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Casiocenz Reveals New Album ‘kas-ee-oh-chenz’

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Artists often spend years searching for a signature sound. Casiocenz seems far more interested in documenting the search itself. That distinction defines kas-ee-oh-chenz, an album that understands identity not as something fixed but as something continually rewritten through experimentation. Across forty minutes, every stylistic shift becomes another chapter in an ongoing creative conversation, refusing to privilege certainty over possibility.

Listening to the record feels remarkably similar to wandering through interconnected rooms in the same house. Psychedelic textures drift into post-punk minimalism before giving way to electronic abstraction, classic rock exuberance, and moments of fragile indie confession. Despite these changing environments, the emotional architecture remains remarkably consistent. Curiosity becomes the album’s emotional language, allowing disparate influences to coexist naturally.

The production reflects that philosophy beautifully. Rather than smoothing every edge, Casiocenz often leaves space for accidents, imperfections, and spontaneous ideas to shape the music. “Mind Grapes” unfolds with instinctive confidence, while the dreamlike “Transmission” extends a single musical moment into something almost meditative. Elsewhere, “Luna_THE SNAKE OVERLORD” transforms experimental beginnings into a sprawling psych-metal centerpiece that balances precision with unpredictability.

Perhaps the record’s greatest achievement is its emotional honesty. “Who Will Save My Soul” feels almost startling in its simplicity, using repetition to deepen rather than diminish feeling. “Human Person” embraces playful absurdity, while “The Limit Does Not Exist” finds warmth within electronic textures that might otherwise feel mechanical. Throughout, the album resists emotional clichés by allowing vulnerability and humor to occupy the same creative space.

Its final movement quietly reframes everything that came before it. “Why Does It Happen” contemplates uncertainty without demanding answers, “When It Hits The Fan” expands from intimacy toward catharsis, and “Annie” closes the album with remarkable tenderness. After so much sonic exploration, the simplicity of the ending feels less like restraint than resolution.

kas-ee-oh-chenz is ultimately an album about creative freedom—not freedom from structure, but freedom from expectation. It invites listeners to experience music as an evolving process rather than a finished destination, making it one of those increasingly rare records that becomes richer with every return visit.

“Casiocenz is really just a safe space for me to explore. It is not constricted by rules, genres, or expectations of any kind. It is ever evolving. This record ‘kas-ee-oh-chenz’ is just a snapshot of where my creative being was living during the 2 years of its making.”

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Plain Mister Smith Pieces Together a World of Sound on Bric-À-Brac Attack

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Plain Mister Smith returns with Bric-À-Brac Attack, a beautifully offbeat collection of indie-folk, pop and atmospheric songwriting. Released via Amelia Records, the album finds the Vancouver and London-based multi-hyphenate turning fragments of memory, relationships and everyday absurdity into something quietly cinematic.

At its centre is “Grindavik”, a shimmering, reflective track inspired by the Icelandic town shaped by recent volcanic activity. Bright acoustic guitars and steady drums carry a constantly shifting chord progression, mirroring the song’s central metaphor of a relationship under pressure and the hope that its fissures can eventually heal. Featuring Jordan Klassen and Kitt, the track captures the emotional tension that runs throughout the album.

Elsewhere, Bric-À-Brac Attack moves effortlessly between playful guitar-driven moments, lush arrangements and more introspective passages. “Miss Sunshine” brings infectious energy, while collaborations with Findlay Brown, Leeroy Stagger, Krystle Dos Santos and Tyson Mostenbocher add colour to an already eclectic record.

Former guitarist of Canadian darkwave band Moev and a cellist with the Vancouver Philharmonic Orchestra, Plain Mister Smith brings an unusually broad musical perspective to his songwriting. Yet Bric-a-Brac attack never feels overly calculated. Instead, it has the charm of something discovered rather than constructed.

Warm, strange, melodic and emotionally searching, Bric-À-Brac Attack is a record that rewards getting lost in its details. Plain Mister Smith may remain deliberately mysterious, but the music itself speaks with remarkable clarity.

   Photo credit: Sandra Lockwood


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