We Speak Music
Etherdene’s “Forsaker” Captures the Power of Letting Go
Etherdene’s ‘Forsaker’ is a revelation in both sound and sentiment. The track marks a new chapter in her career, blending the vulnerability of heartbreak with the resilience of moving on, all wrapped in an electrifying package of synth-pop and indie-pop. The result is a song that is both deeply personal and universally relatable, a cathartic journey that encourages listeners to let go and rise above their challenges.
At the heart of ‘Forsaker’ is Etherdene’s exploration of emotional struggle and the painful yet liberating act of letting go. Drawing from her own experiences with the end of a professional partnership, Etherdene’s lyrics are a raw and powerful expression of inner conflict. The line, “Brand new member in the club of quitters, the uniform compliments my eyes,” encapsulates the complex emotions of giving up, flipping the narrative on its head to reveal the strength in choosing to walk away.
‘Forsaker’ is a triumph. Etherdene’s decision to incorporate synth bass arps brings an air of 80s nostalgia while keeping the track fresh and forward-thinking. The electric guitar work from Cory Clark adds a layer of dynamism to the song, complementing its mood perfectly. However, it’s the drums – played by Warren van Wyk – that truly elevate the track, infusing it with energy and warmth that feels almost magical.
What sets ‘Forsaker’ apart is its empowering message. Etherdene isn’t merely recounting a painful experience; she’s showing us the strength that comes from letting go of something that no longer serves you. It’s a message of courage and self-love, encouraging listeners to prioritize their emotional well-being over the fear of walking away from something that seems promising but ultimately isn’t right.
‘Forsaker’ is yet another example of Etherdene’s impressive versatility as an artist. From her early days in the Afrikaans band Kaktus to her current solo career, she has continually pushed the boundaries of what indie-pop can be. With ‘Forsaker’, she’s taken an emotional experience and turned it into a musical triumph that’s as empowering as it is catchy. This track is bound to resonate with anyone who’s ever had to make the difficult decision to walk away – and Etherdene’s ability to capture that moment in song is nothing short of remarkable.
Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.
‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.
The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.
The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:
Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.”
About the track, Michele says, “I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.
We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.”
The album and full-length film will be released on the 5th of June on Monotreme Records.
Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.
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