We Speak Music
Eimear: A Soulful Journey to Empowerment with “A Little More Time”

Following the triumphant success of her sold-out headline tour, Eimear Crehan, the soulful songstress from Kildare, is once again poised to captivate audiences with the release of her latest single, “A Little More Time.” This new track is not just a continuation of her musical journey but a bold evolution that blends rock energy with heartfelt lyrics, creating a dynamic soundscape that reflects her personal journey toward health, self-acceptance, and resilience.
Building on the momentum of her previous releases, “A Little More Time” emerges as a vibrant anthem for anyone navigating life’s personal challenges. Eimear’s distinct blend of folk and soul has always resonated with listeners, but this track, produced by the renowned John Leader, takes her artistry to new heights. It’s a song designed not just to be heard, but to be felt deeply—a powerful reminder of the importance of patience, self-kindness, and openness in overcoming adversity.
A Personal Journey Woven into Song
Eimear’s music has always been a reflection of her life, and “A Little More Time” is no exception. “This song comes from deep within my story with health and body,” Eimear explains. “It’s designed to connect with anyone who’s facing personal challenges, emphasizing that sometimes, all we need is a bit more time, patience, and self-kindness to overcome. It also explores the healing power of openness, moving away from the shadows of secrecy.”
The themes of personal growth and resilience embedded in the lyrics are universal, touching anyone who has faced their own struggles. The song’s vibrant energy, combined with Eimear’s soulful voice, creates a sound that is both uplifting and deeply comforting—a musical embrace for those who need a reminder that they are not alone in their journey.
A Respected Voice in the Music Industry
Eimear’s career has been marked by her ability to connect with audiences through her soulful storytelling and powerful performances. With extensive recording and performing experience, including tours with legendary artists like Paul Brady and support for renowned figures such as Jack L, Mary Coughlan, and Mike Hanrahan, she has carved out a unique niche in the music industry.
Her previous single, “I Am Woman,” was a resounding success, soaring to number 1 on the iTunes charts and amassing over 200,000 streams on Spotify. This achievement showcased her remarkable ability to resonate with listeners, particularly through themes of empowerment and self-expression. “A Little More Time” promises to build on this success, offering a fresh perspective that highlights the importance of inner strength and perseverance.
Beyond the Stage: A Commitment to Community
Eimear’s dedication to music extends beyond her own performances. She is deeply committed to nurturing creativity and personal development through her work with the SpeakUp Sing Out Music School, an initiative that fosters a love for music within her community. This involvement reflects her belief in the power of music as a tool for connection and healing—a belief that is evident in every note she sings.
A New Chapter in an Illustrious Career
The release of “A Little More Time” marks the next exciting chapter in Eimear’s career. Accompanied by a powerful music video directed by Jamie Crehan, the single promises to inspire and energize, serving as a beacon of hope for anyone facing their own battles. The track is more than just a song; it’s a testament to the strength that lies within us all, a call to embrace patience, self-kindness, and openness as we navigate life’s challenges.
Eimear Crehan: A Voice of Our Time
Eimear’s music is a beautiful mix of songs about love, life, and the human condition. Her soulful voice carries the weight of these stories, taking listeners on an emotional journey. Often compared to iconic voices like Adele, Alison Moyet, Cyndi Lauper, and Mary Coughlan, Eimear’s vocals are rich with emotion, capable of connecting deeply with her audience.
Having sung funk and rock, and performed at festivals like Electric Picnic and Oxegen, Eimear has a wealth of experience that she brings to every performance. Her solo albums, Scars (2018) and Quiver (2022), showcase her versatility and have garnered widespread acclaim. With her third album on the horizon, set for release later this year, Eimear is poised to further cement her place as one of Ireland’s most compelling musical voices.
As she continues to evolve as an artist, Eimear Crehan remains dedicated to connecting with her audience, using her music to explore what it means to be alive. With “A Little More Time,” she offers a powerful message of resilience and hope, reminding us all of the strength we carry within.
Listen here:
We Speak Music
Acclaimed US singer-songwriter Juliet Lloyd to tour the UK for the first time this summer.
