We Speak Music
Denise Mangiardi’s ‘On The Brink’: A Stunning Return to Form
After a Five year hiatus, the phenomenal singer, songwriter, pianist and classical composer, Denise Mangiardi makes her triumphant return with On The Brink. The album, recorded in New Orleans, a city she called home for five years, showcases Mangiardi’s profound love of mastery of strings, singing and arranging through a seamless blend of original compositions and American songbook classics.
Mangiardi has crafted an album that is both intimate and expansive, pulling listeners into a world of rich emotional landscapes and musical depth. The influence of New Orleans, a city steeped in musical tradition, is evident in the album’s vibrant energy and the camaraderie shared among the musicians. Mangiardi herself acknowledges the importance of the city and its people in shaping this project, and that connection shines through in every note.
“I wanted to record an album of ballads that was both relaxing and inspiring; and to address the range of emotions so many of us are feeling in these troubling times,” Mangiardi shares. Her five new compositions, along with two fresh arrangements of timeless standards, do just that.
On The Brink features a stellar lineup of musicians, including saxophonist Tony DaGradi, drummer Johnny Vidacovitch, bassist Chris Severin, and pianist Michael Pellera. They are joined by the Louisiana Philharmonic Orchestra, whose lush strings provide a beautiful backdrop to Mangiardi’s compositions. The inclusion of special guest artists, such as Cindy Scott on alto flute and Emily Mikesell on flugelhorn, further enriches the album’s already vibrant sound.
Two American standards, Cole Porter’s “Every Time We Say Goodbye” and David Mann’s “In the Wee Small Hours of the Morning” are lovingly reimagined under Mangiardi’s meticulous care. Her luxurious string arrangements transform these classics into deeply emotional journeys, with Pellera’s lyrical piano solo on the former and DaGradi’s tender tenor sax on the latter adding a unique warmth and depth.
Mangiardi’s original compositions, however, are the true heart of On The Brink. The opening track, “The Walk,” is a meditative piece inspired by her time on the Isle of Wight, where Cindy Scott’s ethereal alto flute and Luca Boscagin’s gentle guitar paint a serene yet introspective soundscape. The title track, “On The Brink,” serves as a powerful anthem of resilience, with Mangiardi’s poignant vocals and DaGradi’s soprano saxophone weaving a narrative of hope in the face of adversity.
“Portrait of a Lady,” the album’s lead single, is a striking composition that blends Boscagin’s acoustic guitar with the strings of the Louisiana Philharmonic and a haunting electronic bed by composer Arthur Brouns. The song explores themes of loneliness and disillusionment, offering a sharp critique of today’s global leadership.
Another highlight, “Les Rues de Paris,” is a charming French ballad that tells the story of two lovers in the City of Light. Mangiardi’s delicate lyrics are perfectly complemented by Mikesell’s soft-toned flugelhorn, creating a dreamy, romantic atmosphere. In contrast, the poignant “Celeste,” dedicated to Mangiardi’s late sister, resonates with deep emotion, beautifully echoed by DaGradi’s soulful tenor saxophone.
Throughout On The Brink, Mangiardi’s talents as a songwriter, pianist, and arranger are on full display. Her ability to blend different musical elements,from classical strings to jazz improvisation, creates an album that is as complex as it is beautiful. Every track is meticulously crafted, offering listeners a rich, immersive experience that lingers long after the final note fades.
In On The Brink, Denise Mangiardi has delivered a masterful work that reaffirms her place among today’s most creative and expansive contemporary artists. With its compelling compositions, exquisite arrangements, and heartfelt performances, this album is sure to captivate audiences and solidify Mangiardi’s status as a true musical visionary.
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We Speak Music
SCARECROW’s John Blaze Delivers a Career Milestone With “Twisted” and Earns Josie Music Awards Song of the Year Nomination
John Blaze has spent nearly four decades fronting SCARECROW, the New York hard-rock outfit he founded in 1989, and in 2026 he delivered one of the most ambitious releases of his career with “Twisted.” Now, the song has reached another major milestone: “Twisted” has been nominated for Song of the Year in the Metal/Alternative category at the Josie Music Awards.
The nomination places Blaze and SCARECROW among this year’s recognized independent artists and songwriters at the Josie Music Awards, with the awards ceremony set to take place at Nashville’s legendary Grand Ole Opry. For an artist whose career has been built on persistence, independence and decades of hard-rock storytelling, the recognition gives “Twisted” an entirely new chapter.

Written by John Blaze and Chaffin, “Twisted” pulls together a lineup of guest players that reads like a rock family reunion, built around Blaze’s long-standing friendship with Dee Snider and the legacy of Twisted Sister, a band woven into SCARECROW’s story from its earliest days.
That connection goes all the way back to the beginning. SCARECROW’s original lineup featured guitarist Eddie Ojeda, best known for his work in Twisted Sister, and the two camps have remained connected ever since. “Twisted” makes that history explicit: Dee Snider appears on the record with guest vocals during the track’s climactic second verse and chorus, lending the song an instantly recognizable jolt of arena-rock power.
Snider isn’t the only marquee name in the credits. Mark Wood, founding violinist of Trans-Siberian Orchestra, contributes electrifying violin work that gives “Twisted” a cinematic sweep uncommon in modern hard rock. Rounding out the track are TJ Jordan on lead guitar and Bobby Marks on drums, creating a powerful, road-tested foundation behind Blaze’s signature gritty vocal delivery.
The Josie Music Awards nomination feels particularly fitting because “Twisted” isn’t simply another SCARECROW release. It brings together different eras of Blaze’s musical life while pushing the band’s sound forward. There’s history in the recording, but there’s also urgency. It doesn’t sound like a band looking backward. It sounds like one with unfinished business.

For Blaze, the nomination also represents recognition of a career that has largely been built outside the traditional machinery of the mainstream music business. Independent rock artists rarely survive for decades without a fierce commitment to what they do, and SCARECROW’s longevity speaks for itself. From the band’s early years and its 1991 debut, through the Blood, Sweat and 20 Years retrospective and the theatrical production I Am SCARECROW, Blaze has continued developing a world around the music rather than simply releasing songs.
That makes the Song of the Year nomination especially meaningful. After nearly four decades of building SCARECROW, Blaze now heads to the Josie Music Awards at the Grand Ole Opry with one of his most ambitious songs recognized in the Metal/Alternative category.
And there’s something wonderfully appropriate about the song that got him there.
“Twisted” connects SCARECROW’s beginnings to its present, reunites Blaze musically with figures tied to the band’s history, and demonstrates just how much fire remains in the project. With Snider and Wood contributing to the record and Blaze still driving the band he created from the ground up, the track feels less like a nostalgic reunion than a statement of survival.
Now it’s also an award-nominated song.
For John Blaze and SCARECROW, nearly four decades into the journey, “Twisted” has become more than another entry in the catalog. It’s a career milestone — and this September, that milestone is taking SCARECROW all the way to the Grand Ole Opry.
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