We Speak Music
Dios Negasi & Tone Fultz drop “Turn Off All That Weak S@#t” (single)
Dios Negasi and Tone Fultz say “Turn Off All That Weak S@#t.” New single from the lethal team of Dios Negasi (of Reagan Era Records) on the mic and Tone Fultz (aka Messiah Of Madness) on production pulls no punches. Hard-hitting, hard-body lyricism and smackin’ samples are in full effect.
Listen to “Turn Off All That Weak S@#t”:
This single from the newly released Iron Angeles LP (out now via all streaming services) is a welcome return to the rugged n’ real hip-hop of the golden age. Another single from the album “What It Is” also features a verse from Reagan Era’s Skrillz Dior).
Listen to “What It Is” ft. Skrillz Dior: https://youtu.be/VYSWIfN-h9E?si=2AywABT93tQ2qRrX
A cross-country link-up as Tone Fultz left his lab in Pittsburgh to record in Reagan Era’s home turf of Los Angeles. As the producer states “though the Steel City is a cloudy and dark place and Los Angeles is known for its sunny weather, the two have a long history of creating legendary music together including Mel-Man and Sam Sneed’s work with Dr. Dre and Bud’Da’s producing ‘Bow Down’ for Westside Connection.” This extends to the album voice-over which makes the project feel like a long-lost blaxploitation action flick of the grimiest proportions.
While Dios Negasi is known for producing his own tracks (including the recent single “Domingre Gang” featuring Young Zee) and Tone Fultz also rocks the mic in his alter-ego Messiah Of Madness, both artists stick to one role here. As Tone relates, “Dios and I have been like brothers over the past few years. I come to Los Angeles regularly to dig records, and he mentioned he was slowing down on production to focus more on rhyming. Meanwhile I was in a producer zone so I started cooking up beats specifically for this project. I came to visit when a bunch of tracks and as we cooked up in the studio, members of Reagan Era came through and it was a totally organic process.”
More Info: https://www.instagram.com/diosnegasi/
There’s a particular kind of hunger that defines a band on the verge — that combustible mix of raw talent, hard-won momentum, and the unmistakable sense that everything they’ve been building is about to break wide open. The Chads, the pop-punk-ska fireballers out of Sayville, New York, have that hunger in abundance. And in 2026, they are ready to feed it.
The foundation is already in place. The four-piece — Joy, Mike, Mark, and Santino — spent the past year stacking wins that most bands spend a decade chasing. They took home the WEHM Battle of the Bands, earned a coveted spot on the Jumbalaya Stage at the Great South Bay Music Festival, and walked into a WPIX Morning Show segment that put their faces and their music in front of a New York City-wide audience. For a band still in the early stages of their career, it is a résumé that commands attention.
Their debut single “The Neighbors” — a razor-sharp, high-energy pop-punk-ska hybrid pulled straight from a true story of Long Island life — announced their arrival with a wink and a riff. Tongue-in-cheek in tone but tight as a drum in execution, the song showcases exactly what makes The Chads stand out in a crowded regional scene: they can make you laugh and make you move at the same time, which is a far rarer skill than it sounds. The track is available on Spotify and has been making steady inroads on radio, building the kind of organic buzz that no marketing budget can manufacture.
Now comes the next chapter. The Chads are heading into Dream Studios with producer Jason Mekler to record their new EP — a project that represents the most significant creative investment of their career to date. Mekler’s production experience combined with the band’s live-honed instincts makes for a pairing with serious promise. If “The Neighbors” was the introduction, the EP is the statement — the recorded proof that what audiences have been experiencing in clubs and on festival stages across Long Island translates just as powerfully through speakers.
The tri-state area has been the proving ground. The world is next.
Pop-punk has always thrived on authenticity — on bands that sound like they mean it, that write songs about real places and real people and real absurdities of everyday life.
The Chads check every one of those boxes. They are a Long Island band in the truest sense: specific enough to feel genuine, relatable enough to travel far beyond the island that made them.
Watch for the EP. Watch for the tour dates. Watch for the name.
The Chads are coming — and they are bringing Sayville with them.
Watch The Chads “MFH” music video on youtube here:
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