We Speak Music
Bow and Arrow Release Electrifying New Single “Triad”
Dynamic contemporary First Nations electro-soul trio Bow and Arrow have just released their highly anticipated new single, “Triad.” This electrifying track draws listeners in with its unapologetic intensity and captivating allure, offering a grimy, hard-hitting, sensual experience.
“Triad” delivers a visceral journey through the complexities of love, embracing the irresistible allure of passion with bold confidence. The song hooks and reels listeners in, blossoming into the rarest flower, an ode to those who embrace love in all its forms: the obsessive, the curious, the fearless, the courageous, the passionate, and the bold. It serves as a reminder to be cautious and not fly too close to the sun.
The band, composed of talented artists from the Wiradjuri, Ngunawal, Ngambri, and Gamilaraay peoples, crafted this track during the first lockdown in Sydney. As the city shut down, Bow and Arrow moved into their recording studio, spending countless nights jamming and writing music. They often took their music to the streets, playing for vagabonds and creating unforgettable, impromptu performances that made the uncertain times a little brighter.
Bow and Arrow’s unique sound comes from their fusion of modern and traditional instruments, creating an unforgettable live experience. The trio is known for their monster vocals, big rhythms, electro beats, live sampling, and looping, as well as incorporating the traditional languages of the Wiradjuri and Gamilaraay peoples.
Having played at major festivals throughout Australia, including Parrtjima, Homeground, Byron Bay Blues Festival, Adelaide Fringe, Boomerang Festival, Spirit Festival, Bigsound, Blaksound, and SXSW Opening Concert, Bow and Arrow have established themselves as a powerful force in the music scene. They’ve graced major venues like The Factory, The Museum of Contemporary Art, Parliament House, and The Australian Museum, and have a cherished relationship with The Sydney Opera House, earning the nickname “The Sydney Opera House House Band” for their performances at ‘Badu Gili.’
Their notable live performances include an extraordinary session from the Joan Sutherland Opera Theatre during lockdown for the ‘Our House To Yours’ digital special, and numerous live appearances on NITV, including the Jan 26 ‘Sunrise Ceremony’ and a stirring rendition of Archie Roach’s classic ‘A Child Was Born Here.’
We Speak Music
Unethical Dogma Pull Back The Dark Curtain For A Carefully Engineered Descent into Technical Melancholy
Unethical Dogma return on Behind The Dark Curtain feels less like a standalone EP and more like the final act of a deliberately constructed psychological arc. Across its runtime, the band commits fully to its horror-driven narrative framework, closing the conceptual thread that began with DUSK. The result is a release that feels cohesive, intentional, and structurally disciplined rather than loosely assembled.
Instrumentally, the EP leans heavily into polyrhythmic complexity and tightly wound djent grooves, but what stands out most is how often the band resists pure technical display in favor of atmosphere. Piano passages and choral textures are not ornamental—they function as emotional anchors, giving the heavier sections a sense of collapse rather than just aggression. The contrast between brutality and fragility is handled with noticeable care.
The vocal performance is equally dual-layered. Screamed vocals carry the narrative’s psychological deterioration with intensity, while clean vocals are used sparingly to emphasize moments of reflection or detachment. This dynamic avoids predictability by making restraint as important as force, especially in transitions where the story shifts perspective.
Lyrically and conceptually, the EP benefits from its unusual writing process, which begins with short stories before being translated into music. That foundation is audible in how scenes unfold rather than verses simply progressing. The storytelling feels cinematic, as if each track is a chapter viewed through unstable memory.
Overall, Behind The Dark Curtain succeeds most when it trusts its atmosphere over its technical ambition. It is a dense, carefully designed work that prioritizes immersion, and while it demands patience, it rewards listeners who engage with its narrative structure rather than just its surface complexity.
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