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From Jams to Gems: Pseudopomp’s Atmospheric New Single ‘Only Just’

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Pseudopomp, the intriguing alt-rock duo comprising Greek musician Iosif and British-Bulgarian artist Katerina, returns with their highly anticipated sophomore single, ‘Only Just’. Following the promising debut track ‘23’, this latest offering solidifies their position in the indie music landscape, showcasing their signature blend of eerie alt-rock and unconventional songwriting.

Emerging from the vibrant London music scene, Pseudopomp’s genesis can be traced back to late-night jam sessions that occurred after rehearsals for a previous project. It’s this spontaneous, organic collaboration that fuels their distinctive sound, a captivating mix of haunting riffs, off-kilter rhythms, and evocative lyricism. ‘Only Just’ is a testament to this creative process, encapsulating the duo’s knack for crafting songs that are as emotionally resonant as they are sonically compelling.

Thematically, ‘Only Just’ is an anti-love song that delves into the tangled emotions of infatuation and the confusion that comes with it. The lyrics express a sense of helplessness in the face of love’s complexities, encapsulating feelings of frustration and vulnerability. Musically, the track is steeped in dark yet melodious alt-rock, with unsettling melodies that beautifully mirror the emotional unrest that the lyrics convey. The moment of climax at 2:28, punctuated by delicate piano notes, serves as a poignant epiphany, where the narrator confronts the inevitability of heartbreak, leaving a lingering sense of melancholy.

Pseudopomp’s decision to record all instruments themselves, in collaboration with producer Ben ‘Faz’ Farestvedt, further enhances the track’s raw authenticity. The duo’s commitment to their craft is evident as they have spent the summer engaging with London’s indie scene through a series of acoustic gigs, and they are now gearing up to perform with a full band. This evolution promises to elevate their atmospheric sound to new heights on stage.

In ‘Only Just’, Pseudopomp showcases not just their musical prowess but also their ability to weave narratives that resonate deeply with listeners. Their unique blend of raw emotion, spooky alt-rock, and unhinged energy positions them as one of the most exciting new acts in the indie scene today. As they continue to make waves, it will be thrilling to see how their sound evolves and what stories they choose to tell next.

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EMEREE’s Cinematic Pivot in ‘Eyesore’ from Pop Star to Pop Assassin

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EMEREE doesn’t just make music—she curates moments. Her latest single “Eyesore” is a cinematic, sarcastic scorcher that sets a new tone for the rising Australian powerhouse. From the candy-coated production to the horror-tinged DIY music video, EMEREE is creating her own genre: camp pop noir.

The single is a masterclass in balancing artistry with attitude. Co-created with Christian Tjandrawinata, “Eyesore” proves EMEREE isn’t here to play safe. She plays sharp, with razor-lined harmonies and lyricism that stabs with a smile. It’s not just catchy—it’s calculated. The beat bounces, the vocals glide, but it’s the burn in the lines that lingers.

Visually, EMEREE doubles down. The music video is a bloody wink to 80s slasher films, with a narrative as satirical as it is symbolic. She doesn’t just kill her ex on screen—she kills the whole trope. Pop stars often tell stories of heartbreak. EMEREE turns it into performance art.

EMEREE says, “Eyesore” is the anthem for anyone who’s ever dated someone who treated them horribly and just wasn’t hot enough to get away with it.”

EMEREE is making noise for all the right reasons—and with creative backing from CAA and sessions alongside Nile Rodgers and Invisible Men, she’s not just rising. She’s plotting her pop empire. “Eyesore” is both a warning shot and a love letter to anyone who’s ever made revenge their aesthetic.

It’s the start of something bold—and we’re already obsessed.

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