. In a recent interview, Barclay explained that they wanted to capture the sensation of being “caught between moments,” and the song does just that. The lyrics evoke the feeling of drifting in and out of memories, unsure of what’s real or imagined, and yet fully immersed in the emotions those moments stir.

With “Carried Away,” Biz Barclay continues to prove their ability to craft emotionally rich, introspective music that resonates with anyone who has ever experienced the complexities of memory and self-reflection. This track solidifies Barclay as one of the most exciting voices in indie-pop today, offering a beautiful snapshot of their artistic evolution.

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Michele Ducci teases new album with uplifting indie single ‘Woman Like You’

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Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.

‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.

The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.

The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:

Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.


About the track, Michele says, I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.

We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.

The album and full-length film will be released on the 5th of June on Monotreme Records.

Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.

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