We Speak Music
Deadset deal with mental health and addiction with raw new single ‘Heavy Eyes’
Deadset emerged from the creative synergy between guitarist James Massey and vocalist Sam Mellors. Their collaboration gave way to a sound which evolved into a darker, more intense direction when bassist Adam Arnold and drummer Rio Campbell joined the ranks. These additions formed a fully-fledged band and elevated the indie sensibilities of the original duo into rawer, grittier realms. Striving to avoid monotony and maintain a progressive sound, Deadset focus on fluctuating in genre. But are a post punk outfit at heart. Pulling influences from Joy Division, Fontaines DC and Interpol.
New single ‘Heavy Eyes’ is a raw, vulnerable evaluation of a battle against mental health and addiction and how that bleeds into relationships leaving a devastating and fatal aftermath. The song, which was mastered by Howie Weinberg (Nirvana, Yeah Yeah Yeahs, Daft Punk), fluctuates between a morbid sadness and palpitating anger, a conscious decision made by Deadset to emphasise the unpredictable, unsteady impact birthed by poor mental health. ‘Heavy Eyes’ is a staple for Deadset existing in their set from day one. It’s the song that spawned the sound and feel of the band.
‘Heavy Eyes was the first song I came to Deadset with’, says Adam Arnold. I was listening to Spiderland by Slint on repeat at this point. I wanted to recreate that jarring juxtaposition of tempos and riffs that are synonymous with their sound. Obviously in a more commercial sense. At this point however James and Sam had a completely different direction in mind. Heavy Eyes was my attempt to change that. I’m sure they hated it at first and it took a lot of persuasion. But now it’s a cornerstone of our sound and a constant reference for me’, he further explains.
We Speak Electronic
“HYPNOTIC” by Ari Martin Is a Chillwave Gem That Lives Up to Its Name— A Stylish Synth-Funk Vibe You Won’t Forget
Okay—where has Ari Martin been all my life?
I stumbled across his new track “HYPNOTIC” while deep-diving into new indie electronic releases, and I legit had to stop what I was doing and just listen. Not scroll. Not skip. Just…vibe.
“HYPNOTIC” is exactly that—an instrumental groove that lives up to its name. It opens like a slow-motion sunrise over some retro-futuristic cityscape, with glassy synths and subtle funk chords pulling you in before you even realize it. There’s this undeniable throwback flavor—something in the DNA of the track that feels inspired by the cool polish of ‘80s electro-funk—but with a modern edge that makes it feel right at home on today’s EDM playlists.
And that bassline? It doesn’t just slap—it glides. Smooth but confident. Funky but never over-the-top. The whole production is clean, deliberate, and honestly kind of addictive. It’s like Ari Martin reached into some neon-drenched corner of his mind and pulled out this glittering groove that’s impossible to ignore.
You can tell Ari’s not just pressing buttons—he’s composing. There’s musicality here, cinematic layering, and a clear respect for the genre. It’s no surprise he’s backed by Powerblast Worldwide; this is the kind of song that DJs love, producers respect, and casual listeners will catch themselves humming after just one spin.
If you’re into artists like FKJ, Kaytranada, or even the more soulful side of ODESZA, Ari Martin might just be your next favorite follow.
Bottom Line:
“HYPNOTIC” is a smooth, stylish, and subtly brilliant debut for new listeners of Ari Martin. It’s the kind of track that sneaks into your playlist—and before you know it, you’re checking out everything else he’s released. Consider me officially tuned in.
RECOMMENDED for:
* Late-night drives
* Curated electronic playlists
* Lo-fi chill beats with a soul
* Dancing alone with your thoughts
Follow Ari Martin at @mr_ari_martin and stream “HYPNOTIC” now at AriMartinMusic.com.
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