We Speak Music
From Jams to Gems: Pseudopomp’s Atmospheric New Single ‘Only Just’
Pseudopomp, the intriguing alt-rock duo comprising Greek musician Iosif and British-Bulgarian artist Katerina, returns with their highly anticipated sophomore single, ‘Only Just’. Following the promising debut track ‘23’, this latest offering solidifies their position in the indie music landscape, showcasing their signature blend of eerie alt-rock and unconventional songwriting.
Emerging from the vibrant London music scene, Pseudopomp’s genesis can be traced back to late-night jam sessions that occurred after rehearsals for a previous project. It’s this spontaneous, organic collaboration that fuels their distinctive sound, a captivating mix of haunting riffs, off-kilter rhythms, and evocative lyricism. ‘Only Just’ is a testament to this creative process, encapsulating the duo’s knack for crafting songs that are as emotionally resonant as they are sonically compelling.
Thematically, ‘Only Just’ is an anti-love song that delves into the tangled emotions of infatuation and the confusion that comes with it. The lyrics express a sense of helplessness in the face of love’s complexities, encapsulating feelings of frustration and vulnerability. Musically, the track is steeped in dark yet melodious alt-rock, with unsettling melodies that beautifully mirror the emotional unrest that the lyrics convey. The moment of climax at 2:28, punctuated by delicate piano notes, serves as a poignant epiphany, where the narrator confronts the inevitability of heartbreak, leaving a lingering sense of melancholy.
Pseudopomp’s decision to record all instruments themselves, in collaboration with producer Ben ‘Faz’ Farestvedt, further enhances the track’s raw authenticity. The duo’s commitment to their craft is evident as they have spent the summer engaging with London’s indie scene through a series of acoustic gigs, and they are now gearing up to perform with a full band. This evolution promises to elevate their atmospheric sound to new heights on stage.
In ‘Only Just’, Pseudopomp showcases not just their musical prowess but also their ability to weave narratives that resonate deeply with listeners. Their unique blend of raw emotion, spooky alt-rock, and unhinged energy positions them as one of the most exciting new acts in the indie scene today. As they continue to make waves, it will be thrilling to see how their sound evolves and what stories they choose to tell next.
London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.
Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’
‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.
Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.
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