Connect with us

We Speak Indie Artist

BOUNCE, GRIT, ESCAPE AND LAFF POST STRONG RATINGS GAINS & BEST YEARS EVER IN 2017

Published

on

Bounce, Grit, Escape and Laffeach racked up significant viewership increases across all dayparts and enjoyed their most-watched calendar years ever in 2017.
Bounce
  • Bounce delivered its highest-rated and fourth consecutive year of growth in both Primetime and Total Day in 2017. Prime delivery increases over 2016 included +10% in Households, +6% in Persons 25-54, +9% in P18+ and +3% in P2+. Bounce was up +14% in HHs, +2% in P18-49, +7% in P25-54, +12 % in P18+ and +7 in P2+ in Total Day.
  • Original series were among Bounce’s most-watched programming last year led by the popular drama Saints & Sinners (Reaching 7.3 million viewers 2+) which returns for season three this April and the original sitcoms Family Time(5.4 million), Grown Folks (nearly 5 million) and In The Cut(4.7 million).
  • Bounce finished the year as the fastest-growing African-American network on television, outpacing BET, TV1 and OWN in growth among Households, P2+ and P18+ in Primetime and in HHs, P25-54, P2+ and P18+ in Total Day.
Grit
  • Grit increased both Prime and Total Day viewership for the second consecutive year in 2017. Grit posted primetime gains over 2016 of +9% in HHs, +5% in P18+ and +3% in both P2+ and Men 2+. The gains were even stronger in Total Day as Grit garnered double-digit increases in HHs (+22%), P18+ (+17%), P2+ (+14%) & M2+ (+15%).
  • Grit saw movie airings begin to reach over half a million Persons 2+(The Sons of Katie Elder) and weekend programming festivals reach nearly three million unique viewers P2+ (Lethal Weapon and sequels marathon.)
Escape
  • Escape also posted Prime and Total Day viewership increases for the second consecutive year since becoming rated. Escape delivered double-digit gains in prime of +13% in HHs, +12% in Women 2+ and +10% in P2+. Escape also delivered double-digit gains in HHs (+15%), W2+ (+16%) and P2+ (+13%) in Total Day.
  • Escape had over half a dozen true crime show marathons reach two million viewers 2+ including those featuringAmerican Greed, Forensic Files and It Takes a Killer.
Laff
  • Laff racked up strong double-digit Primetime increases in HHs (+60%), P18-49 (+85%), P25-54 (+79%), P18+ (+56%), P2+ (+58%), Women 2+ (+71%) and W18+ (+70%) vs. 2016.Laff’s Total Day increases over 2016 were equally impressive, including +64% in HHs, +87% in P18-49, +83% in P25-54, +63% in P18+ and +64% in P2+.
  • The fourth quarter of 2017 was Laff’s ninthconsecutive quarter of Primetime growth in Households and the network’s highest-rated quarter to-date in HHs, P18-49, P25-54, P18+ and P2+.
 
About Katz Networks
The Katz networks are targeted, demo-specific brands leading a new generation of fast-growing broadcast networks created to serve cord-cutters, cord-nevers and subscription-video-on-demand (SVOD) subscribers. Bounce, seen in 86 percent of U.S. households and 95 percent of all target-market, African-American television homes, is the first and only African-American broadcast network and features a programming mix of original and off-network series, theatrical motion pictures, specials, live sports and more. Escape, currently in 89 percent of the U.S., reaches women 25-54 with a brand of programming anchored in stories of investigation and mystery. Grit, available in 87 percent of U.S. households, targets men 25-54 with a lineup of western and action movies and series. Laff, covering 90 percent of the U.S., is the nation’s first over-the-air network devoted to comedy around-the-clock, and presents contemporary off-network sitcoms and popular movies geared toward an audience of adults 18-49. The Katz networks are part of The E.W. Scripps Company (NYSE: SSP).
 
Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

We Speak Electronic

Aaron Koenig Releases Ska Anthem for Geeks

Published

on

Aaron makes music about meaningful topics that rocks and grooves – and sometimes it even skanks on a rock steady beat!

His new song ‘Geeks’ has been released on all major music platforms on November 15th. It is an anthem for the heroes of the digital age: computer nerds, also known as geeks. It is driven by an off-beat ska guitar, a sticky bass line and a groovy brass section. The icing on the cake is a jazzy saxophone solo.

“I have always loved Ska, I even saw the Specials, the Selecter and Madness live in their heydays”, says Aaron. “I chose the topic although I am not a geek myself, but I have a lot of sympathy for them. Geeks are often frowned upon because they can be socially awkward, but they are the ones who are building a better world. So I think they deserve an anthem.”

The music video is mostly made up of typography, minimalistic ASCII graphics and heavily pixelated images – it surely looks geeky! Watch it here:

“I just want to entertain people and make them a bit happier.”– Aaron King.

Aaron writes catchy songs that are made for people who like meaningful, uplifting topics and guitar-driven, hand-made sounds. His musical journey started young but it wasn’t until he discovered Bitcoin and became so invested in it that he used music to express his new found joy.

“It’s mostly rock music, with excursions into funk, soul and other styles I grew up with. In general, it’s guitar-driven and hand-made, often with a punkish energy and beatlesque harmonies. What all my songs have in common are meaningful lyrics about being in the here and now, about transforming disturbing emotions into wisdom, about being in the flow, things like that.” says Aaron in an interview.

“I have always been making music and writing songs, starting with a punk rock band when I was 15. However, I never saw it as a career. I played in several bands in my teenage years and my early twenties, but after my media studies in Berlin and Rio de Janeiro I focused on other things. I first worked in TV production and then founded one of the first Internet agencies in Germany. I discovered Bitcoin in 2011 and became fascinated by it. I wrote five books about it, made lots of promotional videos and educational series for Bitcoin and blockchain companies, and organised events. I even wrote some songs about Bitcoin, which became quite popular in the community, like my Reggaeton about the Bitcoin Beach in El Salvador. People always liked that my songs are catchy and provocative. It was by the end of 2023 that I decided to go full in on music. It’s what I enjoy the most, so now I want to fully follow my passion.”

Since May 2024, his songs have been streamed more than 250,000 times on Spotify and his music videos have been viewed more than 350,000 times on YouTube.

Read more about Aaron King: http://aaron-koenig.net/press/


Continue Reading

Trending