We Speak Music
Drummer-Turned-Artist Skytinual Returns to Music After Two Decades with New Albums

After a remarkable two-decade hiatus, Dave Bush—formerly known for his drumming prowess—is poised for an exciting comeback under his new artistic moniker, Skytinual. Set to release two albums through Peace Army Music, Skytinual is ready to re-enter the spotlight with his upcoming debut album, Yes Yes Let’s Hope, slated for 2024. The album’s first single, ‘Still Love You (At the End of Time)’, has already begun to generate buzz and anticipation.
Skytinual is the artistic rebirth of Dave Bush, an accomplished drummer and independent artist whose past collaborations include Grammy-winning musicians. After a hiatus of nearly 20 years, he returns with an alt-pop sound that embodies his life experiences and spiritual growth. Skytinual’s music is poised to reconnect with listeners and introduce a new chapter filled with personal insight and creative vision. “In many ways, I’m a much different person now, and wanted a new artistic identity,” Bush states. ‘Skytinual’ marks that reinvention. The sky is both ageless and continually changing. I relate to that seeming paradox, and ‘Skytinual’ embodies that feeling to me.”
Skytinual’s career has been anything but ordinary. He’s performed with notable Grammy-winning artists and even released his own independent project before stepping away from the industry in the early 2000s. Reflecting on his career shift, Skytinual recalls, “When I told Lisa Loeb that I was too busy to join her band even as ‘Stay’ was hitting #1 on the charts, that was the turning point. While crazy in retrospect, I was just getting interested in my music and knew I had to pursue my own path as an artist – wherever it took me.”
This new chapter is marked by Skytinual’s evolution into an alt-pop sound infused with introspective lyrics and a touch of 1980s nostalgia. The name ‘Skytinual’ itself symbolizes this reinvention. “The sky is both ageless and continually changing,” Bush explains. “I relate to that paradox, and ‘Skytinual’ embodies that feeling for me.”
Skytinual’s latest single, ‘Changing Light’, delves into the themes of impermanence and the ever-shifting nature of existence. Inspired by his long-standing zazen meditation practice, the song poses philosophical questions through its verses—“Are we coming, are we going, which is right?”—while the chorus serves as a repetitive mantra: “changing light, changing life.” The song’s creation was influenced by a personal experience; Skytinual wrote the lyrics in just a couple of hours during a 24-hour stay in Charlotte, North Carolina, amid the CrowdStrike outage. “With a dear friend and two family members engaged in major cancer battles, this year has really brought the fragility of life to the forefront. The song isn’t dark; it’s a meditation on change, an embrace of all possible futures,” he shares.
The single features Kevin Scott of Government Mule on bass, while Skytinual performs all other instruments, crafting a unique blend of modern alt-pop and vintage influences. ‘Changing Light’ marks a bold and hopeful new direction for the artist, signaling the arrival of his thoughtful and innovative sound.
Skytinual’s upcoming album, Yes Yes Let’s Hope, and its 2025 follow-up promise to offer fans a profound, reflective, and musically rich experience. The single ‘Changing Light’ is just a taste of the exciting, multi-layered work Skytinual is ready to share with the world.
We Speak Music
EMEREE’s Cinematic Pivot in ‘Eyesore’ from Pop Star to Pop Assassin

EMEREE doesn’t just make music—she curates moments. Her latest single “Eyesore” is a cinematic, sarcastic scorcher that sets a new tone for the rising Australian powerhouse. From the candy-coated production to the horror-tinged DIY music video, EMEREE is creating her own genre: camp pop noir.
The single is a masterclass in balancing artistry with attitude. Co-created with Christian Tjandrawinata, “Eyesore” proves EMEREE isn’t here to play safe. She plays sharp, with razor-lined harmonies and lyricism that stabs with a smile. It’s not just catchy—it’s calculated. The beat bounces, the vocals glide, but it’s the burn in the lines that lingers.
Visually, EMEREE doubles down. The music video is a bloody wink to 80s slasher films, with a narrative as satirical as it is symbolic. She doesn’t just kill her ex on screen—she kills the whole trope. Pop stars often tell stories of heartbreak. EMEREE turns it into performance art.
EMEREE says, “Eyesore” is the anthem for anyone who’s ever dated someone who treated them horribly and just wasn’t hot enough to get away with it.”
EMEREE is making noise for all the right reasons—and with creative backing from CAA and sessions alongside Nile Rodgers and Invisible Men, she’s not just rising. She’s plotting her pop empire. “Eyesore” is both a warning shot and a love letter to anyone who’s ever made revenge their aesthetic.
It’s the start of something bold—and we’re already obsessed.
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