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Julian Roy Shares Debut Album ‘friends first’

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Hailing from Virginia, Julian Roy, a recording artist, songwriter, and producer, draws inspiration from the likes of Stevie Wonder, Bob Marley, and The Beatles. After being compared to the likes of Frank Ocean and Chet Faker, Julian Roy continues to push the boundaries of music with his genre-defying music.

Julian Roy is as much a seasoned traveller as he is an artist. He taught himself how to play the guitar when he moved to Thailand. He began songwriting when he moved to Nashville. He started his music career when he moved to Los Angeles.

He has travelled to over 50 countries and can speak the ‘language’ by playing music or fútbol with anyone in any country from Brazil to Japan to Morocco and Norway. He creates music to display his love and compassion, whilst exploring themes to showcase how similar we all are. He has performed in over 16 countries and has self-booked tours across the globe to connect with his fans and build his fanbase. Outside his music, Julian Roy writes songs for a variety of different label artists in LA, NYC, Colombia, and Korea. 

His brother, James Sider, started a company, a music startup based in California that produced the application BandPage, an application that powered over 500,000 artists’ Facebook Pages. Artists could upload and share tracks, videos, photos, and their touring schedule on Facebook. Julian Roy had the inner tech music view while he was running BandPage. Since then it’s changed quite a bit into this streaming monster that everyone begs to be a part of. He has always been proud of being independent and pushed himself to explore avenues outside of the typical Spotify artist or streaming-focused artists. 

Since working with major artists like Mike Posner and Lolo Zouai, and after garnering widespread acclaim with his debut EP, 18 lbs, Julian Roy is gearing up to unveil his highly anticipated debut album, friends first

The debut album was recorded during and after the COVID-19 pandemic. friends first, was inspired by personal events and his travels through the island life of South East Asia and South America as well as living with musical communities in Nashville, San Francisco, and now Los Angeles. The 14-track compilation deepens his authenticity as a music artist. He is a force to be reckoned with. 

friends first, echoes genres of modern R&B, indie-pop, alternative, singer-songwriter, electronica, Neo-Soul, and experimental World Beat, showcasing the foundation of his love of music and unmatched talent for fusing captivating instruments with profound lyricism. Throughout the album, Julian Roy enchants audiences worldwide as he solidifies his position as a major player in the music industry and makes a lasting impression. His demonstrations of vulnerability, effortless talents, and musical abilities place on full display his complexity and depth as an artist.

On the album, Julian Roy comments, “friends first, was recorded during and after COVID-19 in the middle of so much heartbreak and pain, during this time my father also passed away which shaped parts of the album. friends first, has nine different producers, was recorded in Mexico, USA, Colombia, and Norway (three continents), and has seven featured artists.”

We Speak Music

Col Darcy Unveils New Single ‘Pay Up’

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Col Darcy’s ‘Pay Up’ arrives with the calm authority of an artist who has already learned that longevity is its own form of victory. The second single from ‘Redemption’, his forthcoming album, is a composed piece of independent hip-hop that places persistence, ambition and personal conviction at its centre. Rather than presenting success as spectacle, Darcy approaches it as something accumulated slowly, through experience, discipline and faith in one’s own direction.

That sense of earned perspective has been central to Darcy’s work from the beginning. As Caper, he drew national attention with ‘How Would You Like To Be Me?’, a politically charged anti-racism song whose influence eventually extended into cinema. Alongside ‘Opportunity’, the track appeared in Netflix’s A Second Chance: Rivals!, bringing Darcy’s writing to an audience well beyond the usual confines of Australian hip-hop. Yet his subsequent career has remained grounded in independence, with the acclaimed ‘Beautiful Hopeless’ further establishing his commitment to thoughtful writing and considered craft.

‘Pay Up’ continues that trajectory while revealing an artist interested in the emotional economics of perseverance. Darcy writes from the perspective of someone who has experienced the slow rewards of staying the course. The lyrics use sharp wordplay and layered metaphor to turn a familiar idea into something more personal. His delivery is particularly effective for its restraint. There is no need to overstate the message when the voice behind it sounds as though it has lived through the argument already.

The song also reflects the wider concerns of ‘Redemption’, a record shaped by travel, fatherhood, gratitude and renewed self-awareness. Much of the album was recorded in Bali, and the island’s atmosphere reportedly helped cultivate its more contemplative dimensions. That background lends ‘Pay Up’ an intriguing duality. It is a song about ambition, but not restless ambition. Its confidence feels less like hunger for external validation and more like an acceptance that the journey itself has meaning.

What emerges is a track that understands hip-hop as both music and testimony. Darcy’s influences, from Tupac Shakur and Eminem to Kendrick Lamar, belong to a lineage in which personal narrative can become social observation and self-examination can become communal language. ‘Pay Up’ honours that tradition while remaining contemporary in its presentation. As a statement of intent for ‘Redemption’, it suggests an artist who has found greater clarity without sacrificing his edge, and who understands that the most durable kind of success is the kind you build yourself.

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