We Speak Indie Artist
Canetis Reveals Phenomenal New Release “JOANA”
Canetis is clearly having fun with his new single “JOANA,” and that sense of fun spills straight into the listener. The track arrives with a burst of Brazilian funk and house energy that wastes no time pulling you onto the dancefloor. Born in Rome, raised in Milan, and shaped by the NYC underground, Canetis brings all of those influences into a sound that feels confident and globally minded. “JOANA” is upbeat, bright, and rhythm heavy, the kind of song that instantly sets the tone for an unforgettable night out.
The lyrics sketch an irresistible character who glides through the club with long black hair, a sweet face, and a presence that makes her “a menina mais linda da pista.” There is a mix of admiration and desire in the way Canetis repeats her description, almost as if he is trying to catch up to her glow. Knowing that the inspiration came from a real crush adds an extra spark. Even better, he chose to write entirely in Portuguese after immersing himself in Brazilian culture through friends in New York. That choice gives the song an authenticity that makes it feel like more than a stylistic experiment.
Production-wise, “JOANA” hits all the right marks. The samba-rooted percussion keeps the groove alive from start to finish, while the bassline rolls underneath with enough weight to command any room. The arrangement stays catchy without becoming repetitive, letting the vocals shine at exactly the right moments. It is a track built for volume, movement, and shared energy.
“JOANA” succeeds because it feels genuine and joyful. Canetis is not showing off cultural references for the sake of aesthetics; he is celebrating a community he has grown close to and embracing the sound with respect. The result is a dance track that feels warm, inviting, and full of personality. In a world crowded with formulaic club songs, “JOANA” stands out by simply loving the beat it rides on.
We Speak Indie Artist
Plain Mister Smith Pieces Together a World of Sound on Bric-À-Brac Attack
Plain Mister Smith returns with Bric-À-Brac Attack, a beautifully offbeat collection of indie-folk, pop and atmospheric songwriting. Released via Amelia Records, the album finds the Vancouver and London-based multi-hyphenate turning fragments of memory, relationships and everyday absurdity into something quietly cinematic.
At its centre is “Grindavik”, a shimmering, reflective track inspired by the Icelandic town shaped by recent volcanic activity. Bright acoustic guitars and steady drums carry a constantly shifting chord progression, mirroring the song’s central metaphor of a relationship under pressure and the hope that its fissures can eventually heal. Featuring Jordan Klassen and Kitt, the track captures the emotional tension that runs throughout the album.
Elsewhere, Bric-À-Brac Attack moves effortlessly between playful guitar-driven moments, lush arrangements and more introspective passages. “Miss Sunshine” brings infectious energy, while collaborations with Findlay Brown, Leeroy Stagger, Krystle Dos Santos and Tyson Mostenbocher add colour to an already eclectic record.
Former guitarist of Canadian darkwave band Moev and a cellist with the Vancouver Philharmonic Orchestra, Plain Mister Smith brings an unusually broad musical perspective to his songwriting. Yet Bric-a-Brac attack never feels overly calculated. Instead, it has the charm of something discovered rather than constructed.
Warm, strange, melodic and emotionally searching, Bric-À-Brac Attack is a record that rewards getting lost in its details. Plain Mister Smith may remain deliberately mysterious, but the music itself speaks with remarkable clarity.
Photo credit: Sandra Lockwood
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