We Speak Music
Bow and Arrow Release Electrifying New Single “Triad”
Dynamic contemporary First Nations electro-soul trio Bow and Arrow have just released their highly anticipated new single, “Triad.” This electrifying track draws listeners in with its unapologetic intensity and captivating allure, offering a grimy, hard-hitting, sensual experience.
“Triad” delivers a visceral journey through the complexities of love, embracing the irresistible allure of passion with bold confidence. The song hooks and reels listeners in, blossoming into the rarest flower, an ode to those who embrace love in all its forms: the obsessive, the curious, the fearless, the courageous, the passionate, and the bold. It serves as a reminder to be cautious and not fly too close to the sun.
The band, composed of talented artists from the Wiradjuri, Ngunawal, Ngambri, and Gamilaraay peoples, crafted this track during the first lockdown in Sydney. As the city shut down, Bow and Arrow moved into their recording studio, spending countless nights jamming and writing music. They often took their music to the streets, playing for vagabonds and creating unforgettable, impromptu performances that made the uncertain times a little brighter.
Bow and Arrow’s unique sound comes from their fusion of modern and traditional instruments, creating an unforgettable live experience. The trio is known for their monster vocals, big rhythms, electro beats, live sampling, and looping, as well as incorporating the traditional languages of the Wiradjuri and Gamilaraay peoples.
Having played at major festivals throughout Australia, including Parrtjima, Homeground, Byron Bay Blues Festival, Adelaide Fringe, Boomerang Festival, Spirit Festival, Bigsound, Blaksound, and SXSW Opening Concert, Bow and Arrow have established themselves as a powerful force in the music scene. They’ve graced major venues like The Factory, The Museum of Contemporary Art, Parliament House, and The Australian Museum, and have a cherished relationship with The Sydney Opera House, earning the nickname “The Sydney Opera House House Band” for their performances at ‘Badu Gili.’
Their notable live performances include an extraordinary session from the Joan Sutherland Opera Theatre during lockdown for the ‘Our House To Yours’ digital special, and numerous live appearances on NITV, including the Jan 26 ‘Sunrise Ceremony’ and a stirring rendition of Archie Roach’s classic ‘A Child Was Born Here.’
Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.
‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.
The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.
The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:
Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.”
About the track, Michele says, “I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.
We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.”
The album and full-length film will be released on the 5th of June on Monotreme Records.
Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.
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