We Speak Music
Fringe Frontier Drop New Album ‘Criminal Hour’
There is an admirable sense of purpose running through Criminal Hour, the latest album from Fringe Frontier. John Lloyd and Jerry Thomas have created a record that understands the enduring appeal of classic guitar music while embracing the textures and emotional openness of contemporary indie rock. Rather than chasing trends, the duo refine a sound built upon memorable hooks, driving rhythms and stories that unfold with cinematic detail.
From the opening moments of “Heading For,” the album establishes an engaging balance between muscular performance and lyrical vulnerability. Isolation forms the emotional starting point, yet the music itself constantly reaches outward. That instinct continues into “Think Back,” whose uplifting refrain transforms personal struggle into collective resilience. The contrast between emotional weight and melodic accessibility proves to be one of the album’s greatest strengths.
Several of the record’s finest moments revolve around place and memory. “Little Five Points” evokes faded neighbourhoods and youthful possibility with affectionate precision, while “The Lights of Edisto” ventures into more difficult emotional territory. Its exploration of addiction and recovery unfolds patiently, allowing the arrangement to mirror the uncertainty and hope contained within the lyrics. These songs reveal Lloyd’s gift for vivid storytelling without sacrificing musical momentum.
Elsewhere, Fringe Frontier demonstrate an appealing versatility. “Personal Ad” introduces humour alongside its observations on contemporary romance, its jangling guitars recalling classic alternative rock without becoming derivative. “Follow Me” injects a burst of youthful urgency, examining the endless cycle of promotion and recognition that defines modern musicianship while maintaining an infectious sense of fun.
The closing stretch is particularly satisfying. “City of Dreams” drifts through New York with quiet grace, capturing both the excitement and melancholy that accompany remembered ambitions. The title track then concludes the album with a darker atmosphere, weaving together mystery, restless energy and melodic confidence into a finale that lingers long after its final notes.
The contributions of mixer McKenzie Smith and mastering engineer Kim Rosen provide Criminal Hour with impressive sonic depth, but the true achievement lies in the songwriting itself. Fringe Frontier have produced a record that feels lived in rather than manufactured, proving once again that thoughtful lyricism and memorable guitar music remain an enduring combination.
We Speak Music
SCARECROW’s John Blaze Delivers a Career Milestone With “Twisted” and Earns Josie Music Awards Song of the Year Nomination
John Blaze has spent nearly four decades fronting SCARECROW, the New York hard-rock outfit he founded in 1989, and in 2026 he delivered one of the most ambitious releases of his career with “Twisted.” Now, the song has reached another major milestone: “Twisted” has been nominated for Song of the Year in the Metal/Alternative category at the Josie Music Awards.
The nomination places Blaze and SCARECROW among this year’s recognized independent artists and songwriters at the Josie Music Awards, with the awards ceremony set to take place at Nashville’s legendary Grand Ole Opry. For an artist whose career has been built on persistence, independence and decades of hard-rock storytelling, the recognition gives “Twisted” an entirely new chapter.

Written by John Blaze and Chaffin, “Twisted” pulls together a lineup of guest players that reads like a rock family reunion, built around Blaze’s long-standing friendship with Dee Snider and the legacy of Twisted Sister, a band woven into SCARECROW’s story from its earliest days.
That connection goes all the way back to the beginning. SCARECROW’s original lineup featured guitarist Eddie Ojeda, best known for his work in Twisted Sister, and the two camps have remained connected ever since. “Twisted” makes that history explicit: Dee Snider appears on the record with guest vocals during the track’s climactic second verse and chorus, lending the song an instantly recognizable jolt of arena-rock power.
Snider isn’t the only marquee name in the credits. Mark Wood, founding violinist of Trans-Siberian Orchestra, contributes electrifying violin work that gives “Twisted” a cinematic sweep uncommon in modern hard rock. Rounding out the track are TJ Jordan on lead guitar and Bobby Marks on drums, creating a powerful, road-tested foundation behind Blaze’s signature gritty vocal delivery.
The Josie Music Awards nomination feels particularly fitting because “Twisted” isn’t simply another SCARECROW release. It brings together different eras of Blaze’s musical life while pushing the band’s sound forward. There’s history in the recording, but there’s also urgency. It doesn’t sound like a band looking backward. It sounds like one with unfinished business.

For Blaze, the nomination also represents recognition of a career that has largely been built outside the traditional machinery of the mainstream music business. Independent rock artists rarely survive for decades without a fierce commitment to what they do, and SCARECROW’s longevity speaks for itself. From the band’s early years and its 1991 debut, through the Blood, Sweat and 20 Years retrospective and the theatrical production I Am SCARECROW, Blaze has continued developing a world around the music rather than simply releasing songs.
That makes the Song of the Year nomination especially meaningful. After nearly four decades of building SCARECROW, Blaze now heads to the Josie Music Awards at the Grand Ole Opry with one of his most ambitious songs recognized in the Metal/Alternative category.
And there’s something wonderfully appropriate about the song that got him there.
“Twisted” connects SCARECROW’s beginnings to its present, reunites Blaze musically with figures tied to the band’s history, and demonstrates just how much fire remains in the project. With Snider and Wood contributing to the record and Blaze still driving the band he created from the ground up, the track feels less like a nostalgic reunion than a statement of survival.
Now it’s also an award-nominated song.
For John Blaze and SCARECROW, nearly four decades into the journey, “Twisted” has become more than another entry in the catalog. It’s a career milestone — and this September, that milestone is taking SCARECROW all the way to the Grand Ole Opry.
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