We Speak Music
Dios Negasi drops new single “Harem”
One-man wrecking crew Dios Negasi returns! The emcee/producer dropped his new single “Harem” this morning. Braggadocious boom-bap to the hilt, this is triumphant hustler music. As the artist says “I had been watching a lot of blaxploitation films while cooking up and that vibe took over me.”
Stream / Purchase “Harem”: https://distrokid.com/hyperfollow/diosnegasi/harem
This track is the first leak from the forthcoming Kevlar Cathedral album (to drop on 8/6) a reference to a bullet-proof body of work, which follows the blaxploitation vibe throughout.
For those who have followed Dios Negasi’s career over the past few years, know he has been rapid-firing a slew of tight releases including with his eight-man Los Angeles set, Reagan Era Records and solo. Kevlar Cathedral is the first of three solo offerings for this year and as the artist proclaims “you can tell the growth on each project.” The most recent release being last winter’s Black Violin LP which featured appearances by all members of Reagan Era Records as well as RJ Payne.
More Info: https://www.instagram.com/diosnegasi/
EMEREE doesn’t just make music—she curates moments. Her latest single “Eyesore” is a cinematic, sarcastic scorcher that sets a new tone for the rising Australian powerhouse. From the candy-coated production to the horror-tinged DIY music video, EMEREE is creating her own genre: camp pop noir.
The single is a masterclass in balancing artistry with attitude. Co-created with Christian Tjandrawinata, “Eyesore” proves EMEREE isn’t here to play safe. She plays sharp, with razor-lined harmonies and lyricism that stabs with a smile. It’s not just catchy—it’s calculated. The beat bounces, the vocals glide, but it’s the burn in the lines that lingers.
Visually, EMEREE doubles down. The music video is a bloody wink to 80s slasher films, with a narrative as satirical as it is symbolic. She doesn’t just kill her ex on screen—she kills the whole trope. Pop stars often tell stories of heartbreak. EMEREE turns it into performance art.
EMEREE says, “Eyesore” is the anthem for anyone who’s ever dated someone who treated them horribly and just wasn’t hot enough to get away with it.”
EMEREE is making noise for all the right reasons—and with creative backing from CAA and sessions alongside Nile Rodgers and Invisible Men, she’s not just rising. She’s plotting her pop empire. “Eyesore” is both a warning shot and a love letter to anyone who’s ever made revenge their aesthetic.
It’s the start of something bold—and we’re already obsessed.
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