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Downfvll’s “Hellos and Goodbyes” Is A Haunting Anthem Of Loss And Survival

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Grief is messy, unpredictable, and often impossible to put into words—but Downfvll has found a way. With “Hellos and Goodbyes”, the Paris-based producer and rapper Maeldan Wilmet crafts a sonic world that captures the pain of loss and the resilience it takes to keep moving forward. This isn’t just a song; it’s an emotional experience, blending dark pop, phonk, rap, and orchestral elements into something that feels both intimate and cinematic.

From the very first line—“woke up, to the sound of the phone, it’s late at night, like a quarter to four”—we’re thrown into a moment of sudden, devastating realization. The storytelling is direct yet deeply evocative, placing the listener right in the center of heartbreak. As the production swells, so does the emotional weight. Downfvll’s raw vocals cut through the ethereal, almost ghostly backdrop, making every word hit harder. The chorus, with its piercing refrain “The hellos aren’t worth the goodbyes”, is both a lament and an unfiltered reflection on the cruel nature of time and separation.

Musically, “Hellos and Goodbyes” is a masterclass in blending genres. The orchestral flourishes give it an almost gothic grandeur, while the underlying phonk beat keeps it grounded in a modern, edgy aesthetic. Downfvll’s ability to seamlessly fuse these elements creates an atmosphere that feels like it belongs in a futuristic noir film—dark, brooding, yet undeniably beautiful. His influences, from Woodkid’s cinematic orchestration to the emotional depth of NF, are present but never overshadow his unique artistic identity.

Lyrically, the song wrestles with existential questions and raw emotion. Lines like “What if I gave up and died, would the shape of your world even change a bit?” expose the darkest corners of grief—the loneliness, the self-doubt, the desperate search for meaning. Yet, rather than wallowing in despair, Downfvll channels these emotions into something transformative. “I refuse to sit on the side, I’ll become whatever you didn’t dare to be” isn’t just a lyric—it’s a declaration of survival, a promise to live on despite the pain.

What sets “Hellos and Goodbyes” apart is its ability to be both deeply personal and universally relatable. Whether you’ve lost someone, battled inner demons, or simply felt the weight of time slipping away, there’s something in this track that will speak to you. Downfvll doesn’t offer easy answers, but he gives us something just as powerful: validation. The acknowledgment that grief is real, that it hurts, but that we can find a way through it.

With “Hellos and Goodbyes”, Downfvll cements himself as an artist who isn’t afraid to confront the heaviest emotions head-on. The song is haunting, yes, but it’s also cathartic—a reminder that even in our darkest moments, music has the power to make us feel seen.

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Marz Starlife Makes A Striking First Impression With Healing

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Every once in a while, a debut comes along that doesn’t just introduce an artist – it reveals a soul. Marz Starlife’s first EP, Healing, is exactly that. It’s raw, it’s heartfelt, and it doesn’t pretend to have everything figured out. Instead, it leans into the messiness of real life – the mistakes, the heartbreak, the isolation – and tries to make sense of it all through music. Born in Jamaica, raised in the UK, and now back on the island, Marz brings a cross-cultural perspective to his storytelling, but at the heart of Healing is something deeply human: the need to reckon with the past in order to move forward.

Across the project’s standout tracks, Marz doesn’t hold back. In Bad Memories, he opens up about years lost to incarceration, fractured relationships, and the weight of regret. “Spent four birthdays locked up, baby remember me please,” he raps, in a tone that’s both matter-of-fact and aching. The production stays subdued and moody, letting the lyrics breathe. There’s no glorification of the streets here, only reflection. He admits to being young and caught up in the chase for fast money, but he also shows growth, making it clear that he’s not the same person he once was. It’s a track that lingers, not because it tries to be flashy, but because it feels real.

The title track, Healing, is where everything clicks. Marz taps into something almost spiritual as he raps, “I turn pain into power, darkness to light.” The song is layered with poetic lines and subtle emotional shifts, balancing toughness with tenderness. There’s a determination to rise above, even when the scars still sting. He reflects on his upbringing, his time in the streets, and the inner battles he continues to fight. “No shrink can understand how I’m feeling,” he says, and honestly, it’s hard not to believe him. The pain here is too specific, too lived-in. But instead of letting it swallow him, he uses it to fuel something greater.

What’s refreshing about Healing is that it doesn’t try to fit neatly into any one genre or narrative. Marz blends elements of UK hip-hop, Jamaican rhythm, and emotional rap into something that feels uniquely his own. He’s not here to be the loudest or the flashiest; he’s here to be honest. And in a world full of over-produced, over-polished music, that honesty stands out.

With Healing, Marz Starlife has given us more than a debut; he’s given us a mirror into his journey, and maybe even our own. Whether you’ve lived through similar struggles or are just someone who appreciates music with depth and heart, this EP is worth your time. It’s a reminder that healing isn’t linear, but it’s possible, and that sometimes telling your story is the most powerful thing you can do.

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