We Speak Music
BLVDS Transforms Synthwave Boundaries On ‘Two Sides’
Nestled in the rugged beauty of Montana, a state synonymous with untouched landscapes and resilient spirit, BLVDS is emerging as a standout act in the electronic music scene. Comprised of Ryan Hayes, formerly of heavy metal band Righteous Vendetta, and Jake Goldberg, previously part of alternative rock band Alder Lights, BLVDS seamlessly blends Synthwave, Synthpop, and electronic influences. Together, they create a unique soundscape that reflects both their artistic evolution and the dynamic environment of their home state. With a fusion of retro-futuristic vibes and modern electronic sensibilities, BLVDS captures the listener’s attention from the very first note.
Their latest single, ‘Two Sides’, is a testament to this artistry. Building on their already distinct sound, the track infuses elements of Synthwave, Retrowave, and Darkwave, reminiscent of acts like The Midnight, Dayseeker, and Dance with the Dead. It’s an emotive, driving piece that oscillates between dark and light, creating a powerful sonic experience. From haunting melodies to electrifying energy, ‘Two Sides’ takes the listener on a journey through multiple emotional landscapes, making it a must-listen for fans of genre-blurring music.
The evolution of ‘Two Sides’ showcases the duo’s commitment to pushing creative boundaries. Originally starting as an instrumental piece paired with a scratch vocal demo, the track didn’t quite align with the band’s vision at first. However, revisiting the composition with fresh perspectives allowed BLVDS to bring out the full depth of the track, transforming it into a work that embodies their unique blend of influences. Ryan Hayes reflects on this, stating, “‘Two Sides’ embodies the duality of my musical background—melding metal and Synthwave into something fresh and dynamic.”
Enlisting the powerful talents of Righteous Vendetta, BLVDS added a metal-influenced feature that elevates the darker, brooding aspects of the song. The combination is a striking juxtaposition of genres, blending heavy, distorted guitars with ethereal synths to create a compelling and intense listening experience.
‘Two Sides’ is a pivotal moment for BLVDS as they continue to refine their identity and challenge the boundaries of modern Synthwave. With each layer and genre-hopping transition, the track demonstrates the duo’s dedication to crafting innovative music that resonates on a deeply emotional level. Stream ‘Two Sides’ now on all major platforms and join them on their musical journey.
Concrete Club have always had that thing going on where they’re pulling from post-punk and indie rock without sounding like they’re trying to prove anything. This track takes that further. The synths sit in a way that makes you listen, and there’s this rhythm that just locks in and makes you want to move without thinking about it. It’s the kind of song structure that works on you after a few listens, not just the first time through.
What I’ve noticed about Concrete Club is that they’re not interested in smoothing out the rough parts. They’ve been grinding the Manchester circuit, building an actual following, and their songs aren’t about sounding polished. They’re about real things: what it’s like living in a city, losing track of time on nights out, trying to find something that makes sense when nothing does. “People Like Us” fits right into that.
Rowetta’s featured spot here is the thing that makes it work. Her voice against Jonny Brewster’s, with Kallum Delf on guitar, Mark Demuth holding down the bass, and Jamie Butterworth on drums, it all just clicks. They brought in Jonny McGill to handle the drums on this one, and you can feel the fresh energy that brought, but it still sounds unmistakably like them.
This is a song that gets better the more you sit with it. If you’ve been sleeping on Concrete Club, this is the one to start with. Listen here.
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