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Eugenia Caruso appears opposite Fred Armisen and Jenna Ortega in the new season of Netflix’s ‘Wednesday’

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It is fitting that British-Italian actress Eugenia Caruso is joining the second season of Tim Burton’s ‘Wednesday’, given that she is used to acting in dark comedy and horror films. She previously appeared in the 2020 film of ‘The Witches’ alongside Anne Hathaway; the horror series ‘The Baby’; and a number of horror films directed by Peter Strickland. You may have also seen her in ‘The Crown’ or the sci-fi comedy ‘Avenue 5’. Here she talks about her love of the stage, why she loves making people laugh, and ‘Wednesday’ being a dream come true.

How did it feel to step into the world of ‘Wednesday’, working under the genius direction of Tim Burton? 

“I loved the first season of Wednesday, so I was very nervous, but it was an amazing experience.”

“I am a long-time fan of Tim Burton’s, so this was a dream come true.”

What was your reaction when you found out you’d been cast?

“I screamed a little out of excitement!”

Tell us a bit about your character in the series.

All I can say at this point is that it was quite a transformation I had to go through! I love this role – a real Tim Burton gem – and I was over the moon to play it. 

Photo credit: Ruth Crafer

How did you get started in acting?

“I’ve pretty much loved every role I’ve played. I began on stage – my first paid job was playing an isolated 17-year-old girl in a play directed by Chris Rolls. That role gained attention from The Stage and earned me an award at the Edinburgh Fringe. Two years later, I started working on screen, thanks to Peter Strickland. I remember watching Peter’s first film, ‘Katalin Varga’, and thinking it was great. So when I heard they were casting Italian-speaking actors and Peter was directing, I was ready to beg for a meeting – luckily, I was called in!” 

What was it like working with Peter Strickland?

“My first film with Peter was ‘Berberian Sound Studio’ (starring Toby Jones), followed by ‘The Duke of Burgundy’ and ‘In Fabric’. I was also cast by Peter in two radio plays – ‘The Stone Tape’ and ‘The Len Continuum’ – the latter also starring Toby Jones. Peter is a fantastic director who knows how to get the best performance from his actors. His writing is also incredible – so vivid and full of depth and humour. Berberian has shaped a lot of my career. In fact, when Berberian was adapted for ‘The Donmar Playhouse’ by Joel Horwood, I was lucky to be cast in the stage version as well, this time directed by Tom Scutt.”

How did you get into acting in comic roles?

“I love dark comedies, and comedy in general. Series like ‘Avenue 5’ by Armando Iannucci and ‘The Baby’ by Lucy Gaymer and Siân Robins-Grace, were gifts. I enjoy working with timing and, when possible, improvising a little around the script. I’ve also worked with the brilliant Robert Zemeckis, whose films I love, and early in my career with Paolo Sorrentino, who remembered every single take from my audition tape for ‘Youth’. I’ve also worked with some truly talented up-and-coming independent directors including Julio Maria Martino, Christopher Brown and Daniel Florencio.”

Photo credit: The Broadway Studios

What about more dramatic roles? 

“A very dramatic role was that of Mrs Santorelli in ‘The Alienist’ (season 1), directed by the brilliant Jakob Verbruggen. I had to emotionally prepare, research the period, and push myself into the bleak reality of that character’s life. 

Other recent projects?

Most recently, I’ve appeared in ‘The Crown’, voiced a character in the latest ‘Garfield’ movie, and joined the ‘Sniper’ franchise.”

“Playing Ana Costa – a Bond-style villain – was new for me, so to get into the role I watched ‘Full Metal Jacket’ on repeat.”

What’s next for you? 

“I’m currently editing my first short film. And I just shot a couple of projects but I can’t yet talk about them! My short is very homemade – but I hope all the more charming because of that!”


‘Wednesday’ Season 2, Part 1 has just been released on Netflix; Part 2 airs from 3 September.

Featured photo credit: Netflix

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Avohee Avoher Releases “Avohee Meets Bach”A Spiritual Collision of Bach, Choral Power and Modern Dance Energy -Now Available Worldwide 

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Johann Sebastian Bach wrote music that moved with force. Beneath the structure lived tension, release, devotion and emotion. More than three centuries later, that energy returns through Avohee Meets Bach, the third release in Avohee Avoher’s Addicted to Classics series.

This is not a remake. It is a rebirth.

Inspired by the emotional weight and architecture of Bach’s Chaconne in D minor from Partita No. 2, BWV 1004, and the legendary piano transcription tradition of Ferruccio Busoni, Avohee Meets Bach transforms classical intensity into a modern dance experience built for movement, atmosphere and emotional release.

Ancient meets modern.

Operatic choir rises through hypnotic rhythm. Sacred Latin phrases intertwine with haunting German whispers. Spiritual energy collides with underground pulse. Emotion builds, pressure rises, tension releases.

Kyrie eleison.
Lux aeterna.

The result is cinematic, uplifting, sensual and powerful.

Created for the dance floor but carrying the weight of classical tradition, Avohee Meets Bach moves between worlds. It belongs equally in the underground club, the international festival arena and the listener seeking something deeper inside electronic music.

This is not nostalgia.

It is transformation.

Watch the Avohee Meets Bach music video here::  https://youtu.be/gebEqQTo960

Stream Avohee Meets Bach on Spotify here:

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