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Cut The Cord. Release Debut EP ‘blush.’ And Share The Title-Track Video

Florida-based pop-punk band cut the cord. release their debut EP blush. today and share the official video for the title track.

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cut the cord. — photo by Roberto M. Badillo

Florida-based pop-punk band cut the cord. released their debut EP, blush., today, exploring the complicated emotions that linger in the aftermath of an unhealthy relationship.

Blending vintage pop-punk influences with modern alternative rock, cut the cord. brings an explosive energy to the frustration of trying to process a relationship that continues to occupy your mind long after it’s over. Themes of anger, helplessness, yearning, and unhealthy relationships with alcohol emerge across the four tracks, ultimately turning this buildup of pent-up energy into something loud and cathartic.

Today’s focus track and the EP’s title track, “blush.,” is the oldest song on the project and one of singer Dylan Samaniego’s favorites. “‘blush.’ expresses my frustration with an ex-girlfriend who was a poor communicator but quite good at drinking,” says Samaniego. “There was a real feeling of helplessness in that relationship. She seemed to think I was selfish for asking for more, or even for ending the relationship when I couldn’t get what I needed from it. The song touches on all of this and expresses the sentiment of being annoyed at being talked about afterward.” Watch the official video for “blush.” below.

blush. opens with “(ctc.),” a spoken-word collaboration with Samaniego’s actual therapist, establishing mental health as the foundation of the project. From there, the record unfolds like the emotional aftermath of a relationship.

The EP’s title comes from the lyric, “The way you talk about me now, it’s making me blush,” an acknowledgment of the petty satisfaction of finding out someone from your past is still talking about you. That sentiment captures the mix of frustration, humor, and unresolved emotion at the heart of blush. Channeling these feelings through music, the project serves as an unfiltered emotional release that makes space for men to express themselves vulnerably without feeling restricted by societal expectations around masculinity. blush. is what happens when bottled-up emotion finally has somewhere to go.

Recorded at Boardwalk Studios in South Florida with Jacob Bates (Dirty Rivals) and Bryan Kuznitz (Fame on Fire), blush. balances the urgency of the pop-punk and alternative records that shaped Dylan growing up with a perspective earned through experience rather than nostalgia. The influence of bands that first inspired him is undeniable, but cut the cord. isn’t interested in reliving another era. This EP is an effort in renewal and carrying emotional honesty into the present.

blush. Tracklist:
1. (ctc.)
2. blush.
3. 10th Avenue North
4. BENT!

Built around explosive guitars, massive hooks, and emotionally unfiltered songwriting, cut the cord. lives in the space where vulnerability collides with volume. Dylan Samaniego started the band because he needed a different life. After years of writing and performing, he found himself confronting the same questions that shape the project’s name. Inspired by a meditation exercise during one of the lowest points in his life, “cut the cord” became more than a phrase. It became a decision — a decision to separate from the people, habits, and thought patterns that stood between who he was and who he wanted to become.

At its heart, cut the cord. is an invitation. To confront what hurts. To let go of what no longer serves you. To recognize that healing isn’t linear, and that sometimes the loudest songs come from the quiet decision to begin again.

For Samaniego, cut the cord. isn’t about walking away. It’s about becoming who you were supposed to be all along.

Photo credit: Roberto M. Badillo | @spinstyle

Connect with cut the cord.: Instagram @cutthecorddot | YouTube @cutthecord.official

We Speak Alternative

BUTCHIE Releases All New Music Video ‘Gaslight’

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BUTCHIE

BUTCHIE Introduces Himself With Electro-Pop Single "Gaslight" From EVERPRESENCE

Music was constant in Waldman's childhood. His mother sang; his father played trombone and dreamed of becoming a jazz musician. Waldman gravitated toward '70s pop before immersing himself in experimental music, new wave and synth-pop. By high school, he was writing poetry and lyrics and performing at East Village and Lower East Side open mics, sometimes with a first-generation Casiotone. He also briefly appeared as a backup singer and dancer with Tina Benet and the Benetz at Boybar.

Design eventually became his primary career, though music never disappeared. While living in Tokyo from 1986 to 1990, Waldman wrote and recorded four songs with Soichi Terada, though the tapes are now lost. His later work included NOOKA, a fashion brand carried in museum shops around the world and once worn by Prince.

His return to songwriting began in 2024, while clearing out a New York City apartment as a relationship of more than 20 years was ending. Rediscovering old poetry and lyrics brought him back to work he had suppressed, and producer Peter Cattermoul of Teleman began developing material from that archive with him.

"Gaslight," from EVERPRESENCE, began in September 2025, just after Waldman signed the paperwork ending a 24-year relationship. What started as a personal response to being gaslit by someone he loved became a wider examination of blame-shifting, social control and political minutiae. The repeated "gaslight carousel" image captures the idea of motion without progress, while lines like "Global gaslight generation" and "Nostalgia's political masturbation" push the subject from intimate experience into public life. Cattermoul encouraged Waldman to treat the track as a single after he initially thought it was too strange for that role. Musically, BUTCHIE draws on '70s and '80s electronic music and disco, with hyperpop and electroclash also part of the frame.

Directed and CG-designed by Kota Kawamura, the video keeps BUTCHIE at its center as visual disruptions unfold around him, reflecting the chaos and stalled movement at the center of the song. Shot in real time in an LED-lined studio, it uses spinning graphics, shifting walls of imagery and neon-saturated scenes to keep the environment in motion around him. Moments of ironic dancing cut against the seriousness of the subject, reflecting BUTCHIE's view that gaslighting receives too little serious scrutiny in personal and public interactions.

BUTCHIE is now putting together a live show, recording 10 new songs for a 2027 album, and preparing a non-album cover of Sylvester's "Stars" for release in October. 2026.

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