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Denise Mangiardi’s ‘On The Brink’: A Stunning Return to Form

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After a Five year hiatus, the phenomenal singer, songwriter, pianist and classical composer, Denise Mangiardi makes her triumphant return with On The Brink. The album, recorded in New Orleans, a city she called home for five years, showcases Mangiardi’s profound love of mastery of strings, singing and arranging through a seamless blend of original compositions and American songbook classics.

Mangiardi has crafted an album that is both intimate and expansive, pulling listeners into a world of rich emotional landscapes and musical depth. The influence of New Orleans, a city steeped in musical tradition, is evident in the album’s vibrant energy and the camaraderie shared among the musicians. Mangiardi herself acknowledges the importance of the city and its people in shaping this project, and that connection shines through in every note.

“I wanted to record an album of ballads that was both relaxing and inspiring; and to address the range of emotions so many of us are feeling in these troubling times,” Mangiardi shares. Her five new compositions, along with two fresh arrangements of timeless standards, do just that.

On The Brink features a stellar lineup of musicians, including saxophonist Tony DaGradi, drummer Johnny Vidacovitch, bassist Chris Severin, and pianist Michael Pellera. They are joined by the Louisiana Philharmonic Orchestra, whose lush strings provide a beautiful backdrop to Mangiardi’s compositions. The inclusion of special guest artists, such as Cindy Scott on alto flute and Emily Mikesell on flugelhorn, further enriches the album’s already vibrant sound. 

Two American standards, Cole Porter’s “Every Time We Say Goodbye” and David Mann’s “In the Wee Small Hours of the Morning” are lovingly reimagined under Mangiardi’s meticulous care. Her luxurious string arrangements transform these classics into deeply emotional journeys, with Pellera’s lyrical piano solo on the former and DaGradi’s tender tenor sax on the latter adding a unique warmth and depth.

Mangiardi’s original compositions, however, are the true heart of On The Brink. The opening track, “The Walk,” is a meditative piece inspired by her time on the Isle of Wight, where Cindy Scott’s ethereal alto flute and Luca Boscagin’s gentle guitar paint a serene yet introspective soundscape. The title track, “On The Brink,” serves as a powerful anthem of resilience, with Mangiardi’s poignant vocals and DaGradi’s soprano saxophone weaving a narrative of hope in the face of adversity.

“Portrait of a Lady,” the album’s lead single, is a striking composition that blends Boscagin’s acoustic guitar with the strings of the Louisiana Philharmonic and a haunting electronic bed by composer Arthur Brouns. The song explores themes of loneliness and disillusionment, offering a sharp critique of today’s global leadership.

Another highlight, “Les Rues de Paris,” is a charming French ballad that tells the story of two lovers in the City of Light. Mangiardi’s delicate lyrics are perfectly complemented by Mikesell’s soft-toned flugelhorn, creating a dreamy, romantic atmosphere. In contrast, the poignant “Celeste,” dedicated to Mangiardi’s late sister, resonates with deep emotion, beautifully echoed by DaGradi’s soulful tenor saxophone.

Throughout On The Brink, Mangiardi’s talents as a songwriter, pianist, and arranger are on full display. Her ability to blend different musical elements,from classical strings to jazz improvisation, creates an album that is as complex as it is beautiful. Every track is meticulously crafted, offering listeners a rich, immersive experience that lingers long after the final note fades.

In On The Brink, Denise Mangiardi has delivered a masterful work that reaffirms her place among today’s most creative and expansive contemporary artists. With its compelling compositions, exquisite arrangements, and heartfelt performances, this album is sure to captivate audiences and solidify Mangiardi’s status as a true musical visionary.

Follow Denise Mangiardi – INSTAGRAM | FACEBOOK | X | SPOTIFY | WEBSITE

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NY Rapper Kendu 718 Defines “Gritty” (Single & Exclusive Interview)

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Kendu 718 is taking over the scene with his latest single “Gritty,” produced by Juxx Diamondz of Back Block Music Group LLC. The NY rapper shows off his signature blend of storytelling and lyricism woven with slick metaphors. He’s simply writing bars and putting out heat; his deliverance though is aggressive and slightly intimidating; true NY style. Stream “Gritty” and get to know Kendu 718 in the interview below.

MJ: Before we jump into your new single “Gritty,” take a moment to let the world know who Kendu 718 is.


Kendu 718: Kendu 718 is someone who really lives what he talks about. I come from the pain of the ghetto—both my mother and father struggled with drug addiction, and growing up, all I saw was crime, poverty, and hardship. That was my environment. But through God’s grace, I was able to change my life. I left the streets behind 17 years ago, and I’ve been clean and abstinent from drugs and alcohol ever since.

MJ: When I think of gritty New York Hip Hop, you fit the mark. Define your lane in Hip Hop.


Kendu 718: I’m part of the culture, this isn’t something I picked up, it’s something I’ve lived. Hip-hop is a lifestyle, not just something you do in the studio. I’m not chasing trends or trying to fit into what’s popular. I represent authenticity, experience, and real New York energy. I’ve been doing this for years, and my lane is staying true to the essence of the culture.

MJ: Let’s talk about the new single “Gritty.” What can listeners expect once they hit play?


Kendu 718: The truth. Straight up. Real-life stories that reflect what I’ve been through and what I’ve seen in the streets. It’s raw, it’s honest, and it shows survival. When you hit play, you’re stepping into reality—no gimmicks, no filters. “Gritty” is my story. It’s everything I lived and everything I witnessed. But more importantly, it’s a message—just because we come from struggle doesn’t mean we have to stay there. We can grow, change, and build responsible, productive lives.

MJ: How did you link up with Juxx Diamondz and Back Block Music Group LLC?

Kendu 718: That connection goes back. I met Juxx through a mutual friend—rest in peace to the OG Benny Hill from Harlem, who managed both of us around 2011–2012. That foundation built real chemistry, and from there, everything developed naturally.

MJ: Can audiences anticipate a visual to “Gritty?”

Kendu 718: Definitely. Me and Juxx Diamondz are currently putting the treatment together now. The visual is going to match the energy of the track—raw, authentic, and true to the story.

MJ: What is next for Kendu 718? What are you currently working on?

Kendu 718: Right now, I’m working on my EP titled From God’s Mouth to Y’all Ears: The Sermon. It’s produced by myself and Juxx Diamondz, with additional production from SaulyOBeats, SkullzAngels, and my guy Dreadful Krueger. Everybody brought heat to the project. We also have some dope features on it.

MJ: Give audiences a little more insight into the sound and movement behind the project.


Kendu 718: We’re putting this out independently through Back Block Music Group, with distribution through Roc Nation. The project is a combination of strong lyricism, real-life storytelling, and powerful features. We represent that golden era sound—we’re keeping that foundation alive. And we’re always boots on the ground, staying connected to the people and the culture.

MJ: Let everyone know where they can find your music and stay connected.


Kendu 718: You can find my music on all digital streaming platforms. Follow me @Kendu_718 on Instagram to stay locked in. This is just the beginning—it’s going to be a hot summer. Peace. 

Stream “Gritty” on preferred platforms – Gritty

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