Shortly after releasing her sophomore album in 2007, US-based singer-songwriter Juliet Lloyd walked away from music completely for more than 10 years, feeling burned out and unhappy with her career progression like so many other independent artists. After going through a divorce in 2019 and in the midst of a global pandemic, she found herself pulled back toward the siren call of songwriting and again making the leap to pursue it full time. Her latest album ‘Carnival’, released in 2024, is in many ways the culmination of those decisions, and the reintroduction of an artist who now has the wisdom of experience.
There’s an unmistakable urgency you can feel when a song is written and performed from a place of complete honesty. That feeling permeates ‘Carnival’. “I’ve always been envious of writers who say they write songs because they have to, because they had these things they just had to get out of themselves,” Juliet says. “I had never really felt that way until this album. I’ve become someone who writes because they have to.”
Stylistically, ‘Carnival’ draws on a range of influences from Laurel Canyon-era singer/songwriters, to Lilith Fair rockers, to confessional country/folk balladeers, to indie pop. The central theme of the record and that of its title track is not being too precious about any one experience or decision. Take them for what they are, live in the moment, and move on when they’re done. It acknowledges also that memory can be subjective, and ambiguous—was an experience ultimately a good thing or a bad thing? And whose memory can you rely on to determine the answer to that question?
‘Carnival’ doesn’t just deal with the complexities of ending relationships, it also deals with all the feelings that come with moving on. The album’snine songs feature evocative storytelling that reveals a simple truth: when the carnival inevitably leaves town, you’re left with an empty parking lot. And how you remember, it is a choice. As Juliet sings in the title track, “If only there was a way you could bottle up that feeling / and you’d drink it in / when the days are short and you long.”
Across her 20+ year career, Juliet has been admittedly stylistically non-monogamous. Her first full-length album, ‘All Dressed Up’, was released in 2005 and was heavily jazz-influenced- a label that she rejected at the time. “I am a piano player and a woman, so I was immediately compared to Norah Jones—and I bristled at that,” Juliet says. “Listening back now, I can totally see that it was true, and it of course wasn’t a bad thing.” Her follow-up release ‘Leave the Light On,’ came out two years later and featured a slick piano-pop production that led to five of its songs being placed on reality TV shows on MTV and VH1. Coming back after her 10-year break from writing and recording, Juliet released ‘High Road’, a collection of five Americana/soul-tinged songs produced by Jim Ebert (Meredith Brooks, Shai) that earned her widespread recognition and songwriting awards both in her home region of DC as well as nationally.
Now with her first ever UK tour scheduled for July 2025, Juliet has also dropped a completely brand-new single ‘Wild Again’, which like ‘Carnival’, was written with and produced by Todd Wright (Lucy Woodward, Butch Walker, Toby Lightman). ‘Wild Again’, however, charts yet another new step in Juliet’s journey.
“Carnival’, is full of deeply personal songs that are drawn from my real-life experiences and relationships. Coming out of that album cycle, I was feeling a little exhausted by my own navel-gazing and I was craving inspiration elsewhere. So, a lot of the songs I’m writing now are an evolution of sorts – focused more on external stimuli and finding the personal stories and humanity in that. Wild Again is a perfect example of this,” she explains.
The idea for ‘Wild Again’ was born out of a NY Times podcast Juliet listened to about the real-life efforts to return the whale that played Willy in the iconic movie ‘Free Willy’ back into the wild.
“It’s an insane, heartbreaking story that asks all kinds of thorny questions about human responsibility and humility and what’s the “right” thing to do and is that the same as the “kind” thing to do. There was a line that one of the trainers said in the podcast, explaining that they were trying to “train him to be wild again.” The complete absurdity of that statement hit me in the moment, and I immediately started jotting down lyrical ideas”, Juliet says.
Catch Juliet Lloyd on her UK tour this July:
1st July: The Folklore Rooms / Brighton
2nd July: The Hyde Tavern / Winchester
3rd July: Hen and Chicken / Bristol (CRH Music promotions)
4th July: Artisan Tap Hartshill / Stoke-on-Trent
5th July: Waggon & Horses, Nottingham
6th July: Cafe#9 / Sheffield
7th July: Hyde Park Book Club / Leeds
10th July: FortyFive Vinyl Café / York
11th July: The Muddy Puddle / London
13th July: The Wrotham Arms / Broadstairs

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