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Inside Dayfiction’s ‘Divine Intermission’: Post-Punk at Its Most Restless
There’s a constant sense of motion running through Dayfiction’s Divine Intermission, even in its quietest moments, the record feels like it’s trying to outrun something. Maybe it’s adulthood. Maybe it’s isolation. Maybe it’s the overwhelming monotony of modern life. Whatever the target, the Virginia post-punk outfit attack it with sharp songwriting, towering atmosphere, and an intensity that rarely lets up.
The five-piece have moved quickly since forming in 2024. Early releases hinted at a band still tethered to garage rock spontaneity, but over the course of 2025, Dayfiction transformed into something far more focused and emotionally expansive. Their recent material has steadily embraced mood and tension over raw immediacy, culminating in an EP that feels both cinematic and deeply claustrophobic.
That contrast defines Divine Intermission. Written during a period where friends were leaving, routines were changing, and frontman Evan Solomon found himself trapped in emotional limbo, the record captures the strange disconnect of transitional periods. Solomon’s lyrics often feel observational and fragmented, as though documenting emotional fallout in real time rather than reflecting on it from a distance.
Instrumentally, Dayfiction thrive in friction. The guitars scrape and swell with controlled chaos, often sounding on the verge of collapse before pulling themselves back together. Hannah Johnson’s drumming gives the songs a relentless pulse, while Jackson Prior’s basslines provide a sense of gravity beneath the noise. Together, the band create a soundscape that feels urgent without sacrificing atmosphere.
There are echoes of post-punk greats throughout the EP, Gang of Four’s rhythmic tension, The Cure’s emotional depth, Shame’s explosive energy, but Dayfiction avoid falling into imitation because their songwriting feels so rooted in present anxieties. Divine Intermission isn’t nostalgic. It sounds like five people trying to process uncertainty as it unfolds around them.
As the band continue building momentum between Richmond and New York City, this release feels like a defining step forward. Divine Intermission captures Dayfiction at the exact moment where ambition, anxiety, and artistic identity collide, and the collision makes for some of their most compelling work yet.
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We Speak Music
VAAST drops “Remember These Days” and it seriously feels like the future of French pop
France has given the world some of its biggest electronic icons. From Daft Punk to DJ Snake and David Guetta, French artists have shaped global music culture for decades. But lately, finding a track that mixes real emotion, cinematic vibes and dance energy all at once? Pretty rare.
That’s exactly where Vaast steps in.
His new single “Remember These Days” is an addictive mix of modern French electronic production and timeless pop songwriting. Think emotional melodies, huge atmosphere, deep basslines and the kind of track you want both in your headphones at 2AM and blasting during a late-night drive.
The production blends layered synths, marimba-inspired textures, synthetic African vocal elements and immersive cinematic energy. And yes, there’s even inspiration pulled from Avatar, the legendary movie universe that defined a whole cultural era. That influence gives the track its futuristic-but-nostalgic feeling, like a memory from the future.
