We Speak Music

EMMI IIDA drops ‘Energy Guru’ video

Published

2 years ago

March 22, 2024

Don Reed

“Built on pulsating synths, deep beats and nuanced vocals, the track is spacey and sexy as it is eclectic and eccentric.”- EARMILK

“EMMI IIDA Soars To Her Best On ‘Blooming”- CLASH Magazine

“The Hollola-born artist now presents a beautifully ambient track with an amazing atmosphere.”- METAL Magazine

“Listening to EMMI IIDA, you will observe her soft yet educating and empowering wordplay that aims to inspire and uplift.”- NOCTIS Magazine

Multi-modal creative, EMMI IIDA has just released her debut album, ‘The Eye’, via EFG Records to much acclaim from the likes of BBC 6 Music’s Craig Charles, Clash Magazine, Noctis and Earmilk, and is now back with the video for ‘Energy Guru’ from the record.

Born in Hollola, Finland, EMMI IIDA began playing the piano at 5 years old. She spent her early years in a musical elementary school, singing in a choir and in an acapella band, performing her first solo in front of a crowd at 9. This early exposure to music had her singing in front of the TV and making her own songs constantly. In her search to continually create and express in unlimited forms, she founded her own company EFG Productions, as well as EFG Records, a record label focusing on drawing out holistic wellbeing with healing frequencies.

‘The Eye’ is a 14-track odyssey through EMMI IIDA’s sonic galaxy of ideas and feelings and all of the songs on the album have added frequencies and mantras/messages to support and resonate with the body’s specific chakras. ‘Our Love’, for example includes the frequency of 528 Hz, the love frequency, that resonates with the love chakra and which is said to create more harmony and balance on a cellular level. Also, all of the songs have been tuned into 432 Hz which is more harmonious to listen to, than the standard 440 Hz.

From the downtempo trippy chillhop of ‘Higher Self’ to the pulsing, sultry spoken word vocal fry of ‘Trinity’ to the avant-pop anthem focus track ‘Our Love’, featuring tender rap verses and vocals from Bryce Green, ‘The Eye’ offers the listener a deeply spiritual sonic experience.

EMMI IIDA revealed: “Making this album has been a healing journey for me. Losing a baby girl four years ago to divorcing last year, being a channel for these songs has helped me navigate life and alchemizing these setbacks into something beautiful and finding hope, happiness and that overpouring flow of love.”

We Speak Electronic

Reece Rosé Bottles the Feeling on “Misbehaving”

Published

1 day ago

May 1, 2026

Joni Jones

Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.

Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.

“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.

What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.

That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.

“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.