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Hollow Profit Set to Transform Hip-Hop with New Album “CUIBONO?”

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At just 24 years old, Hollow Profit is ready to make his mark on the hip-hop world with his latest album, “CUIBONO?”. The rapper’s journey from a young music enthusiast to a dedicated artist has been fueled by a passion for lyrical storytelling and an undying love for the craft.

The story began in 2013, during a family road trip when Eminem’s iconic track “Berzerk” blared through the car speakers. That moment sparked something deep within Hollow, igniting a fervor for hip-hop that would soon define his life. Inspired by his sister’s existing interest in the genre, Hollow dove headfirst into the world of YouTube, immersing himself in the sounds of Eminem, Dr. Dre, NWA, and Kendrick Lamar. It was Kendrick’s groundbreaking album “To Pimp a Butterfly” that sealed the deal for him, compelling him to start writing his own lyrics.

At age 14, Hollow penned his first song, marking the start of an unwavering commitment to honing his craft. Each night, he dedicated hours to perfecting his bars, driven by a singular ambition—to be the best. His music is a testament to this dedication, influenced by Kendrick’s meticulous lyricism and MF DOOM’s unparalleled wordplay. The result is a sound that blends raw energy with intricate rhythms and a passion that resonates with listeners.

Leading up to “CUIBONO?”, Hollow has released four singles and a ten-track LP, The Prelude, but this new project marks a significant evolution in his career. “CUIBONO?” isn’t just another album; it’s Hollow Profit’s first serious, full-length offering. The record features an impressive lineup of collaborators including Nomrah, Dango Forlaine, Ronnie Alpha, Ty Farris, Junii, and Bruiser Wolf, showcasing a dynamic range of voices and styles. With production by 47 Quid and some tracks dating back to 2021, the album promises to deliver depth and innovation.

Hollow’s influences are deeply tied to his roots in Duluth, but “CUIBONO?” is poised to reach far beyond the Minnesota scene. The project aims to capture a unique blend of local flavor and universal appeal, showcasing a sound that’s both familiar and groundbreaking.

While building his fan base is at the forefront of his current goals, Hollow has ambitions that extend beyond his own career. He envisions establishing a recording studio in Duluth, with the hopes of nurturing local talent and helping other artists discover their voice. As an executive producer, he dreams of supporting the next wave of hip-hop artists and fostering a thriving community of musicians.

Hollow Profit is set to make waves and solidify his place in the hip-hop landscape.

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Acclaimed US singer-songwriter Juliet Lloyd to tour the UK for the first time this summer.

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Shortly after releasing her sophomore album in 2007, US-based singer-songwriter Juliet Lloyd walked away from music completely for more than 10 years, feeling burned out and unhappy with her career progression like so many other independent artists. After going through a divorce in 2019 and in the midst of a global pandemic, she found herself pulled back toward the siren call of songwriting and again making the leap to pursue it full time. Her latest album ‘Carnival’, released in 2024, is in many ways the culmination of those decisions, and the reintroduction of an artist who now has the wisdom of experience.

There’s an unmistakable urgency you can feel when a song is written and performed from a place of complete honesty. That feeling permeates ‘Carnival’. “I’ve always been envious of writers who say they write songs because they have to, because they had these things they just had to get out of themselves,” Juliet says. “I had never really felt that way until this album. I’ve become someone who writes because they have to.”

Stylistically, ‘Carnival’ draws on a range of influences from Laurel Canyon-era singer/songwriters, to Lilith Fair rockers, to confessional country/folk balladeers, to indie pop. The central theme of the record and that of its title track is not being too precious about any one experience or decision. Take them for what they are, live in the moment, and move on when they’re done. It acknowledges also that memory can be subjective, and ambiguous—was an experience ultimately a good thing or a bad thing? And whose memory can you rely on to determine the answer to that question?

‘Carnival’ doesn’t just deal with the complexities of ending relationships, it also deals with all the feelings that come with moving on. The album’snine songs feature evocative storytelling that reveals a simple truth: when the carnival inevitably leaves town, you’re left with an empty parking lot. And how you remember, it is a choice. As Juliet sings in the title track, “If only there was a way you could bottle up that feeling / and you’d drink it in / when the days are short and you long.”

Across her 20+ year career, Juliet has been admittedly stylistically non-monogamous. Her first full-length album, ‘All Dressed Up’, was released in 2005 and was heavily jazz-influenced- a label that she rejected at the time. “I am a piano player and a woman, so I was immediately compared to Norah Jones—and I bristled at that,” Juliet says. “Listening back now, I can totally see that it was true, and it of course wasn’t a bad thing.” Her follow-up release ‘Leave the Light On,’ came out two years later and featured a slick piano-pop production that led to five of its songs being placed on reality TV shows on MTV and VH1. Coming back after her 10-year break from writing and recording, Juliet released ‘High Road’, a collection of five Americana/soul-tinged songs produced by Jim Ebert (Meredith Brooks, Shai) that earned her widespread recognition and songwriting awards both in her home region of DC as well as nationally.

Now with her first ever UK tour scheduled for July 2025, Juliet has also dropped a completely brand-new single ‘Wild Again’, which like ‘Carnival’, was written with and produced by Todd Wright (Lucy Woodward, Butch Walker, Toby Lightman). ‘Wild Again’, however, charts yet another new step in Juliet’s journey.

Carnival’, is full of deeply personal songs that are drawn from my real-life experiences and relationships. Coming out of that album cycle, I was feeling a little exhausted by my own navel-gazing and I was craving inspiration elsewhere. So, a lot of the songs I’m writing now are an evolution of sorts – focused more on external stimuli and finding the personal stories and humanity in that. Wild Again is a perfect example of this,” she explains.

The idea for ‘Wild Again’ was born out of a NY Times podcast Juliet listened to about the real-life efforts to return the whale that played Willy in the iconic movie ‘Free Willy’ back into the wild.

“It’s an insane, heartbreaking story that asks all kinds of thorny questions about human responsibility and humility and what’s the “right” thing to do and is that the same as the “kind” thing to do. There was a line that one of the trainers said in the podcast, explaining that they were trying to “train him to be wild again.” The complete absurdity of that statement hit me in the moment, and I immediately started jotting down lyrical ideas”, Juliet says.

Catch Juliet Lloyd on her UK tour this July:

1st July: The Folklore Rooms / Brighton
2nd July: The Hyde Tavern / Winchester
3rd July: Hen and Chicken / Bristol (CRH Music promotions)
4th July: Artisan Tap Hartshill / Stoke-on-Trent

5th July: Waggon & Horses, Nottingham

6th July: Cafe#9 / Sheffield
7th July: Hyde Park Book Club / Leeds
10th July: FortyFive Vinyl Café / York
11th July: The Muddy Puddle / London
13th July: The Wrotham Arms / Broadstairs

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