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Hollow Stare Redefines Metal with ‘Diary Of A Madman’

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Hollow Stare has officially unleashed their highly anticipated album, Diary Of A Madman, a bold and masterful exploration of progressive metal and deathcore that promises to reshape the boundaries of the genre. Following the success of their debut single “Sleep,” the duo has elevated their sound with this full-length release, diving deep into the emotional and sonic landscapes that define their musical vision.

A Sonic Journey Through Madness

Diary Of A Madman is not just an album; it’s a journey. From start to finish, the record pulls listeners through a compelling narrative filled with epic, angry, and melancholic themes. Hollow Stare has crafted a unique blend of brutal riffs and beautifully melodic passages, creating a sound that is as emotionally resonant as it is sonically intense.

One of the standout tracks on the album is “I’m Barely Alive,” a song that exemplifies the depth and complexity of Hollow Stare’s music. This track, born from vocalist and drummer Ben Fleming’s desire to convey profound heartbreak, begins with an orchestral intro composed by multi-instrumentalist Daniel Friedman-Posner. The orchestration, performed by the London BBC Symphony, sets a dramatic tone that is both cinematic and overproduced in the best way possible. The integration of instruments like the .strandberg* Boden 8 Prog and the Dingwall NG3 bass creates a rich, full-bodied sound that underscores the song’s intense emotionality.

Evolution and Mastery

Hollow Stare’s journey from a promising new act to a powerful force in the metal scene is palpable in Diary Of A Madman. Formed in 2023 by Daniel Friedman-Posner and Ben Fleming, the duo has a long history of collaboration, which shines through in their seamless fusion of progressive metal and deathcore. Their sound is influenced by heavyweights like Periphery, Nine Inch Nails, and Lorna Shore, but they have managed to carve out a unique identity that is unmistakably their own.

Daniel’s expertise in production and Ben’s raw vocal power combine to create a sound that is both hard-hitting and sophisticated. Their debut single “Sleep” garnered significant attention, including top-chart placements and playlist features, which set the stage for the album’s release. However, Diary Of A Madman takes their artistry to new heights, showcasing their evolution as musicians and their commitment to pushing the boundaries of what metal can be.

Discovering a Unique Sound

For Daniel and Ben, Diary Of A Madman represents a pivotal moment in their creative journey. “’I’m Barely Alive’ is a song that defines the sound Ben and I have in our heads,” says Daniel about the lead track. “With our previous releases, we were setting the stage, but with this track, we feel we’ve truly discovered our unique sound and direction.” This sentiment echoes throughout the album, as each track builds on the last, leading listeners through a labyrinth of sound that is as complex as it is cohesive.

The Road Ahead

Hollow Stare’s momentum shows no signs of slowing down. Their debut single “Sleep” achieved notable success, including a top 5 spot on the charts in Dallas, TX, and widespread playlist placements. As their fanbase continues to grow, so does their potential to make a significant impact on the metal scene. Diary Of A Madman is more than just a collection of songs; it’s a declaration of intent from a band that is poised to redefine what it means to be a metal act in the modern age.

With Diary Of A Madman, Hollow Stare has proven that they are a force to be reckoned with. This album is a must-listen for fans of progressive metal and deathcore, as it offers a fresh and innovative take on the genres while staying true to the raw emotional core that defines their music. As they continue to evolve and push the boundaries of their sound, Hollow Stare is undoubtedly a band to watch in the years to come.

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Waz-u drops ambient gem ‘Vermillion’ ft. Lilyg

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London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.

Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’

‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.

Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.

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