We Speak Music
Embracing Vulnerability: Kodiak Arcade and Cabin Fever Orchestra’s Poignant New Anthem ‘No Reason To Change’

Kodiak Arcade and Cabin Fever Orchestra’s latest single, No Reason To Change, offers an emotionally resonant pop anthem that masterfully blends heartfelt lyrics with orchestral grandeur. At its core, this track speaks to the universal yearning for acceptance, the comfort of vulnerability, and the reassurance that despite our flaws, we are deserving of love. It’s a deeply poignant message wrapped in a lush musical arrangement, making it not only a joy to listen to but also a reflection on the human condition.
From the opening notes, No Reason To Change feels intimate yet expansive, starting with simple guitar and vocals before gradually evolving into a rich tapestry of strings and orchestration. This seamless fusion of pop sensibilities and orchestral depth is a testament to Cabin Fever Orchestra’s ability to straddle both worlds with finesse. Graeme Cornies, the creative force behind Cabin Fever Orchestra, beautifully bridges the gap between his pop songwriting roots and his orchestral composition expertise in a way that feels both natural and refreshing.
Collaborators Joshua Van Tassel (producer/composer) and Drew Jurecka (violin/viola) bring their signature touch to the song, weaving textures that enhance the emotional weight of the track without overpowering its delicate sentiments. Ben Trigg on cello and Bruno Migliari on double bass round out the arrangement, adding depth and resonance, while Heather Kirby’s mastering ties everything together with a final polish that glows.
What sets No Reason To Change apart is its thematic depth. Inspired by Fred Rogers’ philosophy that we are all worthy of love just as we are, Cornies crafts a song that transcends a typical love ballad. While the lyrics may initially sound like a romantic ode, the song’s message is much broader. It is about building trust, accepting others unconditionally, and recognizing the power of openness—be it in a romantic relationship, a parent-child dynamic, or any connection where vulnerability is a gateway to strength.
The sincerity behind No Reason To Change makes it stand out. The orchestral elements, while grand, never overshadow the personal nature of the song. Instead, they elevate it, providing a sense of majesty that mirrors the profundity of the message. Cornies’ exploration of self-acceptance, which has been a recurring theme in his work, particularly in his decade-long association with Daniel Tiger’s Neighborhood, is once again front and center, resonating deeply in this release.
In No Reason To Change, Kodiak Arcade and Cabin Fever Orchestra offer more than just a song—they deliver an anthem for anyone who has ever doubted their worth or felt the need to hide their imperfections. It’s a celebration of vulnerability and a reminder that love, in all its forms, doesn’t require us to be anything other than what we are.
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We Speak Music
Waz-u drops ambient gem ‘Vermillion’ ft. Lilyg

London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.
Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’
‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.
Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.

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