We Speak Music
Eugenia Caruso appears opposite Fred Armisen and Jenna Ortega in the new season of Netflix’s ‘Wednesday’
It is fitting that British-Italian actress Eugenia Caruso is joining the second season of Tim Burton’s ‘Wednesday’, given that she is used to acting in dark comedy and horror films. She previously appeared in the 2020 film of ‘The Witches’ alongside Anne Hathaway; the horror series ‘The Baby’; and a number of horror films directed by Peter Strickland. You may have also seen her in ‘The Crown’ or the sci-fi comedy ‘Avenue 5’. Here she talks about her love of the stage, why she loves making people laugh, and ‘Wednesday’ being a dream come true.
How did it feel to step into the world of ‘Wednesday’, working under the genius direction of Tim Burton?
“I loved the first season of Wednesday, so I was very nervous, but it was an amazing experience.”
“I am a long-time fan of Tim Burton’s, so this was a dream come true.”
What was your reaction when you found out you’d been cast?
“I screamed a little out of excitement!”
Tell us a bit about your character in the series.
All I can say at this point is that it was quite a transformation I had to go through! I love this role – a real Tim Burton gem – and I was over the moon to play it.

How did you get started in acting?
“I’ve pretty much loved every role I’ve played. I began on stage – my first paid job was playing an isolated 17-year-old girl in a play directed by Chris Rolls. That role gained attention from The Stage and earned me an award at the Edinburgh Fringe. Two years later, I started working on screen, thanks to Peter Strickland. I remember watching Peter’s first film, ‘Katalin Varga’, and thinking it was great. So when I heard they were casting Italian-speaking actors and Peter was directing, I was ready to beg for a meeting – luckily, I was called in!”
What was it like working with Peter Strickland?
“My first film with Peter was ‘Berberian Sound Studio’ (starring Toby Jones), followed by ‘The Duke of Burgundy’ and ‘In Fabric’. I was also cast by Peter in two radio plays – ‘The Stone Tape’ and ‘The Len Continuum’ – the latter also starring Toby Jones. Peter is a fantastic director who knows how to get the best performance from his actors. His writing is also incredible – so vivid and full of depth and humour. Berberian has shaped a lot of my career. In fact, when Berberian was adapted for ‘The Donmar Playhouse’ by Joel Horwood, I was lucky to be cast in the stage version as well, this time directed by Tom Scutt.”
How did you get into acting in comic roles?
“I love dark comedies, and comedy in general. Series like ‘Avenue 5’ by Armando Iannucci and ‘The Baby’ by Lucy Gaymer and Siân Robins-Grace, were gifts. I enjoy working with timing and, when possible, improvising a little around the script. I’ve also worked with the brilliant Robert Zemeckis, whose films I love, and early in my career with Paolo Sorrentino, who remembered every single take from my audition tape for ‘Youth’. I’ve also worked with some truly talented up-and-coming independent directors including Julio Maria Martino, Christopher Brown and Daniel Florencio.”

What about more dramatic roles?
“A very dramatic role was that of Mrs Santorelli in ‘The Alienist’ (season 1), directed by the brilliant Jakob Verbruggen. I had to emotionally prepare, research the period, and push myself into the bleak reality of that character’s life.
Other recent projects?
Most recently, I’ve appeared in ‘The Crown’, voiced a character in the latest ‘Garfield’ movie, and joined the ‘Sniper’ franchise.”
“Playing Ana Costa – a Bond-style villain – was new for me, so to get into the role I watched ‘Full Metal Jacket’ on repeat.”
What’s next for you?
“I’m currently editing my first short film. And I just shot a couple of projects but I can’t yet talk about them! My short is very homemade – but I hope all the more charming because of that!”
‘Wednesday’ Season 2, Part 1 has just been released on Netflix; Part 2 airs from 3 September.
Featured photo credit: Netflix
We Speak Music
Rising Superstar AMBER Turns Everyday Moments Into Vivid Stories On Just a Daydream
Songwriters often draw from personal experience, but what makes Just a Daydream stand out is the way AMBER reshapes those experiences through imagination. Instead of presenting events exactly as they happened, she builds scenes that feel colourful, expressive and full of possibility, giving the songs a distinctive identity from the very beginning.
That approach reflects the idea behind the EP’s title. What begins as a passing thought or a hopeful fantasy gradually develops into something more tangible, carrying listeners through romance, longing, disappointment and, ultimately, self-acceptance. The songs remain connected by that thread, making the EP feel like one continuous conversation rather than a collection of separate ideas.
Musically, AMBER blends soul, jazz, funk and pop touches without allowing any one influence to dominate. The lively pulse of “Say What” explores the confusion that can grow from crossed wires, while “Aromatherapy” offers a gentler close, bringing the emotional journey to a place of calm reflection.
Working with producer Kipper Eldridge, AMBER has created a debut that places storytelling at its heart. Every musical choice supports the atmosphere of the songs, allowing the lyrics and performances to take centre stage. Out now through Now Listen, Just a Daydream is more than a collection of well-made tracks. It is an invitation into a creative world where imagination gives everyday emotions a fresh perspective and where even the smallest moments have a story worth telling.
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