We Speak Entertainment
Donald Glover’s shocking ‘This Is America’ video tackles racism, gun violence
Donald Glover had quite the weekend.
The actor, who has been riding high these days with both his series “Atlanta” and his role as young Lando Calrissian in the forthcoming “Solo: A Star Wars Story,” both hosted “Saturday Night Live” and was the musical guest as his rap/R&B alter ego, Childish Gambino.
Glover as Gambino won a Grammy this year for best traditional R & B performance for his song “Redbone” and premiered two new songs on “SNL,” titled “Saturday” and “This Is America.”
But it was the video he released for the latter after his “SNL” performance that created a major buzz.
“This Is America” lit up social media after its debut.
Here’s what you need to know about the music video that has many hailing Glover/Gambino as a genius:
You will need to watch it more than once
Directed by “Atlanta” director Hiro Murai, the video is pretty surreal and packed full of messages.
It’s pretty expansive and filmed in a warehouse, which allows for lots of action.
As much as your eye will be drawn to Glover as a shirtless Gambino, pay close attention also to what is happening in the background.
It takes on gun violence in America
Murders occur, but the guns are treated more delicately than human lives in the video — a strong statement given the current debate over gun control.
The imagery also has sparked conversation about several other themes including police brutality, social media and what people are really paying attention to in the United States.
“The fact that Childish Gambino’s ‘This is America’ tackles police brutality, gun violence, media misdirection, and the use of African-Americans as a brand shield, all while dancing in Jim Crow-style caricature, shows a transcendence or mere performance and demands attention,” one person tweeted.
The fact that Childish Gambino’s “This is America” tackles police brutality, gun violence, media misdirection, and the use of African-Americans as a brand shield, all while dancing in Jim Crow-style caricature, shows a transcendence or mere performance and demands attention.
— Jon Spence (@reallyjonspence) May 7, 2018
About that dancing
Fans have been dissecting the various dance moves in the video, with many determining they represent an overall distraction from the chaos that is happening in the background.
Childish Gambino’s dance moves distracted all of us from the craziness that was happening in the background of the video & that’s exactly the point he’s trying to make…….#ThisIsAmerica pic.twitter.com/7o9e0XBGld
— Hurt Cobain (@D_Breezy_) May 6, 2018.
There’s a cameo you might miss
Yes, that was singer SZA sitting on a car toward the end of the video.
On Sunday, the singer Instagrammed some photos of herself on set.
Her guest appearance could be a clue for the pair working together.
We Speak Filmmakers
Malhar Talwalkar Releases Award-Winning Short Film Pink Trees, Exploring Addiction, Recovery and Survival in Los Angeles
Director and cinematographer Malhar Talwalkar presents Pink Trees, a compelling short film that takes an intimate and unflinching look at addiction, recovery, poverty, and survival in Los Angeles. Through the story of a recovering addict struggling to stay clean while living in a temporary housing motel, Talwalkar explores the difficult realities faced by individuals attempting to rebuild their lives in challenging circumstances.
Pink Trees follows Matthew “Job” Smith, a recovering addict battling for survival while living in a temporary housing motel surrounded by the harsh realities of urban poverty and crime. His journey reflects the instability and uncertainty that can accompany addiction recovery, particularly when individuals are attempting to overcome substance abuse without the security of stable housing and a supportive environment.
Rather than portraying recovery as a straightforward journey, Pink Trees examines the complicated circumstances that can influence an individual’s ability to remain sober. The film asks important questions about personal responsibility, environment, social institutions, and the systems that surround people struggling with addiction.
“With this film I tried to tackle the shaky and uncertain road of addiction recovery,” says Talwalkar. “My personal history with substance abuse and addiction made me keen to analyze how various individuals, based on their circumstances, deal with addiction and recovery and how much role institutions play in one’s goal to stay clean.”
Talwalkar’s personal connection to the subject matter brings an added layer of authenticity to Pink Trees. Instead of reducing addiction to a single cause or experience, the film considers the different circumstances that can shape an individual’s recovery and the challenges that can make staying clean an ongoing battle.
The short film has already earned recognition across the independent film festival circuit, receiving awards and honors from Indie Short Fest, Indie X Film Fest, LA Indies, New York International Film Awards™ (NYIFA), San Diego Movie Awards, Chicago Shorts, Latitude Film Awards, Independent Shorts Awards International Film Festival, Hollywood International Indie Film & Screenplay Awards, and Los Angeles Film Awards.
These accolades highlight the film’s growing impact within the independent filmmaking community and its ability to connect with festival audiences and industry professionals through its emotionally grounded storytelling.
At the center of Pink Trees is a question that extends beyond addiction itself: What does it really take for someone to stay clean when the circumstances around them make recovery so difficult? By placing Matthew “Job” Smith within an environment shaped by poverty, crime, and instability, Talwalkar invites audiences to look beyond stereotypes and consider the human and institutional factors that influence recovery.
Talwalkar is a Director and Cinematographer who graduated in the MFA Filmmaking Program at the New York Film Academy in Burbank, California. His work reflects a passion for telling meaningful stories that explore complex human experiences and socially relevant issues.
With Pink Trees, Talwalkar delivers more than a story about addiction. He creates a portrait of a person fighting to survive, recover, and find a path forward in an environment where simply staying clean can become a daily struggle.
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